Predator: Badlands (2025) | REVIEW

Dimitrius Schuster-Koloamatangi’s Dek in PREDATOR: BADLANDS — PHOTO: 20th Century Studios (Still image from trailers).

Directed by Dan Trachtenberg — Screenplay by Patrick Aison.

Predator: Badlands is the ninth (seventh if you don’t include the Alien vs. Predator crossovers) film about the alien creatures that we call ‘predators,’ one of which once went toe to toe with Arnold Schwarzenegger’s Dutch in the jungle in John McTiernan’s 1987 sci-fi action classic Predator. In the past few years, 10 Cloverfield Lane director Dan Trachtenberg has tried his best to take the franchise in a new direction with the fantastic live-action prequel titled Prey, where a Comanche woman encountered a Predator, and, more recently, with the animated triptych-esque Predator: Killer of Killers. Both of those Trachtenberg films were released straight to streaming, but now, with his third outing as a director of a Predator film, Predator: Badlands, time will tell if the higher budget and Trachtenberg’s ambitious storytelling will get the audience they deserve. Because, frankly, I think it is a very cool step in the right direction for the long-running franchise. 

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Predator: Killer of Killers (2025) | REVIEW

A hulking Predator in PREDATOR: KILLER OF KILLERS — PHOTO: DISNEY.

Directed by Dan Trachtenberg — Screenplay by Micho Robert Rutare.

With 2022’s Prey, 10 Cloverfield Lane director Dan Trachtenberg proved himself capable of shepherding the Predator franchise and steering it in a new and exciting direction. Now, in 2025, Trachtenberg’s next moves with the iconic sci-fi horror action film series are coming our way. This November, his second live-action Predator-film, Predator: Badlands, is set to premiere theatrically, but if you’re jonesing for more Trachtenberg-Predator goodness right now, then you’ll be happy to know that Disney+/Hulu just released a brand new Predator from Trachtenberg that is unlike anything you’ve ever seen from this franchise, given the fact that it is actually a fully animated film. That may not sound like the ideal way to tell these stories, but, in actuality, Trachtenberg has, with Predator: Killer of Killers, used the medium to pull off some genuine wish-fulfillment Predator movie moments that are exactly as out there and as gory as you could possibly like.

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REVIEW: Prey (2022)

Amber Midthunder plays a young Comanche warrior who goes up against a fearsome, trophy-hunting Predator in Dan Trachtenberg’s PREY — PHOTO: Disney+ / 20th Century Studios.

Directed by Dan Trachtenberg (10 Cloverfield Lane) — Screenplay by Patrick Aison — Story by Patrick Aison & Dan Trachtenberg.

When I was a kid, my father would often want to watch the Alien and Predator films with me. Truth be told, I was probably a little bit too young to watch them when I did, but I didn’t mind and they never gave me nightmares. Instead, for me those films helped to create a love for sci-fi action and sci-fi horror, and I really love watching them over and over again, even though not all of the films are great. As a kid, I vividly remember that, to me, mindblowing moment when an easter egg in Predator 2 revealed a connection between those two franchises.

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Best of the 2010s: Directorial Debut Films

There is something very exciting about a directorial debut. Obviously, the filmmaker is excited about their first chance to step behind the camera on a feature film, but, as an audience member or film writer of any kind, it is so fascinating to see the choices being made. Sometimes some of the boldest and most imaginative filmmakers present us with instant classics, other times newcomers deliver a product that may not be extraordinary filmmaking but which may still be a moving or exciting motion picture. In this month’s best of the decade list, I’m honoring the very best directorial debuts. Some of them are first works for potential auteurs, while others are impressive blockbuster entertainment from untested new filmmakers just learning the ropes. Continue reading “Best of the 2010s: Directorial Debut Films”

REVIEW: 10 Cloverfield Lane (2016)

Theatrical Release Poster – Bad Robot – Paramount

The following is a review of ’10 Cloverfield Lane’, a Dan Trachtenberg film.

Let’s talk about expectations. The tagline of the film, “Monsters come in many forms,” is the truest representation of the film. With the original Cloverfield we were treated to a found-footage monster movie, but 10 Cloverfield Lane is a much more polished, suspenseful, and mysterious thriller. It is a very different movie, so manage your expectations. But I think I actually like 10 Cloverfield Lane more than its titular relative.  Continue reading “REVIEW: 10 Cloverfield Lane (2016)”