To tell you the truth, I couldn’t possibly tell you how many times I’ve watched the ending of Bo Burnham’s previous comedy special, Make Happy. With his closing song “Can’t Handle This,” he showed everyone watching the kind of uniquely gifted talent he is. I remember thinking so many times about the line from the song that intimated that Burnham struggled to make himself happy, and I also learned since then that he quit stand-up comedy shows due to him having suffered from severe panic attacks on stage. But his talents off the stage have nonetheless shone since then, which was evident from his incredible directorial feature film debut, Eighth Grade.Continue reading “Bo Burnham’s ‘Inside’ is the First Masterpiece of 2021”
To say that 2020 was unique for everyone on the globe would be a massive understatement. The year will obviously be remembered for the shocking and world-changing impact of the COVID-19 pandemic. I think most people would agree that 2020 was a pretty bad year, all things considered, even though there definitely were good things that happened along the way. But today, on New Year’s Eve, I want to take one last look back on the tumultuous year and, since this is primarily a blog about films and television, how it forever altered the film and movie theater industry Continue reading “Goodbye 2020: Mads Mikkelsen did what Nolan and Warner Bros. failed to do”
Directed by Rob Savage — Screenplay by Gemma Hurley, Rob Savage, and Jed Shepherd.
Whether we would like it to happen or not, I am sure that over the next many years we will be treated to several films about, or simply set during, the Coronavirus Pandemic. It will be interesting to see what films treat that period of time appropriately and if any films about said period can stand the test of time. However, today I want to talk about the first fictional film that I have ever seen that directly mentions the Coronavirus pandemic, which is the Rob Savage-helmed techno-horror film Host. Continue reading “REVIEW: Host (2020)”
Written and Directed by Aaron Sorkin (Steve Jobs) — Distributed by Netflix.
Back in July 2020, news broke that Netflix had acquired the distribution rights to this Aaron Sorkin legal drama following negotiations with Paramount Pictures. The global COVID-19 pandemic had made it difficult for Paramount to live up to the promise of a wide theatrical release this year especially since it was, reportedly, important for the filmmakers to have their film released to the public prior to the 2020 United States Presidential Election in November. Netflix provided them with a feasible and acceptable way out. The Trial of the Chicago 7 has now been released globally on the popular streaming service, thus giving Americans a chance to watch this drama before casting their vote. Continue reading “REVIEW: The Trial of the Chicago 7 (2020)”
The following is a review of Train to Busan: Peninsula (‘반도’) — Directed by Yeon Sang-ho.
Due to the COVID-19 pandemic, cinephiles have stayed away from their beloved cinemas for several months, but, at the end of July, I finally went back to the movie theater. Now, obviously, I should say that this was only possible for me because I live in Denmark where movie theaters have been open since the end of May 2020. Please note that you should absolutely only go to the movie theaters if it is safe to do so where you live. But I will say that it was good to be back, even though the movie that I returned to the movie theater to watch maybe didn’t give me the escapism that I may have needed. After all, this is a movie about a dangerous epidemic in an Asian country that leads to quarantines and lockdowns. Nevertheless, I was very happy to be able to watch a new movie in an actual movie theater for the first time in several months. Again, it was good to be back. Continue reading “REVIEW: Train to Busan: Peninsula (2020)”
The following is a review of Greyhound — Directed by Aaron Schneider.
Though not the first Apple TV+ film (it was preceded by two documentaries, Minhal Baig’s Hala, and George Nolfi’s The Banker), Aaron Schneider’s Greyhound is almost definitely the biggest, most expensive, and most widely seen Apple TV+ film released thus far. Originally scheduled to be released by Sony Pictures in theaters around the world, Greyhound was, due to the COVID-19 Pandemic, delayed and later sold to Apple TV+ for a reported sum of $70 million. With the acquisition, Apple TV+ was granted not just a marketable war flick with a household name in the lead role, Apple also received a genuinely good and entertaining film. Continue reading “REVIEW: Greyhound (2020)”
A couple of weeks ago, I presented my readers with a list of films or shows to binge-watch during your self-isolation due to the current coronavirus pandemic. I decided to focus on shows that I had not previously reviewed, or had no intention of reviewing. Since the pandemic has not come to an end, I thought it would be a good idea to recommend some extra options. So, today, I present you with another small handful of binge-watching options, none of which I have previously reviewed on this site. Continue reading “What To Watch During the Coronavirus Pandemic, Part II – Special Features #68”
If you’re like me, you spend a lot of your time during your Coronavirus pandemic self-isolation by watching a truckload of films and shows. In this edition of Special Features, I have listed several films and television shows that I have watched recently. Also, I obviously recommend that my readers watch both Westworld and Better Call Saul, but since I am reviewing — or plan to review — these shows, I won’t be discussing them in this article. In fact, I don’t currently plan to write lengthy reviews of most of the shows or films that I am specifically writing about in this article. However, that does not mean that I don’t have plenty of shows or films that I want to recommend. Let’s dive in. Continue reading “What To Watch (Or Not Watch) During the Coronavirus Pandemic – Special Features #67”
The twenty-fifth James Bond film produced by Eon Productions, Cary Joji Fukunaga’s NO TIME TO DIE, was scheduled to be released just next month on April 2nd in most of the world and on April 10th in the United States. The coronavirus outbreak has now affected most of the world, and major events all over the world are now likely to be either canceled or postponed. Now MGM, Universal Pictures, and Eon Productions have announced that the publicity tour and the global release of the film have been postponed to November 2020 to minimize the risk of infection at movie theaters all over the world and to ensure commercial success. Continue reading “‘NO TIME TO DIE’ Theatrical Release Postponed Due to Coronavirus Outbreak – Special Features #64”