‘Salem’s Lot (2024) | REVIEW

Ben Mears (played by Lewis Pullman) looks out at the vampires in his hometown in ‘SALEM’S LOT — PHOTO: New Line Cinema/Max (Still image from trailer).

Directed by Gary Dauberman (Annabelle Comes Home) — Screenplay by Gary Dauberman.

This long-awaited Stephen King adaptation has gone through what many would describe as development hell. The film started principal photography in late 2021 and was originally slated to be released theatrically in 2022, but it was shelved or delayed due to a variety of circumstances including COVID-19-related post-production issues. Despite there having been talk about releasing it a year ago around the time of the SAG-AFTRA strikes, it remained shelved for quite some time, which led many to fear that, like Adil El Arbi and Bilall Fallah’s Batgirl or Dave Green’s Coyote vs. Acme, it could be yet another finished but unreleased and permanently shelved Warner Bros. Pictures product. Earlier this year, Stephen King even got involved and questioned its shelving, but, eventually, it was finally released straight to Max almost two weeks ago. Though not exactly a gem in its current state, there are definitely things to like about this adaptation that has, thankfully, finally seen the light of day.

Continue reading “‘Salem’s Lot (2024) | REVIEW”

Aquaman and the Lost Kingdom (2023) | REVIEW

Jason Momoa as Arthur Curry in James Wan’s AQUAMAN AND THE LOST KINGDOM — PHOTO: WARNER BROS. PICTURES (Still image from trailers).

Directed by James Wan — Screenplay by David Leslie Johnson-McGoldrick.

Once upon a time, the kickstarting of the DC Extended Universe (DCEU) felt like such a big deal. Warner Bros. was going to do what Marvel did and actually have a connected cinematic superhero universe and it was going to be this prestige project with the first film, titled Man of Steel, echoing a kind of director-led importance that was supposed to follow in the footsteps of Christopher Nolan’s critically acclaimed Dark Knight trilogy. I think, however, that it is fair to say that it never got off on the right foot. Their Superman-universe opener was met with a mixed critical reception and fans criticized certain choices that they felt were against the core tenets of the beloved iconic character. In the next years, the DCEU was never fully embraced despite certain successes along the way (e.g. Patty Jenkins’ Wonder Woman) in large part due to several films that missed the mark in one way or another (e.g. David Ayer’s Suicide Squad). Online toxicity, director idolization, and mild-at-best reception followed, and now the universe is being fully rebooted by James Gunn. Before that could happen though, they had to release a couple of ‘lame duck’ films that they already had in the can but which everyone knew mattered not. Aquaman and the Lost Kingdom is the last one of those, and, unfortunately, the DCEU went out with a whimper. 

Continue reading “Aquaman and the Lost Kingdom (2023) | REVIEW”

A Good Day to Be a Danish Actor: Mads Mikkelsen & Pilou Asbæk Join Major Franchises

Mads Mikkelsen has landed his next big role in a major Hollywood franchise!

April 15th, 2021 was a good day to be a Danish actor. At least, it sure seemed that way. On this day, Deadline Hollywood revealed two ‘exclusive’ casting news articles. Now, why is that significant? It’s simple really. Two very popular Danish actors are joining two major Hollywood franchises in highly anticipated sequels, and, again, for some unknown (but somewhat amusing) reason these unrelated casting news articles were released on the very same day.

Continue reading “A Good Day to Be a Danish Actor: Mads Mikkelsen & Pilou Asbæk Join Major Franchises”

REVIEW: Outside the Wire (2021)

Outside the Wire Image
‘Outside the Wire,’ — Photo: Jonathan Prime / Netflix.

Directed by Mikael Håfström — Screenplay by Rob Yescombe & Rowan Athale.

In 2020, Netflix found some success by placing a Marvel star in a fast-paced action movie with a somewhat forgettable plot with the Chris Hemsworth-led Extraction, which I liked. Now, in 2021, Netflix is hoping that they can do the same thing again with Outside the Wire, a science fiction action film starring Anthony Mackie, from the director of the John Cusack-led 1408, which I actually also like quite a bit. Unfortunately, Outside the Wire is nowhere near as effective of an action film as Extraction was, and they forgot to make it as fast-paced as the aforementioned film. Instead, we’re left with a serviceable but incredibly forgettable and generic science fiction flick. Continue reading “REVIEW: Outside the Wire (2021)”

REVIEW: Game of Thrones – “Winterfell”

The following is a spoiler-filled review of the season premiere of the eighth and final season of HBO’s Game of Thrones. Expect spoilers for the episode in the review.

In the final season premiere of Game of Thrones, Euron (Pilou Asbæk) returns to King’s Landing with the army of the Golden Company for Cersei (Lena Headey), while Bronn (Jerome Flynn) is given a special job. Daenerys Targaryen (Emilia Clarke), her army, and Jon Snow (Kit Harington) arrive at Winterfell, where the people of the North are distrustful of the woman that their king has bent the knee to. There are more reunions than you probably even needed in the premiere of the final season of HBO’s Game of Thrones. Continue reading “REVIEW: Game of Thrones – “Winterfell””

REVIEW: Overlord (2018)

Theatrical Release Poster – Paramount Pictures

The following is a review of Overlord — Directed by Julius Avery.

I won’t be the first or the last person to make this comparison, but Avery’s Overlord could’ve easily been the basis for a Wolfenstein game, a hugely popular and long-running video game series — the title font on the poster above is even similar to the font used for the latest Wolfenstein-logo.  Continue reading “REVIEW: Overlord (2018)”

REVIEW: Ghost in the Shell (2017)

Theatrical Release Poster – Paramount Pictures

The following is a review of Ghost in the Shell – Directed by Rupert Sanders

Rupert Sanders’ Ghost in the Shell is a science fiction action film based on a Japanese science fiction franchise created by Masamune Shirow. The film is set in the near future, and it tells the story of Mira Killian (played by Scarlett Johansson) whose brain is implanted in a complete cyborg body following a terrorist attack. One year after being inserted into her new body, Major Mira Killian starts questioning her memories and her past when she constantly experiences these vision glitches during missions. Continue reading “REVIEW: Ghost in the Shell (2017)”