The Drama (2026) | REVIEW

Robert Pattinson and Zendaya in Krstoffer Borgli’s THE DRAMA — PHOTO: A24 (Still image from trailers).

Directed by Kristoffer Borgli — Screenplay by Kristoffer Borgli.

The Drama is one of the most heavily anticipated wedding films in recent years. But it isn’t just any wedding film; it is also the third feature film from Norwegian filmmaker Kristoffer Borgli, best known for his sophomore effort (and English-language debut), Dream Scenario, starring Nicolas Cage, about a university professor who, much to his surprise, starts popping up in people’s dreams around the world. His latest film has a similarly fascinating premise, but one that is much more grounded in reality. The Drama is an American-set dark, cringe rom-com with psychological elements about relationships, performativity, outrage, and the skeletons in our closets. It has all the makings of what could very well end up being one of the most hotly debated and divisive films of the year, partly due to the way it touches on difficult and very dark subject matter. On first viewing, I found it to be an intriguing conversation starter that also manages to be a thoroughly entertaining film, perhaps especially because of one of the particularly well-tuned central performances, but also because of key and clever visual and textual storytelling decisions.

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Pizza Movie (2026) | REVIEW

Trailer title card — PHOTO: Hulu / Disney+ (Still image from trailers).

Directed by Brian McElhaney and Nick Kocher — Screenplay by Brian McElhaney and Nick Kocher.

Brian McElhaney and Nick Kocher’s Pizza Movie is a modern stoner comedy that follows Montgomery (played by Sean Giambrone) and Jack (played by Gaten Matarazzo), two college roommates, who find this special drug after it falls out of their ceiling boards. The drug is called ‘M.I.N.T.S.’ but is nothing like mints. It is a hallucinogenic drug that takes them through multiple reality-breaking phases. To avoid a nightmarish final phase, the boys need to eat some pizza before they reach it, but their pizza journey will lead them directly into confrontation with an old friend (Lizzy, played by Lulu Wilson), bullies, extreme RAs (led by Jack Martin’s character, Blake), and the girl (Ashley, played by Peyton Elizabeth Lee) that Montgomery has a massive crush on.

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Mike & Nick & Nick & Alice (2026) | REVIEW

(L-R) Eiza Gonzalez, James Marsden, and Vince Vaughn (x2) in Mike & Nick & Nick & Alice — PHOTO: 20th Century Studios (Still image from trailers).

Directed by BenDavid Grabinski — Screenplay by BenDavis Grabinski.

BenDavid Grabinski’s Mike & Nick & Nick & Alice takes place in a somewhat goofy version of an organized crime world, wherein we meet Quick-Draw Mike (played by James Marsden), who has fallen in love with Alice (played by Eiza Gonzalez). Alice, however, is married to another member of the crime world, Nick (played by Vince Vaughn), who, unbeknownst to Mike, has framed Mike as a so-called rat. Things take a strange turn when Mike agrees to help Nick complete a job. The thing is, Nick needs Mike to chloroform someone who just so happens to look exactly like Nick. Why? Well, one of the two Nicks has used a time machine to stop his past self from making the worst mistake of his life.

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TV Review Catch-Up – 2025, pt. II of II | Bite-Sized Reviews

Top Row: The White Lotus: Season Three (HBO); Dexter: Resurrection (Paramount+ / Showtime).
Bottom Row: Smoke (Apple TV+); MONSTER: The Ed Gein Story (Netflix).

Just like list time: It does what it says on the tin, as one might say. This is the second part of my TV review catch-up for 2025, which includes some of my thoughts on TV shows in bite-sized portions. There are still two other shows that I want to review from last year, but they’ll get their own full individual reviews sometime soon. Anyway, in this article, you’ll find my thoughts on an Apple show I had mixed feelings on, a Netflix anthology series that didn’t work for me this season, a show about a strong return for an iconic character, and a season of one of HBO’s most popular shows over the last few years.

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Scream 7 (2026) | REVIEW

Neve Campbell hiding from the Ghostface killer in SCREAM 7 — PHOTO: Paramount Pictures (Still image from trailers).

Directed by Kevin Williamson — Screenplay by Kevin Williamson and Guy Busick.

When Matt Bettinelli-Olpin and Tyler Gillett (often referred to as Radio Silence) took over the reins to this long-beloved slasher franchise from the late, great master of horror Wes Craven — starting with 2022’s Scream legacy sequel — they did a good job of steering the film series in the right direction by creating two films (also including Scream VI) that successfully introduced a new core group of characters, inserted the effective meta-genre commenary that Craven’s films were known for, and earned strong box office returns and critical reception. That goodwill was dealt a significant blow when, after Radio Silence had already exited the seventh film in the series due to scheduling conflicts, the rebooted series’ lead, Melissa Barrera, was, shockingly, fired for pro-Palestinian posts on social media. Following this, co-lead Jenna Ortega announced that she would not return for the seventh film, and director Christopher Landon left the project (and was replaced by original Scream screenwriter Kevin Williamson). Recently, boycotts have been announced, and protests have been organized. The very public behind-the-scenes drama has led to a troubled production, and, among the fanbase, there were concerns that this seventh entry would suffer for it. After having seen the film, I can say that, well, ultimately, it’s not just drama behind the camera that’s holding Scream 7 back.

