The Naked Gun (2025) | REVIEW

Liam Neeson in THE NAKED GUN — PHOTO: Paramount Pictures (Still image from trailers).

Directed by Akiva Schaffer — Screenplay by Dan Gregor, Doug Mand, and Akiva Schaffer.

One of the best pieces of marketing for a film that I’ve seen this year is an ad for The Naked Gun that features Liam Neeson prominently asking viewers to go back to theaters to watch comedy films. At the end of the ad, we hear Liam Neeson do a classic Leslie Nielsen-style fart-machine joke. It is a delightfully silly note to end on, but the message at the heart of the ad rings true. Comedy films have largely been relegated to being streaming fodder. If you want to watch a new comedy film, you’re more likely to find one on Netflix or on Amazon Prime Video than in the movie theaters. For example, Happy Gilmore 2 recently premiered on Netflix, just like the John Cena and Idris Elba vehicle Heads of State premiered on Prime Video. Unfortunately, major comedy stars have flocked to the streaming services and left movie theaters without successful comedies for quite some time. To reignite the spark that would keep comedy movies thriving on the big screen, we now have a reboot or legacy sequel of The Naked Gun, the Leslie Nielsen vehicle from the 80s and 90s, filled with spoof film humor, some of which has become quite iconic. For the legacy sequel, the studio turned to the Lonely Island member Akiva Schaffer, director of Popstar: Never Stop, Never Stopping, as well as producer Seth MacFarlane, with the hopes of finally releasing a good spoof comedy film in the theaters again. Thankfully, with screen legends leading the picture, the reboot of The Naked Gun is a success. It is, undoubtedly, one of the funniest films I’ve seen this year, and I hope it’s the beginning of a new trend where comedy films can once again thrive in theaters.

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The Fantastic Four: First Steps (2025) | REVIEW

The Thing, the Invisible Woman, Mr. Fantastic, and the Human Torch in THE FANTASTIC FOUR: FIRST STEPS — PHOTO: Marvel Studios / Walt Disney Studios Motion Pictures (Still image from trailers).

Directed by Matt Shakman (WandaVision) — Screenplay by Josh Friedman (Kingdom of the Planet of the Apes), Eric Pearson (Thunderbolts*), Jeff Kaplan, and Ian Springer.

Although the Avengers are today the most well-known superhero group, even though the X-Men dominated the big screen in the 2000s, it was, in actuality, the Fantastic Four that were the original Marvel Comics team. Though Stan Lee and Jack Kirby created the Fantastic Four and found great popularity for the team often referred to as the ‘First Family,’ the team of four has long struggled to find the same success on the big screen that the Avengers and X-Men have enjoyed. Prior to this new live-action attempt at making a successful Fantastic Four film, there were four other films, none of which found success with fans and critics. There was the 1990s Roger Corman-produced, low-budget, and unreleased adaptation, then Tim Story got to release two fairly campy films about Marvel’s First Family in the mid-2000s both of which were largely dismissed by critics, before Chronicle-director Josh Trank got to sit in the director’s chair for 20th Century Fox’s Razzie Award-winning dark and gritty reboot, which Trank, notably, disowned publicly on Social Media during its week of release. It seems that it isn’t all that simple to make a good film about four of Marvel’s most iconic characters. Thankfully, this latest attempt succeeds where prior films failed. The Fantastic Four: First Steps is a strong superhero film that possesses a strong audiovisual identity and aesthetic, and it also does a good job of honoring the characters and the original creators. 

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Inside Out 2 (2024) | REVIEW

Embarrassment (voiced by Paul Walter Hauser), Anxiety (voiced by Maya Hawke), Envy (voiced by Ayo Edebiri), and Ennui (voiced by Adèle Exarchopoulos) in Inside Out 2 — PHOTO: Disney.

Directed by Kelsey Mann — Screenplay by Meg LeFauve and Dave Holstein.

Following a string of films that were either dumped onto Disney+ or that disappointed critics and/or audiences, I think it is fair to say that, earlier this year, Pixar got its groove back. With the long-awaited release of Inside Out 2, Pixar had one of its golden internal properties back out in theaters, and it certainly felt like they had something here as it did well with critics, as well as found the type of audience that propelled it to breaking records. Eventually, Inside Out 2 became the biggest animated film ever made based on its box office numbers. But, as a major fan of the original film, which I declared a masterpiece when it was released, I was curious if the long-awaited sequel was actually as good as its reputation suggested. Well, I’ve now finally seen the emotionally-driven sequel. While I don’t think it is as novel of a film as the first one, or a masterpiece for that matter, I definitely think the sequel is a worthy follow-up to Pixar’s emotionally rich sensation.

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REVIEW: Black Bird (2022 – Limited Series)

Ray Liotta and Taron Egerton in “Black Bird,” now streaming on Apple TV+.

Series Developed by Dennis Lehane.

Apple TV+ is starting to pick up steam as a serious streamer with several fantastic shows. Black Bird, from award-winning novelist and screenwriter Dennis Lehane, is one of its latest solid series. Unfortunately, since Apple TV+ is yet to have a massive subscriber count, shows like it, For All Mankind, Severance, Shining Girls, and so on and so forth will probably struggle to find an enormous audience. Black Bird should be an easy sell for many people in this day and age where true crime adaptations are all the rage. The mini-series is based on James Keene and Hillel Levin’s autobiographical novel In With The Devil: A Fallen Hero, a Serial Killer, and a Dangerous Bargain for Redemption.

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REVIEW: Richard Jewell (2019)

Still Image Richard Jewell
‘Richard Jewell,’ Still Image — Photo: Claire Folger / Warner Bros.

Directed by Clint Eastwood — Screenplay by Billy Ray.

There is a lot to say when it comes to Clint Eastwood’s Richard Jewell, which is a biopic about the security guard who discovered a bomb during the 1996 Summer Olympics in Atlanta, then alerted authorities, and was later wrongly accused of having planted it. While the film is not without problems, on the whole, I thought that Clint Eastwood’s 2019 picture was a success. This is a heartbreaking and infuriating film about the investigation into the Centennial Olympic Park bombing and the media circus and harsh media trial that followed as a result of an FBI leak, and at the center of the film is a breakthrough performance that I don’t think got the praise it deserved. Continue reading “REVIEW: Richard Jewell (2019)”

REVIEW: Da 5 Bloods (2020)

Release Poster – Netflix

The following is a review of Da 5 Bloods — A Spike Lee Joint.

Spike Lee’s Da 5 Bloods is a war film about the lasting effects of the Vietnam War on four African-American war veterans — Eddie (played by Norm Lewis), Otis (played by Clarke Peters), Melvin (played by Isiah Whitlock, Jr.), and Paul (played by Delroy Lindo) — collectively known as the ‘Bloods.’ Now, decades after the war has ended, the Bloods have returned to Vietnam to retrieve what they left behind in the jungle. They claim to only be back to retrieve the body of their squad leader, Stormin’ Norman (played by Chadwick Boseman), but they also want to find the precious gold bars that they had to leave behind when they were young men. Continue reading “REVIEW: Da 5 Bloods (2020)”

REVIEW: I, Tonya (2017)

Theatrical Release Poster – Neon

The following is a review of I, Tonya — Directed by Craig Gillespie.

Craig Gillespie’s I, Tonya is a biographical picture about Tonya Harding (played by Margot Robbie), centered around her relationship with her mother — LaVona (played by Allison Janney) — and her husband — Jeff Gillooly (played by Sebastian Stan) — as well as the events surrounding the infamous 1994 attack on rival Nancy Kerrigan (played by Caitlin Carver), which, in the film, is referred to as ‘the incident.’
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