The Life of Chuck (2025) | REVIEW

Tom Hiddleston in Mike Flanagan’s THE LIFE OF CHUCK — PHOTO: NEON (Still image from trailers).

Directed by Mike Flanagan — Screenplay by Mike Flanagan.

Over the course of the last ten years or so, one of the more interesting developments in horror filmmaking when it comes to adapting a previously released source material has been following Mike Flanagan go from original horror filmmaker on the rise to being particularly skilled at adapting notable works from Shirley Jackson, Edgar Allan Poe, and, chiefly, Stephen King. Although I am still of the opinion that his best work is his original horror series Midnight Mass, which itself was clearly inspired by King’s work, he is likely more known for his actual Stephen King adaptations. Gerald’s Game was a skillfully and confidently made psychological horror film, Doctor Sleep was a significant achievement in that it managed to honor both Kubrick’s The Shining and King’s original vision, and, recently, Flanagan’s adaptation of the Stephen King short story The Life of Chuck — notably not a traditional horror narrative — has served as another notable milestone for the writer-director. When it had its festival release at the Toronto International Film Festival in 2024, it earned its filmmaker the coveted People’s Choice Award, and when it had its theatrical release in 2025, it garnered passionate responses but failed to land any Oscar nominations, despite the aforementioned audience award often leading to such. When I finally saw it last weekend, I saw why the film has earned such a strong word-of-mouth.

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REVIEW: Midnight Mass (2021 – TV Series)

Hamish Linklater as Father Paul Hill in MIDNIGHT MASS — Photo: Netflix.

Series Created & Directed by Mike Flanagan (The Haunting of Hill House; Doctor Sleep) — Available on Netflix.

At this point, I feel like Mike Flanagan is becoming a master of horror. I don’t think it happened over night, though. I think his output was fairly consistent in the beginning, but the latest works in his oeuvre are just outstanding. While I think Oculus, Ouija: Origin of Evil, and Hush were all right, I think Gerald’s Game, Doctor Sleep, and his Netflix shows (The Haunting of Hill House and The Haunting of Bly Manor) are all great must-watch horror films or shows. I think he has this ability to find beauty in even some of his more frightening works, and that is also true of his latest horror series, Midnight Mass, which I think is pretty much on par with the truly excellent Hill House.

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