The Fantastic Four: First Steps (2025) | REVIEW

The Thing, the Invisible Woman, Mr. Fantastic, and the Human Torch in THE FANTASTIC FOUR: FIRST STEPS — PHOTO: Marvel Studios / Walt Disney Studios Motion Pictures (Still image from trailers).

Directed by Matt Shakman (WandaVision) — Screenplay by Josh Friedman (Kingdom of the Planet of the Apes), Eric Pearson (Thunderbolts*), Jeff Kaplan, and Ian Springer.

Although the Avengers are today the most well-known superhero group, even though the X-Men dominated the big screen in the 2000s, it was, in actuality, the Fantastic Four that were the original Marvel Comics team. Though Stan Lee and Jack Kirby created the Fantastic Four and found great popularity for the team often referred to as the ‘First Family,’ the team of four has long struggled to find the same success on the big screen that the Avengers and X-Men have enjoyed. Prior to this new live-action attempt at making a successful Fantastic Four film, there were four other films, none of which found success with fans and critics. There was the 1990s Roger Corman-produced, low-budget, and unreleased adaptation, then Tim Story got to release two fairly campy films about Marvel’s First Family in the mid-2000s both of which were largely dismissed by critics, before Chronicle-director Josh Trank got to sit in the director’s chair for 20th Century Fox’s Razzie Award-winning dark and gritty reboot, which Trank, notably, disowned publicly on Social Media during its week of release. It seems that it isn’t all that simple to make a good film about four of Marvel’s most iconic characters. Thankfully, this latest attempt succeeds where prior films failed. The Fantastic Four: First Steps is a strong superhero film that possesses a strong audiovisual identity and aesthetic, and it also does a good job of honoring the characters and the original creators. 

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‘Napoleon,’ ‘Beyond Utopia,’ and More | Bite-Sized Reviews

(Clockwise L-R) MAD MAX BEYOND THUNDERDOME (Roadshow Film Distributors), BEYOND UTOPIA (Roadside Attractions / Fathom Events), NAPOLEON (Columbia Pictures / Sony Pictures Releasing), TUCKER AND DALE VS EVIL (Magnet Releasing), and SHALLOW GRAVE (Rank Film Distributors).

In this edition of Additional Bite-Sized Reviews, I give you my thoughts on 1) Mel Gibson’s final appearance as Mad Max, 2) one of last year’s best documentaries, 3) last year’s much-discussed historical epic from Ridley Scott, 4) Danny Boyle’s directorial debut, and 5) a horror comedy cult classic.

Continue reading “‘Napoleon,’ ‘Beyond Utopia,’ and More | Bite-Sized Reviews”

REVIEW: The Crown – Season Two (2017)

Season 2 Release Poster – Netflix

The following is a review of the second season of The Crown – Available on Netflix.

I explained in my review of the first season how people might be surprised by my reaction to The Crown. I’m not obsessed with the royal family in any country, even though I live in a constitutional monarchy. My interest in The Crown was originally more centered around the inclusion of Sir Winston Churchill in the first season. However, having now seen the second season of The Crown, I must admit that I’ve actually become extremely fascinated with the British royal family. I’m still quite shocked.  Continue reading “REVIEW: The Crown – Season Two (2017)”

REVIEW: The Crown – Season One (2016)

Release Poster - Netflix
Release Poster – Netflix

The following is a full season review of the first season of Peter Morgan’s The Crown.

I’m not exactly what you might call a royalist or a ‘royalophile.’ My mother loves following multiple different Royal Families, but it has never been something I’ve been particularly drawn to. Therefore I’m pretty sure some people who know of my interests were confused when I said how excited I was about The Crown. Continue reading “REVIEW: The Crown – Season One (2016)”