TV Review Catch-Up – 2025, pt. I of II | Bite-Sized Reviews

Top Row: Poker Face Season Two (Peacock); The Pitt Season One (HBO); The Studio (Apple TV+).
Bottom Row: Peacemaker Season Two (HBO); Severance Season Two (Apple TV+); Mr. Scorsese (Apple TV+).

It does what it says on the tin, as one might say. Look, in 2025, I was particularly pressed for time, and so I prioritized posting film reviews. That said, I saw a lot of television shows in 2025 (so many!), and I have a lot of thoughts on shows and seasons that I loved, liked, or was underwhelmed by, which I want to get out there before I post my list of the best television shows of that year. Do note that shows which are not referenced or listed in this collection of reviews or bite-sized reviews can still appear on the aforementioned future list, and that I did, in fact, review other television shows from this year, so please do seek them out on my all-time TV season review overview by clicking here.

Continue reading “TV Review Catch-Up – 2025, pt. I of II | Bite-Sized Reviews”

Blink Twice (2024) | REVIEW

(L-R) Naomi Ackie and Channing Tatum in Zoë Kravitz’s BLINK TWICE — PHOTO: Amazon MGM Studios / Warners Bros. International (Still image from the trailers).

Directed by Zoë Kravitz — Screenplay by Zoë Kravitz and E.T. Feigenbaum.

When I saw the directorial feature debut from actress-turned-filmmaker Zoë Kravitz, Blink Twice, the other night, the very last thing on the movie theater screen prior to the film starting was a relatively long statement meant to function as a trigger warning for the audience to prepare them for the potentially distressing themes and violence discussed and depicted in the film. Before I had sat down to watch the film, I had noticed that said trigger warning had gone viral on social media for how rare it is for a new release to feature such a warning in addition to the MPA rating. It’s certainly a modern addition, which is befitting of this film, as it is a very modern #MeToo-psychological thriller that mixes elements from so many recent films, such as Olivia Wilde’s Don’t Worry Darling, Jordan Peele’s Get Out, and, perhaps even, Rian Johnson’s Glass Onion. Though I, ultimately, thought the film was a relatively good directorial debut, I only really feel that it is as good or better than the first of those three films, with it not really holding a candle to the remaining two. 

Continue reading “Blink Twice (2024) | REVIEW”