The Last of Us – “Future Days” | REVIEW

Bella Ramsey with her back to the camera in THE LAST OF US: Future Days — Photograph by Liane Hentscher/HBO.

This is a recap and review of the premiere of the second season of HBO’s The Last of Us. Expect spoilers for season 1 and game 1, but also some references to and comments about the second game (though without spoilers).

The wait is finally over. It’s been more than 2 years since the release of the season finale of the first season of HBO’s adaptation of the beloved and critically acclaimed video game series known as The Last of Us, the two parts of which are my favorite video games ever made. Now, the second season premiere has been released on Max around the world, and the showrunners are now officially no longer adapting the first game, but rather the highly discussed, more complex, and much longer second game (click here to read my spoiler-filled thoughts on The Last of Us: Part II). How did the season premiere live up to the excellent games and the strong first season? Well, let’s have a closer look.

Continue reading “The Last of Us – “Future Days” | REVIEW”

Adolescence (2025) | REVIEW

Stephen Graham and Owen Cooper in ADOLESCENCE — PHOTO: NETFLIX (Still image from trailers).

Series created by Jack Thorne and Stephen Graham.

Jack Thorne and Stephen Graham’s Adolescence tells the story of a 13-year-old boy, Jamie (played by Owen Cooper), who is shockingly arrested in his family home on suspicion of the murder of a female classmate. When Jamie is questioned at the police station, he repeatedly insists that he is innocent, while his father, Eddie (played by Stephen Graham), is at his side. Later, a child psychiatrist seeks to evaluate the young boy, and the police start to ask questions at Jamie’s school.

Continue reading “Adolescence (2025) | REVIEW”

Families Like Ours (2024) | REVIEW

Paprika Steen and Nikolaj Lie Kaas in Thomas Vinterberg’s FAMILIES LIKE OURS — PHOTO: Per Arnesen/TV2.

Series created by Thomas Vinterberg.

Dogme95 co-founder Thomas Vinterberg has had quite the career. He burst onto the scene with his sophomore effort, the Cannes-darling and Danish classic The Celebration, and, though he struggled in the early 2000s overseas, he rebuilt his career on home soil with Submarine and The Hunt, the latter of which was a particular international success critically and with awards bodies. In the mid-to-late 2010s, he took another stab at filmmaking overseas with Far From the Madding Crowd and Kursk (with the Danish drama The Commune sandwiched in between the two). Then, at the very beginning of the 2020s, his binge-drinking dramedy Another Round took him to new heights as he not only accepted an Oscar and a BAFTA for the picture but also became the first-ever Danish filmmaker to be nominated for Best Director at the Academy Awards. Now, he has turned to TV, as he has crafted a television series about the calamitous potential of climate change that works as an eye-opener and much more. For me, it’s been one of the most interesting shows of 2024.

Continue reading “Families Like Ours (2024) | REVIEW”

2024 TV Highlights Thus Far, Pt. 3 | Review Compilation

(L-R, top row) HOUSE OF THE DRAGON (Max); THE ACOLYTE (Disney+); THE BOYS (Prime Video).
(L-R, bottom row) THE BEAR (Disney+/Hulu); THE RINGS OF POWER (Prime Video); SUGAR (Apple TV+).

In the final of the three previously announced ‘2024 TV Highlights Thus Far’ review compilation articles, I take a look at some of the most high-profile series of the year, including two dueling fantasy shows, but also an underseen Apple TV+ gem with a plot development you have to see to believe.

Continue reading “2024 TV Highlights Thus Far, Pt. 3 | Review Compilation”

2024 TV Highlights Thus Far, Pt. 2 | Bite-Sized Reviews

(L-R, top then bottom) DARK MATTER (Apple TV+), BABY REINDEER (Netflix), TRUE DETECTIVE: NIGHT COUNTRY (Max), and CONSTELLATION (Apple TV+).

All five shows were definite recommendations in the first (of three) ‘2024 TV Highlights Thus Far’ review articles. They were all shows that I expect to end up on plenty of top 10 lists at the end of the year. This second part is a little bit different. Although, yes, I expect one or two of these to have enough critical appreciation for them to land on plenty of top 10s, the vast majority of part 2’s series weren’t home runs. They are highlights because I found something about each and every one of these series to be really effective, but not all of these are series that I’d easily recommend to friends and family. In fact, some of these shows even disappointed me from time to time, but I think there is enough in every one of these shows to merit them being singled out and discussed. In this part, among other things, I’ll be discussing two Apple TV+ series both of which revolve around parallel universes and the existence of multiple different persons of the same character. 

