REVIEW: The Batman (2022)

The Batman (played by Robert Pattinson, left) and Selina Kyle (played by Zoë Kravitz, right) get up close and personal in THE BATMAN — Photo: DC Comics / Warner Bros.

Directed by Matt Reeves (War for the Planet of the Apes) — Screenplay by Matt Reeves & Peter Craig.

I was elated when Robert Pattinson was announced to play Batman. Pattinson’s work in independent films had impressed me so much, and I thought he was a pretty obvious choice for the role. However, as many people know, Batman movies always lead to premature casting criticism (people were critical of Heath Ledger, Michael Keaton, and Ben Affleck long before they had even seen them in their respective films). I remember receiving rude comments about my excitement for Pattinson as Bruce Wayne. After having finally seen the film, I can honestly say that I feel vindicated. Pattinson is great and Reeves has once again made an outstanding blockbuster film in a vastly popular (and, to some, tired) franchise.

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REVIEW: The Green Knight (2021)

The titular character in David Lowery’s THE GREEN KNIGHT — Photo: A24.

Directed by David Lowery — Screenplay by David Lowery.

In the last decade, filmmaker David Lowery has made his filmography appear rather varied and really interesting. The thing is that while he has made these very independent films like this one and A Ghost Story, he has also tried his hand with some more populist films like the live-action adaptation of Pete’s Dragon, which I thought was surprisingly terrific. However, this, The Green Knight, is undoubtedly my favorite film of his thus far.

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REVIEW: Eternals (2021)

Marvel’s team of Eternals unveiling themselves to the people of Mesopotamia in the film’s opening sequences — PHOTO: Marvel Studios.

Directed by Chloé Zhao — Screenplay by Chloé Zhao, Patrick Burleigh, Ryan Firpo, and Kaz Firpo.

Although their films are immensely popular, it isn’t every day that Marvel Studios work with Academy Award-winning film directors, which makes Eternals special even on paper. Chloé Zhao, the Chinese-born acclaimed filmmaker behind Best Picture winner Nomadland, did, however, choose to have a major superhero blockbuster film be her follow-up to her poetic Oscars-favorite. In my experience, Zhao’s films (of which I think The Rider is probably her best work), which often feature non-actors, are defined by their open landscapes, contemplative themes, and an unshakable feeling that her narrative films are documentary-like. Therefore, this superhero epic is almost certainly her most accessible film, but it is also true that it feels different than most Marvel Cinematic Universe (MCU) films. Frankly, while there is a lot that I like here, I think Eternals ended up being a little bit too ambitious for its own good.

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Double Feature: Jack O’Connell – Special Features #72

A couple of weekends ago, I noticed that two films that had been on my watchlist for a very long time had been released on HBO Nordic. What these two films had in common was their lead actor. Both films featured British actor Jack O’Connell prominently. O’Connell is a BAFTA Award-winning young actor who I had previously only seen in the British horror flick Eden Lake, so I didn’t know a lot about him. Therefore I spent the weekend checking out both films to familiarize myself with one of Britain’s finest actors of his generation. Continue reading “Double Feature: Jack O’Connell – Special Features #72”

REVIEW: Chernobyl (2019 – Mini-Series)

Release Poster – HBO

The following is a review of the HBO / Sky Atlantic Limited Series Chernobyl — Created by Craig Mazin.

While Game of Thrones, HBO’s proudest possession, was coming to an end amid fan uproar and disappointment, the co-writer of The Hangover Parts II and III, Craig Mazin, was quietly releasing his masterpiece to the world on the very same television network. Released alongside an in-depth after-the-episode podcast, Chernobyl is, now that it has ended, starting to earn the acclaim and popularity that it deserves. I think Chernobyl is one of the most accomplished mini-series that I’ve ever seen, if not the most incredible and impressive of its kind. Continue reading “REVIEW: Chernobyl (2019 – Mini-Series)”

5th I’m Jeffrey Rex Awards, Part Two – 2017

This is it. The second half of the 5th annual I’m Jeffrey Rex Awards is ready, and this is the big half, to me. The awards that I’ll go through today are focused on film and documentaries, and I specifically wanted to get these out of the way before the Oscars were held. However, as I am a Dane, there are some films that have been deemed ineligible for these awards due to the fact that they (films like Lady Bird and The Post) will not be released in Denmark until April. Keep that in mind. Without further ado, let’s get to it.
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REVIEW: The Killing of a Sacred Deer (2017)

Theatrical Release Poster – A24 & Curzon Artificial Eye

The following is a review of The Killing of a Sacred Deer – Directed by Yorgos Lanthimos.

Danish auteur Lars Von Trier — the director behind such films as Breaking the Waves, Melancholia, and Anti-Christ — once said that a film should be ‘like a rock in your shoe.’ The newest work from Greek auteur Yorgos Lanthimos titled The Killing of a Sacred Deer is that kind of film. Continue reading “REVIEW: The Killing of a Sacred Deer (2017)”

REVIEW: Dunkirk (2017)

Theatrical Release Poster – Warner Bros. Pictures

The following is a review of Dunkirk – Directed by Christopher Nolan.

Christopher Nolan is one of the most celebrated directors of the 21st century thus far, and it is for a good reason. In my opinion, Christopher Nolan hasn’t made a bad film yet, and I would even go as far as saying he has made multiple masterpieces and very few missteps in the last fifteen-to-twenty years. While Dunkirk doesn’t contain the most impressive story, it is an amazingly impressive film. Dunkirk is a technical masterpiece and the best film of the summer of 2017.
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