28 Years Later (2025) | REVIEW

A mysterious bone temple in Danny Boyle’s 28 Years Later — PHOTO: Sony Pictures Releasing (Still image from trailers).

Directed by Danny Boyle (Yesterday) — Screenplay by Alex Garland (Annihilation).

Nowadays, we’re inundated with zombie, or zombie-adjacent, entertainment, which, once upon a time, was popularized by George A. Romero. But before The Last of Us and before The Walking Dead, there was an early 2000s zombie movie revival — e.g., the Resident Evil film adaptation, Shaun of the Dead, and 28 Days Later — the effects, influence, and iconography of which are still being felt to this day. Two of the primary voices in this revival — though I doubt they thought of themselves as such — were Danny Boyle and Alex Garland, the director and writer, respectively, of 28 Days Later. Here was a film, which was filmed in the UK at the time of the 9/11 attacks in the US, about civilization breaking down, about how quickly we can be turned into people blinded by rage, and about how important it is to hold on to our humanity. Now, 23 years later, following both Brexit and the COVID-19 outbreak and lockdown, Garland and Boyle have re-teamed to continue the story of the rage-virus that shook their world and humanity’s varied response to it with 28 Years Later. It’s one of the most anticipated genre films of the year, but does it live up to all the buildup? Well, I really like this film, but, due to certain elements that are sure-to-be divisive, I think it’s only fair to say that the answer must be a tentative ‘yes and no.’ Let’s dive in.

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The Wonderful Story of Henry Sugar and Three More (2023/2024) | REVIEW

Benedict Cumberbatch and Dev Patel in ‘Poison’ from THE WONDERFUL STORY OF HENRY SUGAR AND THREE MORE — PHOTO: NETFLIX (Still image from trailers).

Directed by Wes Anderson — Screenplay by Wes Anderson.

In 2023, Wes Anderson teamed up with Netflix to release four short films, all of which were based on the works of Roald Dahl, in September of that year. Eventually, one of these features — The Wonderful Story of Henry Sugar — was the effort that finally earned Wes Anderson his first Oscar, though in the short film category, which I don’t think many would’ve seen coming just a few years ago. Then, in 2024, following the Oscar win, Netflix released an anthology film consisting of Wes Anderson’s four short films. All four shorts feature heavy but quirky narration and the heavy stylization that we’ve come to know and love Wes Anderson for, though with slight tweaks from short to short. In this review, I’ll share my initial reaction to each of the four shorts, as well as give a final score out of ten for the repackaged anthology feature.

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Conclave (2024) | REVIEW

Ralph Fiennes in Edward Berger’s CONCLAVE — PHOTO: Focus Features (Still image from trailers).

Directed by Edward Berger — Screenplay by Peter Straughan.

How do you follow up successfully directing a German-language version of All Quiet On the Western Front to critical acclaim and multiple little golden men statues from the Oscars? It’s a good question, and it is exactly the kind of challenge German filmmaker Edward Berger had in front of him. Now, two years later, we have our answer with Conclave, as Berger has crafted yet another adaptation of a major novel. This time around his film is a big screen adaptation of Robert Harris’ 2016 thriller novel of the same, and his adaptation was written by Peter Straughan, a BAFTA-winning co-writer of Tinker Tailor Soldier Spy. Straughan’s writing and Berger’s direction are paired with a stellar cast spearheaded by Ralph Fiennes, together that trio has brought us a political thriller for grown-ups that is deeply engaging. 

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REVIEW: The Menu (2022)

Ralph Fiennes’ Julian Slowik sizes up Anya Taylor-Joy’s Margot, who wasn’t supposed to be there, in THE MENU — PHOTO: Eric Zachanowich / Searchlight Pictures.

Directed by Mark Mylod — Screenplay by Seth Reiss and Will Tracy.

Mark Mylod’s The Menu follows Margot (played by Anya Taylor-Joy) and her food-obsessed boyfriend, Tyler (played by Nicholas Hoult). Tyler has paid for them to go to this highly exclusive restaurant called ‘Hawthorne,’ which resides on this little remote island. Hawthorne is home to the world-renowned chef Julian Slowik (played by Ralph Fiennes) and his highly devoted kitchen staff. Tyler has paid an obscene amount of money to get there because he worships Slowik, and, in actuality, the trip wasn’t originally meant for Margot but rather for his ex-girlfriend. In fact, Margot seems wholly disinterested in the pretentious dishes and overall culture around high-end cooking. She stands out immediately among the guests who also include a food critic that can make or break careers (played by Janet McTeer), tech investors, a past-it actor (played by John Leguizamo), and others. For this evening, Slowik has prepared a detailed but theatrical menu that toys with expectations and that takes aim at his guests. But, eventually, Margot and others start to question whether what is happening is showy high-end cooking or something much more malicious.

