The following is a review of The Highwaymen — Directed by John Lee Hancock.
Set in 1934, The Highwaymen, from director John Lee Hancock (The Blind Side; Saving Mr. Banks), tells the story of two former Texas Rangers, Frank Hamer (played by Kevin Costner) and Maney Gault (played by Woody Harrelson) who were hired by Texas governor ‘Ma’ Ferguson (played by Kathy Bates) to stop the notorious criminals Bonnie Parker and Clyde Barrow by any means necessary. Continue reading “REVIEW: The Highwaymen (2019)”→
The following is a review of VENOM — Directed by Ruben Fleischer.
Last year, director Daniel Espinosa’s sci-fi film LIFE was released to mixed-to-positive reviews. I liked that film much more than I thought I would, and I was impressed with how such an under-the-radar sci-fi film somehow had a cast with A-list stars in it. Back when we were still only waiting for LIFE to be released, a fun fan theory surfaced online: what if LIFE was actually a prequel to the then-upcoming Sony Spider-Man spin-off film known as Venom?Continue reading “REVIEW: Venom (2018)”→
The following is a review of Solo: A Star Wars Story — Directed by Ron Howard.
Okay, let us get one thing out of the way early on. We all expected this film to fall apart. Most of us had this sinking feeling that told us we were getting a film that had fallen apart during production. Just like with Rogue One: A Star Wars Story, behind the scenes news made us worry about the film, but it was even worse this time with Solo. Continue reading “REVIEW: Solo: A Star Wars Story (2018)”→
The following is a review of Three Billboards Outside Ebbing, Missouri – Written and Directed by Martin McDonagh
To say that you’ve seen Martin McDonagh’s entire filmography isn’t all that impressive. The Irish playwright’s filmography only includes his excellent Oscar-winning short film Six Shooter and now three feature films. But in these few films McDonagh has already established some trademark elements that are always in his films. Unstable and impulsive male characters that are often marked by their previous misdeeds, some kind of stable mentor or friend to the impulsive male, lots and lots of curse words, oh and he’s a big fan of joking about little people. Continue reading “REVIEW: Three Billboards Outside Ebbing, Missouri (2017)”→
The following is a review of War for the Planet of the Apes – Directed by Matt Reeves.
As I sat down to watch War for the Planet of the Apes last week, I was reminded of how overlooked this franchise and, indeed, this trilogy has been this decade. I remember how I expected nothing from the first film in this reboot trilogy – Rise of the Planet of the Apes – but also how much I was blown away by it.
When Rupert Wyatt was replaced by Matt Reeves, who had previously directed Cloverfield and the American remake of Tomas Alfredson’s Let the Right One In, I began to worry about the state of the Apes-franchise yet again.
Yet Dawn of the Planet of the Apes was good enough to be considered for end of the year-top ten lists. War for the Planet of the Apes is no different. In fact, I think Reeves has outdone himself and made what will ultimately be one of the best films of the year. Continue reading “REVIEW: War for the Planet of the Apes (2017)”→