The Fantastic Four: First Steps (2025) | REVIEW

The Thing, the Invisible Woman, Mr. Fantastic, and the Human Torch in THE FANTASTIC FOUR: FIRST STEPS — PHOTO: Marvel Studios / Walt Disney Studios Motion Pictures (Still image from trailers).

Directed by Matt Shakman (WandaVision) — Screenplay by Josh Friedman (Kingdom of the Planet of the Apes), Eric Pearson (Thunderbolts*), Jeff Kaplan, and Ian Springer.

Although the Avengers are today the most well-known superhero group, even though the X-Men dominated the big screen in the 2000s, it was, in actuality, the Fantastic Four that were the original Marvel Comics team. Though Stan Lee and Jack Kirby created the Fantastic Four and found great popularity for the team often referred to as the ‘First Family,’ the team of four has long struggled to find the same success on the big screen that the Avengers and X-Men have enjoyed. Prior to this new live-action attempt at making a successful Fantastic Four film, there were four other films, none of which found success with fans and critics. There was the 1990s Roger Corman-produced, low-budget, and unreleased adaptation, then Tim Story got to release two fairly campy films about Marvel’s First Family in the mid-2000s both of which were largely dismissed by critics, before Chronicle-director Josh Trank got to sit in the director’s chair for 20th Century Fox’s Razzie Award-winning dark and gritty reboot, which Trank, notably, disowned publicly on Social Media during its week of release. It seems that it isn’t all that simple to make a good film about four of Marvel’s most iconic characters. Thankfully, this latest attempt succeeds where prior films failed. The Fantastic Four: First Steps is a strong superhero film that possesses a strong audiovisual identity and aesthetic, and it also does a good job of honoring the characters and the original creators. 

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REVIEW: Fantastic Four (2015)

20th Century Fox poster

The following is a review of 20th Century Fox’s Fantastic Four (2015)

Fantastic Four is the updated Marvel Comics origin story about its First Family – the Storm-siblings, the incredibly intelligent Reed Richards, and the strong-willed Ben Grimm. Together they team up to defend Earth and its citizens. But before becoming a team, they changed in more ways than one. Does the newest 20th Century Fox superhero film live up to its title? Sadly, no.

However, it did start quite well. This film is loosely based on the 2004 Marvel Comics reboot, Ultimate Fantastic Four, and you definitely see its roots if you’re familiar with the ‘source material.’ Reed Richards is a child prodigy, who is ultimately invited to study and work in the Baxter Building, and he is aided by his good friend, Ben Grimm, who, in spite of his involvement in Reed’s school project, has no real attachment to the Baxter Building.

In fact, I loved this part. There was a certain Batman Begins-feel to the film, and everything worked for quite a while. There can be no doubt, the best character in this film is Reed Richards – as he should be. Also, while I was afraid of what tone Fox was going with, I was pleasantly surprised to see that the film was less grim than the trailer made it out to be.

It is not that the film was perfect for the first hour, or so, but it ran rather smoothly. Sure, the dialogue was a bit wonky and cheesy at times – but it didn’t really hurt the film in its first half. But then things started to fall apart. I can tell you that there is a handful of comic book movie sins in this film – but no sin is bigger than the one they commit at its halfway point. Reed Richards’ reasoning for using the Quantum Gate is extremely dodgy and out of character.

After having reached the point of no return, you start to notice the film’s clear errors. The look of the ‘other dimension’ is not done well, Kate Mara is wearing what looks to be a wig for half of her scenes, and the pacing is awful. When I started to think about the villain, then the film started to be upsetting.

Victor Von Doom (Not ‘Domashev’; apparently, they chose to keep the original name after fan backlash) is obviously the villain. And I’m not just saying that because I know of the comic books. The film hits you over the head with the obvious fact that Toby Kebbell’s character is the villain. He is referred to as ‘Dr. Doom’ sarcastically – as well as ‘Adolf’ (no, I’m not kidding). Sadly, Doom is a forgettable character and his look is awful. Doom should not look like a silver-and-green mannequin.

Josh Trank, Simon Kinberg, and Jeremy Slater had a great plan for this film, but while they handled Mr. Fantastic and the first half of the film amazingly, they ultimately fall short. In the end, the pacing of the final act is what kills this film. The big battle is rushed, the villain is wasted, and Marvel’s First Family doesn’t really live up to its name. An awful reboot for the Fantastic Four.

Final Score: 4.9 out of 10Though promising at first, Fantastic Four completely falls apart in the poorly paced final act.

 I’m Jeffrey Rex

Can ‘The Fantastic Four’ Work?

Soon we’ll see the first trailer for The Fantastic Four by Josh Trank. The movie premieres this August, yet we’ve seen nothing from it – except for a few supposed leaked photographs. Now, I’m all for people trying to hide plotpoints from the trailer – I’m all for people keeping their film secret, like J.J. Abrams and Christopher Nolan have done in the past. But something’s up with The Fantastic Four.

Throughout this post I’ll voice my concerns, but before doing that – let’s get something clear. The Fantastic Four team has not had a fun ride in Comic Book Movies. They had a film made that was never officially released, two films that were negatively reviewed by most, and they cannot participate in the critically acclaimed Marvel Cinematic Universe.

While I really disliked the second Tim Story Fantastic Four-film, I actually thought the first one was okay. In my opinion, Chris Evans was the best part about those two films. Now, I would never ask for a third one with the same director and cast – but I am really worried about what they are doing to the characters that kept Stan Lee in the comic book business.

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