(Clockwise L-R) Natasha Lyonne in POKER FACE (Peacock / SkyShowtime), Harrison Ford and Lukita Maxwell in SHRINKING (Apple TV+), Carla Gugino in THE FALL OF THE HOUSE OF USHER (Netflix), FOR ALL MANKIND (Apple TV+), and THE BEAR (Disney+ / FX).
Just like with the previous edition of Additional Bite-Sized Reviews, the point of this post is to function as a review compilation, if you will, of some notable 2023 television series that I’ve either just caught up with or which I never found the time to write about when they were released way back when. For this post, I have specifically highlighted five of the past year’s best shows. For quite a few of these, I had initially intended to write extensive, long reviews, but time flew by and now I just feel the need to get my thoughts out there on some of my favorite shows from 2023.
James Gunn’s Guardians of the Galaxy, Vol. 3 has been released, Gunn has finished his trilogy, and his time at Marvel is seemingly in the rearview mirror whether we like it or not. Warner Bros. and DC made a good decision to allow him to guide the direction of a shared universe of films based on DC Comics, which was something I advocated for in my review of his excellent The Suicide Squad film. Although his first DC film as a director, Superman Legacy, is still a couple of years away, now is as good a time as any to have a look at what actors would be good fits for the most iconic characters in Clark Kent’s corner of the DC Universe. So, without further ado, let’s have a look at some casting ideas for the upcoming Superman: Legacy film.
(L-R) Peter Quill (Chris Pratt), Drax (Dave Bautista), Rocket (Voiced by Bradley Cooper), Gamora (played by Zoe Saldana), Groot (voiced by Vin Diesel), Nebula (played by Karen Gillan), and Mantis (played by Pom Klementieff) in GUARDIANS OF THE GALAXY, VOL. 3 — PHOTO: Walt Disney Studios Motion Pictures.
Directed by James Gunn — Screenplay by James Gunn.
“What a bunch of a-holes,” were the last words spoken in the very first trailer for James Gunn’s original Guardians of the Galaxy film back in 2014. Here was a trailer that introduced Marvel Studios’ biggest swing at that point in time — a team-up film built around a talking raccoon, a Chewbacca-esque tree, a wrestler in body paint, Avatar’s leading lady having swapped out her blue alien for a green one, and a minor supporting actor from Parks and Recreation, who was thrust into a stardom that he still enjoys. Back then it seemed like a huge risk to back C or D-list Marvel characters, but a lot can happen in nine years. Now, Rocket, Groot, Drax, Gamora, and Star-Lord are some of the most beloved characters in the Marvel Cinematic Universe, they had their own Star Wars-inspired Holiday Special just last Christmas, and the films’ director, James Gunn, is about to end his time with Marvel after having been both fired from (due to social media ‘receipts’ detailing offensive jokes) and re-hired for this very film in the late 2010s. Gunn didn’t just revive Blue Swede’s “Hooked on a Feeling,” and make your mom and dad know who Groot is, Gunn also established himself as one of Marvel’s actual auteur filmmakers, which is a reputation that has landed him a huge job over at Warner Bros. as the shepherd of the soon-to-be rebuilt DC Comics cinematic universe. But first, he had to finish his Marvel Studios trilogy. And, so, how did it turn out? Well, let’s just say, James Gunn’s Guardians of the Galaxy films go out on a high note, as they are now arguably the very best Marvel Studios trilogy.
The following is a review of Midsommar — Directed by Ari Aster.
As a Scandinavian, any film that revolves around Scandinavia or a specific part of Scandinavian culture, naturally, intrigues me greatly. So Midsommar already had my curiosity, but Ari Aster’s involvement pulled me in and seized my attention, as it were. Ari Aster is one of the most interesting new filmmakers. He is a gifted director whose first narrative feature — Hereditary — was one of the best and most disturbing horror films of the decade. With one of the decade’s best films in the genre under his belt already, his second feature film had a lot to live up to, and even though Midsommar isn’t quite as accessible as his directorial debut, Aster’s slow-burn second feature film showcases his distinct visual style, has thematical depth, and it proves that he is one of the most exciting new auteurs. Continue reading “REVIEW: Midsommar (2019)”→
The following is a short review of Black Mirror: Bandersnatch — an interactive film on Netflix.
Black Mirror as a series has become one of those anthology series events that I look forward to every time it pops up on Netflix. Black Mirror gives us decent-to-great science-fiction stories that don’t always seem far-fetched. But no Black Mirror episode has felt more like an event than its first interactive film — Bandersnatch — which was released on Netflix today. Continue reading “REVIEW: Black Mirror: Bandersnatch (2018)”→
The following is a review of Netflix’s War Machine – Directed by David Michôd.
In 2015, Netflix acquired the distribution rights to a film directed by David Michôd and starring Brad Pitt, one of the true movie stars of our day. Netflix acquired the film prior to having premiered both Beasts of No Nation and The Ridiculous Six later in 2015, and this film was thus one of the first major motion picture projects that Netflix had acquired.
Now, in the summer of 2017, the film now titled War Machine has premiered. It has been a long wait for people like me who were excited to see such a high profile production premiere on the streaming service, but it is finally here and, honestly, I don’t think it was worth the wait. Continue reading “REVIEW: War Machine (2017)”→
The Revenant was my original pick for my most anticipated film of the 2015 Oscar-season. I was looking forward to the stylistic approach, DiCaprio’s performance, and to see Iñarritu and Lubezki work together again. Now that I have seen the film, I regret to inform you that while the stylistic approach is admirable, this is not a film that I will be recommending. Continue reading “REVIEW: The Revenant (2015)”→
I'm Jeffrey Rex 