REVIEW: Decision to Leave (2022)

Tang Wei as Seo-rae in Park Chan-wook’s DECISION TO LEAVE — PHOTO: CJ Entertainment.

Directed by Park Chan-wook (Oldboy; Joint Security Area) — Screenplay by Park Chan-wook and Chung Seo-kyung (Lady Vengeance).

Since the release of Park Chan-wook’s 2016 period piece masterpiece The Handmaiden, longtime fans of his have had to wait quite a while until his next feature film. Since then he has co-written Lee Kyoung-mi’s The Truth Beneath, worked on short films with his brother, produced the Daveed Diggs-led series adaptation of Bong Joon-ho’s Snowpiercer, and directed the underseen but quite strong limited series adaptation of John le Carré’s The Little Drummer Girl. Six years is a long time to wait for a new film from such a gifted auteur. Now that I’ve finally had the chance to see his latest film, Decision to Leave, it brings me great joy to state that it was worth the wait. Decision to Leave, which earned Park Chan-wook the Best Director award at the Cannes Film Festival, is one of his best films. 

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REVIEW: The Last of Us – “Long Long Time”

Nick Offerman as Bill and Murray Bartlett as Frank in HBO’s THE LAST OF US — PHOTO: HBO / Liane Hentscher.

The following is a recap and review of the third episode of HBO’s The Last of Us. Expect story spoilers.

In the third episode of the first season of the HBO adaptation of the masterful video game franchise known as The Last of Us — titled Long Long Time — Joel (played by Pedro Pascal) and Ellie (played by Bella Ramsey) make their way toward the home of two of Joel and Tess’ allies. As they make their way and Joel tells Ellie about the pre-and post-outbreak world, we get to know Bill (played by Nick Offerman) and Frank (played by Murray Bartlett) in an expanded flashback that takes us all the way to ‘the present day.’ Long Long Time was directed by Peter Hoar (Daredevil; It’s A Sin) and written by Craig Mazin (Chernobyl).

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REVIEW: RRR (2022)

N. T. Rama Rao, Jr. and Ram Charan showing off their dancing skills in RRR — PHOTO: DVV Entertainment /

Directed by S. S. Rajamouli — Screenplay by S. S. Rajamouli — Story by V. Vijayendra Prasad.

Excuse me as I begin my review with a bit of a story. For months, I’ve wanted to watch the widely successful RRR, the Indian epic that has taken Hollywood and the world by storm, but I have also been deeply frustrated by the fact that it isn’t really in theaters and it isn’t on streaming services. Or was it? You see, for a while now I’ve noted that Netflix allowed me to put the film on my watchlist but not actually watch it. JustWatch, the primary online streaming guide I use to track the arrival of new releases, even insisted that it was on Netflix in Denmark. I didn’t know what to believe. Well, this frustration went on for quite some time. That is, until last week, when I read a Danish review of the film, which specified that to watch the film in Denmark, you simply needed to change your language to English on Netflix. Et voilà. It actually was on the Danish Netflix this whole time, but for some reason, it was locked away behind simple language settings. Anyway, I digress. Let’s talk about the hottest movie of 2022, which I’m so glad that I finally saw, S. S. Rajamouli’s RRR

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REVIEW: Bones and All (2022)

Timothée Chalamet and Taylor Russell in BONES AND ALL — PHOTO: Metro-Goldwyn-Mayer Pictures / Warner Bros. Pictures.

Directed by Luca Guadagnino — Screenplay by David Kajganich.

Call Me By Your Name was my introduction to the work of Italian auteur Luca Guadagnino. In my review of Call Ne By Your Name, I went to great lengths in emphasizing the power of cinema, the universality and transformative nature of Guadagnino’s film, and a couple of the incredibly well-realized performances in said film. Since then, I’ve seen a few additional films of his, but none of them have reached the heights of his 2017 coming-of-age masterpiece. When I first heard about the fact that Guadagnino had made a new coming-of-age film also starring Timothée Chalamet, I became very curious. When I found out that it was supposed to be a cannibal romance film, my eyes widened in surprise. Bones and All, his cannibal romance, is probably my second favorite film of his. That said, it definitely isn’t as easy of a film to, ahem, ‘eat up’ as his 2017 film was.

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REVIEW: Fire of Love (2022 – Documentary)

L to R: Maurice and Katia Krafft, in blue winter jackets, gaze upon a volcano in the distance as smoke, steam and ash swirl behind them, in a scene from FIRE OF LOVE (Credit: Image’Est)

Directed by Sara Dosa — Narrated by Miranda July — Available on Disney+ now.

Sara Dosa’s Fire of Love chronicles the careers of famed French volcanologists Katia and Maurice Krafft from their early blossoming romance that took them close to burning hot lava to the unpredictable dangers of the gray volcano eruptions that eventually took their lives. Along the way, the documentary makes sure to emphasize how they were somewhat different, but also how devoted they were to one another, and how they eventually dedicated their lives to communicating the dangers of certain volcanoes and the need for proper timely evacuation.

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REVIEW: Cold War (2018)

Theatrical Release Poster – Kino Swiat

The following is a review of Cold War (‘Zimna wojna‘) — Directed by Pawel Pawlikowski.

Yesterday, the Academy of Motion Picture Arts and Sciences nominated Pawel Pawlikowski’s Cold War for three Oscars including Best Director and Best Foreign Language Film. The day before last, I finally got to see the European Film Awards-darling, and, today, I’m ready with a review of one of the best films not in the English Language from 2018. Continue reading “REVIEW: Cold War (2018)”

RETRO REVIEW: Before Sunset (2004)

Theatrical Release Poster – Warner Independent Pictures

The following is a retro review of Before Sunset — Directed by Richard Linklater.

There is a quote in this movie that sort of explains very well the differences between the outlook of Before Sunrise and the worldview of Before Sunset. Very late in the film, Celine tells Jesse that “reality and love are almost contradictory to me.” In Before Sunset, one character has absorbed the romance that another had previously exuded but now is almost absent of. 

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RETRO REVIEW: Before Sunrise (1995)

Theatrical Release Poster – Columbia Pictures

The following is a retro review of Before Sunrise — Directed by Richard Linklater.

For the longest time, I had wanted to finally watch Richard Linklater’s critically acclaimed Before Trilogy, but I somehow never found the time — until now. This week, I watched the trilogy from start to finish over the course of maybe 30 hours. One of the greatest surprises about this Before Trilogy marathon was how hard I fell in love with the elegant young love story that Linklater presented in the first film about the unlikely lovers, Celine and Jesse.

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REVIEW: La La Land (2016)

Theatrical Release Poster - Summit Entertainment
Theatrical Release Poster – Summit Entertainment

The following is a review of La La Land – Directed by Damien Chazelle

They don’t make movies like they used to. Cinema is dead. – Odds are that you’ve encountered similar sentiments online or by the water cooler this past year. 2016 was, somewhat unfairly, called a bad year for movies, when it was just a bad year for summer blockbuster films. As is always the case with discovering new films, you have to know where to look.

It is all about finding the right talents, the right studios, or the premises that will pique your interest. Sometimes the right movie for you is one that reminds you of great classics but still isn’t blind to the nostalgia it’s feeding on. With a charismatic and charming cast, a brilliant director, and a genre that people are sometimes turned off by, La La Land is here at the right time to breathe new life into our love of movies.  Continue reading “REVIEW: La La Land (2016)”