Tom Cruise as Ethan Hunt hanging on to an airborne upside-down yellow biplane in MISSION: IMPOSSIBLE – THE FINAL RECKONING — PHOTO: Paramount Pictures (Still image from trailers).
Directed by Christopher McQuarrie — Screenplay by Christopher McQuarrie and Erik Jendresen.
When Mission: Impossible first took the leap from being a 1960s and 1970s TV series to being a cinematic franchise capable of rivalling both the most iconic spy thriller films and action extravaganzas in 1996, it was Tom Cruise’s first film as a producer. Now, 29 years later, Cruise has become Hollywood’s biggest movie star, and the film series is supposedly (if the marketing and promotion are to be believed) about to conclude with the aptly titled Mission: Impossible – The Final Reckoning, the eighth film in the series. The film features both some of the best sequences in the entire film series, but also one of the messiest opening acts of any of the films.
Hayley Atwell and Tom Cruise driving a yellow Fiat 500 through Rome in MISSION: IMPOSSIBLE – DEAD RECKONING, PART ONE — Photo: Paramount Pictures.
Directed by Christopher McQuarrie (M:I – Fallout) — Screenplay by Christopher McQuarrie and Erik Jendresen.
During, and in the immediate aftermath of, the COVID-19 pandemic, certain films tried and failed to bring loads of people back into theaters. When all else — including a pretty good and underappreciated Christopher Nolan film — failed to win back the moviegoing audience, Tom Cruise, in true Ethan Hunt fashion, accepted the mission to ‘save cinema.’ And, well, he sort of did. His and Joseph Kosinski’s Top Gun Maverick (in which Cruise’s hero, in a way, sets out to prove that human beings are more capable than unmanned fighter aircrafts) was such a hit that Steven Spielberg reportedly proclaimed that Tom Cruise, now 61 years of age, “saved Hollywood’s ass,” and that his film might have “saved the entire theatrical distribution.” “Is there anything Tom Cruise can’t do?” you might ask. He seems adamant to test that question out with the awe-inspiring stunts that he insists on doing each and every time he headlines a major motion picture nowadays. Now, with Mission: Impossible – Dead Reckoning, Part One, Tom Cruise, the savior of the theatrical industry, is back as Ethan Hunt, the IMF agent and so-called living manifestation of destiny, and this time he wants to fight back against AI and algorithms (some might even suggest he’s up against streaming algorithms, thus taking that saving cinema allegory even farther). That’s right, it’s the second Tom Cruise film in a row to be about a man fighting back against technological advancements, and, once again, it doesn’t disappoint. This movie is a lot of fun.
Like I always like to do, I’m going to try to sum up the year that was in my final post of the year partially entitled ‘Goodbye’. So, goodbye to 2022. There are a lot of things one could talk about. I like to keep things cheery so the title of the post has been kept to filmmaking and the movie theater industry.
Tom Cruise as Pete ‘Maverick’ Mitchell in Joseph Kosinski’s TOP GUN: MAVERICK — Photo: Skydance Media / Paramount Pictures.
Directed by Joseph Kosinski — Screenplay by Ehren Kruger, Eric Warren Singer, and Christopher McQuarrie.
If there is one thing that the release of Top Gun: Maverick has already proven, it is that Tom Cruise is still a real movie star capable of drawing a crowd even in the Post-COVID lockdown world. Although the 1986 original Tony Scott film, Top Gun, did leave a cultural imprint and is an iconic 1980s film, it isn’t like most people have been crying out for a sequel to the original film that, way back when, received mixed reviews. And yet, when I saw its sequel, people of all ages — including several people over the age of fifty — had such a need for speed that they had flocked to the theater to watch Tom Cruise as “Maverick” take another ride into the danger zone. I’m happy to tell you that — yes, it’s true — Top Gun: Maverick is every bit as awesome as you may have hoped. In fact, I think it’s a much better film than the 1980s classic.
Overview provides my readers with a brief overview of the articles or reviews that I have written, as well as additional bite-sized thoughts on films or shows about which I do not intend to write thorough reviews. In October 2020, among other things, I wrote about the best performances that Mads Mikkelsen has ever delivered.
That’s right, people, it’s a tradition now. Last year, I wrote an article about the lessons that cineastes and the industry were taught by 2017. So, now, for the second year in a row, I’m ready to present you with a thorough list of the most interesting lessons that we were all taught by cinema, the film industry, or the studio system this year. Continue reading “18 Lessons 2018 Taught Cinephiles and the Film Industry – Special Features #40”→
The following is a review of Mission: Impossible – Fallout – Directed by Christopher McQuarrie.
The first James Bond novel was published in 1953. Nine years later, Sean Connery first played the central character on the big screen. Since then we’ve seen twenty-five Eon Productions Bond-films. In those films, six different actors have played Agent 007 to varying success. So far, all spy franchises have lived in the shadow of Ian Fleming’s creation. Every actor who becomes a leading spy character has been compared to Connery, Moore, Brosnan, Craig, and so on and so forth. Continue reading “REVIEW: Mission: Impossible – Fallout (2018)”→
I know I’m a little bit late to it, but I’m finally seeing Mission: Impossible – Fallout in theaters today. So, last night I decided to marathon the five films that came before it. I ended up taking some notes, and, in this article, I’ve presented them here as reviews or smaller bite-sized mini-reviews, along with an estimated review score for each of the previous films except for Rogue Nation, which I reviewed in 2015. Continue reading “REVIEWS: Rewatching the Mission: Impossible Films”→
The following is a review of The Mummy – Directed by Alex Kurtzman.
Back in 2014, Universal Pictures tried to make a new series of films featuring the classic Universal Monsters characters. The first film was Gary Shore’s Dracula Untold, but, after that film was both critically panned and financially unsuccessful, the ‘monsterverse’ was eventually cancelled.
Now Alex Kurtzman’s The Mummy is the first film in the new shared universe of Universal Monsters known as the Dark Universe. Unfortunately, while the film’s leading man is one of the biggest action movie stars in Hollywood, Kurtzman’s The Mummy is completely forgettable and quite dull. Continue reading “REVIEW: The Mummy (2017)”→
I cannot believe 2015 is coming to an end. It has been the busiest year for my blog yet, and I’m really excited to reveal my top ten films of 2015, some of which really surprised me, and others that somehow were better than expected. Continue reading “Top Ten Films of 2015”→
I'm Jeffrey Rex 