Directed by Guillermo Del Toro and Mark Gustafson — Screenplay by Guillermo Del Toro and Patrick McHale – Story by Guillermo Del Toro and Matthew Robbins.
The story of Pinocchio has been told and retold over and over again since Carlo Collodi first wrote it in the 1880s. Nowadays it is mostly known for its classic 1940s Disney adaptation about a wooden boy who wants to be real and who sings the classic line about there being no strings on him. This year, Disney even tried to release a live-action remake which came and went without making much of an impression. Hopefully, fate will be kinder to Netflix’s stop-motion animation film that is directed by Guillermo Del Toro and Mark Gustafson, as it presents a more mature version of the story that updates the classic tale to a time of war.
In Guillermo Del Toro’s Pinocchio (titled thusly, even though he is not the only credited director), Geppetto (voiced by David Bradley) is heartbroken from the loss of his son Carlo decades ago in a bombing raid. On one of his nights out drinking, Geppetto screams angrily to the skies as lightning flashes above, and the woodcarver decides to cut down the pine tree that was planted in his son’s memory. Geppetto goes to work and carves the tree until he has created a wooden boy. When Geppetto passes out, Sebastian J. Cricket (voiced by Ewan McGregor) witnesses a spirit bringing the wooden boy to life as Pinocchio (voiced by Gregory Mann). Adamant that Pinocchio must be exactly like Carlo and be kept away from real-world dangers, Geppetto soon finds out that he cannot control his new lively boy, who gradually becomes more and more interesting to a traveling circus and the Italian government.
Directed by Guillermo Del Toro – Screenplay by Guillermo Del Toro & Kim Morgan.
Based on the 1946 William Lindsay Gresham novel of the same name (which was first adapted by Edmund Goulding in 1947), Guillermo Del Toro’s Nightmare Alley follows a mysterious drifter named Stan Carlisle, who is hired by a carnival and soon becomes fascinated by the mentalist techniques that his co-workers have made a living off. When he leaves the carnival to thrive off the techniques that he has acquired, he became infatuated by the power of his act and the money that they lead him to. It won’t be long until he decides to fool the wrong person.
It’s time for another full franchise or filmmaker review. Today, I’m taking a look back at the well-renowned animated movie trilogy of How To Train Your Dragon-films, which I, believe it or not, had never seen before I started writing this article. Just like with my single article film series review of the Mission: Impossible films, you’ll find reviews of each of the three How To Train Your Dragon-films in this one article. Do note that there may be some spoilers in the three reviews. Continue reading “REVIEWS: The ‘How to Train Your Dragon’ Trilogy”→
The following is a review of Mowgli: Legend of the Jungle — Directed by Andy Serkis.
I feel so bad for Andy Serkis. Back in 2014, Andy Serkis, who, in spite of some secondary or assistant positions on other films, had never directed a film before, was hired to direct Warner Bros.’ CGI-heavy version of Rudyard Kipling’s The Jungle Book. Though the studio had been in talks with prominent directors since 2012, it was Serkis who was eventually chosen to bring this film to audiences around the world. Continue reading “REVIEW: Mowgli: Legend of the Jungle (2018)”→
The following is a review of Thor: Ragnarok – Directed by Taika Waititi
Are you the kind of person whose idea of a good time is watching a Norse God beat up countless of faceless goons on a rainbow bridge while Led Zeppelin’s Immigrant Song plays? If that is a ‘yes,’ then there is a pretty good chance that you are going to fall in love with Thor: Ragnarok, which also includes a scene where the Hulk fights a supersized wolf. It sounds too good to be true. It isn’t. Continue reading “REVIEW: Thor: Ragnarok (2017)”→
Thor: Ragnarok is one of the most intriguing superhero films this year. It’s being directed by Taika Waititi, who is primarily known for What We Do in the Shadows and Hunt for the Wilderpeople. The two previous Thor films were directed by, first, a fantastic Shakespearian actor-director and, then, a TV director most known for his work on Game of Thrones and The Sopranos. Based on this trailer, Waititi’s version may not take itself as seriously as one might’ve feared. Continue reading “TRAILER RECAP: Thor: Ragnarok – Teaser Trailer”→
Premiering today is a new monthly opinion piece wherein I name one of my favorite actors or actresses. Favorite Thespians contains three separate sections: one section on the first film I saw the thespian in (“On My Radar”), another section on 5 films you need to see to know the thespian (“Homework”), and a section on my favorite performance from him/her. This month my favorite thespian is Leonardo DiCaprio!