The following is a review of X-Men: Dark Phoenix — Directed by Simon Kinberg.
“You’re always sorry, Charles, and there’s always a speech. But nobody cares anymore,” is the line that is going to be cited to oblivion in reviews of the final Fox-controlled X-Men film, Simon Kinberg’s Dark Phoenix. It is a line uttered by Fassbender’s Magneto-character, and, even though it certainly is in-character, it almost feels like unintentional self-directed criticism on the part of the writer-director. Or, perhaps, one might suggest it speaks to our collective disinterest in these films after Days of Future Past and Logan successfully bid farewell to that era of superhero filmmaking.
As is made painfully clear, one of the actors doesn’t even care anymore, so why should audiences? It hasn’t helped that X-Men: Apocalypse left a sour taste in people’s mouths. And the fact that Disney can now shoehorn the X-Men into their wildly successful Marvel Cinematic Universe whenever they see fit surely hasn’t helped in bringing new audiences to the long-running X-Men film series. Fox’s X-Men is a tired film franchise and that quote perfectly encapsulates the way many feel about these films. Continue reading “REVIEW: X-Men: Dark Phoenix (2019)”→
The following is a review of Ready Player One — Directed by Steven Spielberg.
Steven Spielberg — you won’t find many directors as skilled as he is, and you probably won’t ever find a filmmaker with as good an eye for entertainment as he has. His name is etched into the world of film and pop culture, and there really are not many like him. It is pretty perfect for the director behind such films as Jurassic Park, the Indiana Jones-films, and E. T.: The Extra-Terrestrial to make Ready Player One — a film so drenched in nostalgia and popular nerd culture that it might as well have been called ‘Easter Egg: The Movie.’ Continue reading “REVIEW: Ready Player One (2018)”→
The following is a review of X-Men: Apocalypse, a Bryan Singer film.
I think X-Men: First Class is one of the most brilliant superhero-team movies ever made. The sequel, Days of Future Past, was a confident time-travel film, and I thought that film really worked well too. Indeed, since we’ve been met with the second wave of X-Men-films, starting with First Class in 2011, the franchise has been pretty spectacular. Sadly, X-Men: Apocalypse doesn’t work as well as the two X-Men-films that preceded it. Continue reading “REVIEW: X-Men: Apocalypse (2016)”→
*I attribute it to 2013 due to the fact that it was only released at festivals in 2012 – and had a wide release in its country of production in 2013.
2012 was the beginning of Matthew McConaughey’s rise back to stardom. Since 2012 he has been considered a big star yet again with great performances in Magic Mike, Dallas Buyers Club, True Detective – and, yes, Mud. Even though Mud is probably the least known of his performances, it might just be one of his strongest. Continue reading “REVIEW: Mud (2013)”→