Steven Spielberg’s Indiana Jones Films | REVIEWS

Harrison Ford as Indiana Jones standing next to the Golden Idol in RAIDERS OF THE LOST ARK — PHOTO: Paramount Pictures.

Putting into words exactly how much Indiana Jones means to me is not an easy feat. What I can say is that it holds a special place in my heart, and had the film series not existed I can say that I would have been a different person. Without Indiana Jones, I would not have pursued an archaeology school internship when I was very young. without Indiana Jones, I would not have been as excited to pursue academia. I can trace so many of my interests back to these films. They mean a lot to me. But I had never previously sat down to watch them with a critical eye and with the purpose of reviewing them. So, as Indiana Jones was set to make his return to the big screen this week with James Mangold’s Indiana Jones and the Dial of Destiny, I decided to finally review the four Indiana Jones films that Steven Spielberg directed.

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REVIEW: Don’t Worry Darling (2022)

Florence Pugh and Harry Styles star in Olivia Wilde’s second feature-length film as a director, DON’T WORRY DARLING — PHOTO: Warner Bros. Pictures.

Directed by Olivia Wilde (Booksmart) — Story by Carey van Dyke, Shane van Dyke, and Katie Silberman.

Whether by design (for marketing purposes) or not, Don’t Worry Darling has amassed one of the wildest behind-the-scenes on-and-off-set dramas in recent memory. Olivia Wilde’s sophomore effort as a director — following the hit teen comedy Booksmart — is one of the most talked about films this year, but ‘the talk’ isn’t about the film itself. It started with an embarrassing public disagreement about whether Shia LaBeouf was fired or if he left the project of his own volition (and a leaked video wherein Wilde tried to get LaBeouf back on board), but it snowballed into stories about on-set tension (alleged screaming matches between the director and her leading lady), internet sleuthing about whether or not Harry Styles spat on Chris Pine at one of the film’s premieres, and Olivia Wilde’s alleged absence from the set has even been compared to Boris Johnson’s rule-breaking COVID era behavior

It’s a lot of noise that is far more interesting than the film itself, honestly. But it is also true that certain male directors (and their films), which others have argued, have gotten away with even more questionable behavior. It’s a mess that may ultimately help the film at the box office (again, inadvertently or not), but I just wish the film was anywhere near as good or memorable as the behind-the-scenes drama surrounding it.

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2019 Film Preview, Pt. 2: Original and Awards Films – Special Features #39

In this, the second and final part of my 2019 film preview, I will discuss and present you with the most interesting 2019 non-tentpole films, as well as the films that may be talked about during awards season 2019. Now, just to get this out of the way, I will only mention adaptations if, and only if, I think they have Oscar potential, as the wise men and women call it.  Continue reading “2019 Film Preview, Pt. 2: Original and Awards Films – Special Features #39”