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TV Review Catch-Up – 2025, pt. I of II | Bite-Sized Reviews

Top Row: Poker Face Season Two (Peacock); The Pitt Season One (HBO); The Studio (Apple TV+).
Bottom Row: Peacemaker Season Two (HBO); Severance Season Two (Apple TV+); Mr. Scorsese (Apple TV+).

It does what it says on the tin, as one might say. Look, in 2025, I was particularly pressed for time, and so I prioritized posting film reviews. That said, I saw a lot of television shows in 2025 (so many!), and I have a lot of thoughts on shows and seasons that I loved, liked, or was underwhelmed by, which I want to get out there before I post my list of the best television shows of that year. Do note that shows which are not referenced or listed in this collection of reviews or bite-sized reviews can still appear on the aforementioned future list, and that I did, in fact, review other television shows from this year, so please do seek them out on my all-time TV season review overview by clicking here.

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The Rip (2026) | REVIEW

Matt Damon and Ben Affleck in THE RIP — PHOTO: NETFLIX (Still image from trailers).

Directed by Joe Carnahan — Screenplay by Joe Carnahan.

We’re only a few weeks into the new year, and we already have a freshly made and relatively high-profile action thriller to feast on. That high-profile feature is Netflix’s The Rip, which brings together famous friends Matt Damon and Ben Affleck in a film built around drug money, dirty cops, and snitches. The Rip, from The Grey-filmmaker Joe Carnahan (who, in recent years, has been making plenty of B-movie action films), is the first 2026 film that I am reviewing, and it also happens to be the first 2026 film that I thoroughly enjoyed. It’s not high art, but it is exactly the kind of straight-to-streaming action thriller star-vehicle that you would want to chew on in January. 

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Stranger Things – Season Five (2025) | TV REVIEW

Gaten Matarazzo as ‘Dustin’ in Stranger Things: Season Five — PHOTO: Netflix (Still image from trailers).

Regardless of what you think about the show or this season, I think you have to admire the gusto of the release strategy for the final season of Stranger Things, of which the first volume (episodes one to four) was released early in December, the second volume on Christmas, and the series finale on New Year’s Eve or New Year’s Day (depending on your region). Stranger Things really took over a huge chunk of the online entertainment focus in December, despite the fact that massive trailers for huge films were released alongside a new Avatar film in theaters around the world. They really made the three-part release of the show into events. But did the series finale of the most popular US-based Netflix original series, or the season as a whole, live up to the hype it created for itself? Well, let’s talk about it, because it’s not a straightforward answer. 

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IT: Welcome to Derry – Season One (2025) | TV REVIEW

Bill Skarsgård as Pennywise in IT: WELCOME TO DERRY — Photograph Courtesy of HBO.

Having a whole HBO show centered around Stephen King’s IT and its iconic character, Pennywise the Dancing Clown, always felt like it would be an obvious success. It’s honestly a little bit strange that it didn’t come sooner, given that the two-part film adaptations, IT: Chapter One and IT: Chapter Two, are two of the highest-grossing horror films ever made (with Chapter One holding the top position). The wait is over as the first season of the films’ spin-off show IT: Welcome to Derry recently ended. Though it received some online fan criticism for taking its time, I found it to be absolutely thrilling. Frankly, I think it’s a lot better than Chapter Two was.

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‘A Minecraft Movie,’ ‘The Phoenician Scheme,’ ‘After the Hunt,’ ‘F1,’ and ‘Jay Kelly’ | Bite-Sized Reviews

Top Row (L-R): A Minecraft Movie (Warner Bros. Pictures); The Phoenician Scheme (Focus Features / Universal); After the Hunt (Amazon MGM / Sony Pictures Releasing).
Bottom Row (L-R): F1 (Warner Bros. Pictures / Apple TV+); Jay Kelly (Netflix).

Oh my, we’re back again! In this edition of additional bite-sized reviews – my recurring blog post series highlighting films that I want to share my thoughts on, but that I, crucially, don’t have time enough to cover in a more lengthy full review — I’ll tell you what I think about 1) one of the biggest theater hits of the year, 2) Wes Anderson’s latest flick, 3) Guadagnino’s most recent feature film, 4) Brad Pitt’s racing movie, and 5) Noah Baumbach’s big George Clooney-vehicle. As is often the case, most, if not all, of these bite-sized reviews may have been seen early on my Letterboxd account, so do note that you can get a sneak peek at my future reviews over there. Let’s get to it!

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