Continue reading “2024 TV Highlights Thus Far, Pt. 2 | Bite-Sized Reviews”

2024 TV Highlights Thus Far, Pt. 1 | Bite-Sized Reviews

(L-R, 1st row, then 2nd row) SHOGUN (FX / Hulu), RIPLEY (Netflix), FALLOUT (Prime Video), MR. AND MRS. SMITH (Prime Video), and Presumed Innocent (Apple TV+).

You don’t really understand it when you’re a kid, but, boy, it really feels like time flies by as you get older. When you’re stressed or overworked or even just have more important things on your mind, it can be difficult to find the time to do what you want to do before it feels like you’re too late. This is, in part, why I started doing these review compilation posts sometimes containing bite-sized reviews about shows or films that I feel like I still need to talk about, even though I missed out on the moment right after the release. If you read my website frequently, then you know that I’ve recently posted two backlog/catch-up compilations for last year’s TV series. With that out of the way, I now want to focus on some of the shows of the past seven or eight months that I really want to give you my thoughts on. Today, I’ll focus on some of the shows that I think are the very best of the year thus far, including, but not limited to, a video game TV-adaptation and an incredibly stylish reimagining of an iconic Patricia Highsmith story.

Continue reading “2024 TV Highlights Thus Far, Pt. 1 | Bite-Sized Reviews”

2023 TV Catch-Up / Backlog: The Mixed Bags | Bite-Sized Reviews

(L-R) The Changeling (Apple TV+); Monarch: Legacy of Monsters (Apple TV+), The Crown (Netflix).

In this edition of Additional Bite-Sized Reviews, the point of this post is to function as a review compilation, if you will, of some notable 2023 television series that I’ve either caught up with in the last few months or which I never found the time to write about when they were released way back when (i.e. my review notes backlog). For this post, I have specifically highlighted three shows from the past year that didn’t fully work for me, even though I liked a fair bit about them.


Continue reading “2023 TV Catch-Up / Backlog: The Mixed Bags | Bite-Sized Reviews”

REVIEW: The Last of Us – “When We Are In Need”

Scott Shepherd as ‘David’ and Bella Ramsey as ‘Ellie’ in HBO’s THE LAST OF US –PHOTO: HBO / Liane Hentscher.

The following is a recap and review of the eighth episode of HBO’s The Last of Us. Expect story spoilers.

In the eighth and penultimate episode of the first season of the HBO adaptation of the critically acclaimed video game franchise known as The Last of Us — titled When We Are In Need — Ellie (played by Bella Ramsey) encounters a group of survivors that may be more trouble than they seem. When We Are In Need was directed by Ali Abbasi (Holy Spider) and written by Craig Mazin (Chernobyl).

Continue reading “REVIEW: The Last of Us – “When We Are In Need””

REVIEW: The Last of Us – “Infected”

Bella Ramsey as ‘Ellie’ and Anna Torv as ‘Tess’ in HBO’s THE LAST OF US — PHOTO. HBO / Liane Hentscher.

The following is a recap and review of the second episode of HBO’s The Last of Us. Expect story spoilers.

In the second episode of the first season of the HBO adaptation of the masterful video game franchise known as The Last of Us — titled Infected — Joel (played by Pedro Pascal) begrudgingly agrees to escort Ellie (played by Bella Ramsey), alongside his longtime smuggling partner, Tess (played by Anna Torv), to the Old State House in Boston. On their way there, Ellie sees what longtime infection can turn someone into. Infected was directed by Neil Druckmann (television directorial debut) and written by Craig Mazin.

Continue reading “REVIEW: The Last of Us – “Infected””

REVIEW: The Last of Us – “When You’re Lost In The Darkness”

Nico Parker’s Sarah and Pedro Pascal’s Joel on outbreak day in THE LAST OF US — PHOTO: HBO / Shane Harvey.

The following is a recap and review of the first episode of HBO’s The Last of Us. Expect story spoilers.

The Last of Us is my favorite video game ever made. I hold it in the highest regard as one of my favorite stories. The game, and its sequel too, is a heart-wrenching, fully absorbing masterpiece that does a lot with the zombie genre. Now HBO has decided to have it adapted into a television series. The show is created by one of the game’s creative directors, Neil Druckmann, as well as the creator of HBO’s incredible Chernobyl series, Craig Mazin, and it features a stellar cast from top to bottom with actors such as Pedro Pascal (The Mandalorian), Anna Torv (Fringe), Bella Ramsey (Game of Thrones), and others. 

Continue reading “REVIEW: The Last of Us – “When You’re Lost In The Darkness””