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REVIEW: No Time To Die (2021)

Daniel Craig as James Bond and Ana de Armas as Paloma in Cary Joji Fukunaga’s NO TIME TO DIE — Photo: Nicola Dove / Metro-Goldwyn-Mayer Studios / Universal Pictures.

Directed by Cary Joji Fukunaga — Screenplay by Neal Purvis, Robert Wade, Cary Joji Fukunaga, and Phoebe Waller-Bridge.

When I rewatched Sam Mendes’ SPECTRE the other day, I was reminded of the fact that the previous film in the Bond-franchise was released all the way back in 2015. A lot has happened since then, so much so that you may have even forgotten about all of the behind-the-scenes drama that transpired long before No Time To Die became the first major film to be delayed due to the COVID-19 pandemic. After several rounds of rewrites, the shift in director, production, and the pandemic, the fifth and supposedly final film in the Daniel Craig-era of the James Bond-franchise has now finally been released. Thankfully, in spite of the real world drama that threatened to ruin it, this is actually a spy epic that is suitable as a true tribute to Daniel Craig’s bumpy but extraordinary time as the iconic agent. It isn’t the best film in the Craig-era, but it is a very memorable chapter in the franchise.

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REVIEW: Skyfall (2012)

Daniel Craig as James Bond and Javier Bardem as Raoul Silva in SKYFALL — Photo: Columbia Pictures / Sony Pictures Releasing.

Directed by Sam Mendes — Screenplay by Neal Purvis, Robert Wade, and John Logan.

This week, I will watch and review No Time To Die, which is supposedly the final film in the Daniel Craig-era of the Bond-franchise. So, in anticipation of the aforementioned 25th Eon Bond-film, I decided to take a brief look back at one of the most popular Bond films ever made; the wildly successful Skyfall. As this film was released several years ago, I have decided to discuss the film with some spoiler details in this review, so make sure that you have actually seen Skyfall before you go any further.

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REVIEW: The Dig (2021)

Carey Mulligan, Archie Barnes, and Ralph Fiennes in ‘The Dig.’ — Photo: Larry Horricks / Netflix.

Directed by Simon Stone — Screenplay by Moira Buffini.

Back when I was just a very young teenager, my school had arranged for me to receive (what I guess you would call) on-job training for a week with a team of Danish archaeologists. I had had a natural interest in archaeology, and therefore I was thrilled when I got the chance to learn from them. Over the course of that week, I archived a lot of items, I spoke with the archaeologists for quite some time, I got an early look at a history museum’s recreation of a Viking ship (if memory serves), and I even got to take part in an actual excavation. For this reason, I had a particular interest in Simon Stone’s The Dig, a Netflix original film about a historic excavation in England in 1939, and I actually really enjoyed watching it and learning about Basil Brown and Edith Pretty. But I will say that this period drama is probably a little bit too slow for your average Netflix subscriber. Continue reading “REVIEW: The Dig (2021)”

Best of the 2010s: Top Ten Comedy Films

Paramount Pictures; Fox Searchlight Pictures.

Comedy isn’t black-and-white. The genre most associated with films like your average American comedy like, say, American Pie or some Judd Apatow film is much more than its stereotype. There are stylish and quirky comedies, absurd and dark comedies. Comedy films come in all shapes and sizes, and the Best of the 2010s-list highlights multiple different types in the genre. Continue reading “Best of the 2010s: Top Ten Comedy Films”

REVIEW: Harry Potter and the Deathly Hallows – Part Two (2011)

Poster - Warner Bros.
Poster – Warner Bros.

The following is a spoiler-filled review of Harry Potter and the Deathly Hallows – Part Two.

In 2004, The Lord of the Rings film series was recognized at the Academy Awards in a big way. The Return of the King was nominated for eleven Oscars, and it, somehow, managed to win every single award it was nominated for. That was a big deal. It was a big moment for the Oscars, the Tolkien films, and all genre films.

In 2011, Harry Potter and the Deathly Hallows – Part Two was released. The Academy, however, chose not to recognize the Harry Potter film series in the same way. That is a shame. Because the Harry Potter film series actually ended on such a high note that it deserved a similar treatment. Harry Potter and the Deathly Hallows – Part Two is fantastic. Continue reading “REVIEW: Harry Potter and the Deathly Hallows – Part Two (2011)”

RETRO REVIEW: Harry Potter and the Deathly Hallows – Part One (2010)

Poster - Warner Bros.
Poster – Warner Bros.

The following is a spoiler-filled retro review of Harry Potter and the Deathly Hallows – Part One.

In Harry Potter and the Deathly Hallows – Part One, Harry Potter (played by Daniel Radcliffe), Ron Weasley (played by Rupert Grint), and Hermione Granger (played by Emma Watson) are unable to return to Hogwarts and, instead, go on the hunt for Horcruxes and ways to destroy them.
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