The following is a review of The Lovebirds — Directed by Michael Showalter.
The Coronavirus Pandemic has had a serious impact on the film industry. The future of the movie theater industry is uncertain as some films that were meant for a theatrical release have been released on video-on-demand or streaming services, while many of the year’s biggest films have been removed from the 2020 theatrical release schedule entirely. This Michael Showalter romantic-comedy, The Lovebirds, was originally meant to be released in theaters by Paramount Pictures in April, but when theaters around the world closed their doors, the film studio sold its rights to Netflix, who finally released the film on the 22nd of May. The Lovebirds fits right in on Netflix, but, quality-wise, it is a significant step down from The Big Sick, Showalter’s previous film as a director. Continue reading “REVIEW: The Lovebirds (2020)”→
Comedy isn’t black-and-white. The genre most associated with films like your average American comedy like, say, American Pie or some Judd Apatow film is much more than its stereotype. There are stylish and quirky comedies, absurd and dark comedies. Comedy films come in all shapes and sizes, and the Best of the 2010s-list highlights multiple different types in the genre. Continue reading “Best of the 2010s: Top Ten Comedy Films”→
The following is a review of The Big Sick – Directed by Michael Showalter.
In Michael Showalter’s The Big Sick, Kumail Nanjiani (played by himself), a Pakistani-American stand-up comedian, has fallen in love with a heckler, a white woman named Emily (played by Zoe Kazan). Kumail quickly starts a relationship with this woman, but he is not ready to tell his parents as they are very conservative and constantly shove Pakistani women in front of him whenever he visits his parents’ home. Continue reading “REVIEW: The Big Sick (2017)”→