Additional Bite-Sized Reviews, Early 2022: ‘The Eyes of Tammy Faye,’ ‘The Afterparty,’ and More

Christopher Miller’s The Afterparty is available on APPLE TV+ right now. – Photo: Apple TV+.

In this edition of my recurring movie and television catch-up article series titled ‘Additional Bite-Sized Reviews,’ I take a look at one of the start of the year’s best shows, and I also give you my thoughts on a (currently) Oscar-nominated film. So, get comfortable, and get ready to read my thoughts on things like Apple TV+’s latest gem and the film that very well could earn Jessica Chastain her first Academy Award tonight.

Continue reading “Additional Bite-Sized Reviews, Early 2022: ‘The Eyes of Tammy Faye,’ ‘The Afterparty,’ and More”

REVIEW: The Tomorrow War (2021)

Still image — Chris Pratt in ‘THE TOMORROW WAR’ — Available now on Amazon Prime Video.

Directed by Chris McKay (The LEGO Batman Movie) — Screenplay Zach Dean.

Several years ago, there was a time when me and my father would watch and rewatch science-fiction films so much so that we knew the dialogue by heart. I can’t possibly tell you the amount of times that I’ve seen, for example, Stargate, which I have a lot of love for. When I was a kid, my father would always steer me towards horror or science-fiction films, and therefore it was a great joy for me to be able to watch this film with my father. Although I had some problems with the film, I genuinely had a lot of fun with it, and I know that if I were still a kid today, then he and I would watch The Tomorrow War over and over again.

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REVIEW: Veep – Season Seven (2019)

Release Poster – HBO

The following is a review of the seventh and final season of HBO’s Veep.

For seven seasons, Julia Louis-Dreyfus has been the face of the state of American political satire. She has dominated awards ceremonies, cussed out her supporting cast more times than Jesse Pinkman said “Bitch!” on Breaking Bad, and given outstanding performances again and again. But now her time as Selina Meyer is over. She has left an already long-standing satirical legacy that is much more significant than her character’s political legacy if the final shot of Veep is to be believed.

Though Veep changed showrunner over the course of its run, it was almost always a step ahead of the political state of America, even as America seemed insistent on nominating someone for president who would be just as vicious and disinterested as Selina Meyer. As showrunner David Mandel once wrote in a column for The Hollywood Reporter: “there’s nobody more Trumpy than Selina. […] Trump, in a weird way, is sort of doing us. We’re not doing him.” Continue reading “REVIEW: Veep – Season Seven (2019)”