I was elated when Robert Pattinson was announced to play Batman. Pattinson’s work in independent films had impressed me so much, and I thought he was a pretty obvious choice for the role. However, as many people know, Batman movies always lead to premature casting criticism (people were critical of Heath Ledger, Michael Keaton, and Ben Affleck long before they had even seen them in their respective films). I remember receiving rude comments about my excitement for Pattinson as Bruce Wayne. After having finally seen the film, I can honestly say that I feel vindicated. Pattinson is great and Reeves has once again made an outstanding blockbuster film in a vastly popular (and, to some, tired) franchise.
Directed by Antoine Fuqua — Screenplay by Nic Pizzolatto.
Antoine Fuqua’s The Guilty, written by True Detective-creator Nic Pizzolatto, is an American remake of the 2018 Danish single-location thriller Den Skyldige, which was then directed by Gustav Möller. The film follows Joe Baylor (played by Jake Gyllenhaal), who is an agitated LAPD officer with a troubled past, while he is at a 911 call center. Though he is initially largely uninterested at the call center, he suddenly ‘wakes up’ when a distressed woman calls him and says she is being abducted by her ex-husband. From his computer and telephone, Joe must now try to figure out what is happening and try to get law enforcement to her position before it is too late.
The following is a review of Okja – Directed by Bong Joon-ho.
In October 2015, the first Netflix ‘original’ movie was released. Cary Joji Fukunaga’s Beasts of No Nation was a great film for Netflix to champion as an example of how great their films can be. However, while Fukunaga’s film was recognized by the Screen Actors Guild, BAFTA, and the Hollywood Foreign Press, the Academy Awards completely ignored what was one of the best films of the year.
Then, at the 2017 Cannes Film Festival, Netflix’s newest original movie – Bong Joon-ho’s Okja – was met with boos as the festival elite rebelled against the Netflix way of distributing films. Nevertheless, the film itself overcame the harsh and unfair critique that its distributor was getting, and it is easy to see how and why, because Bong Joon-ho’s Okja is the best non-documentary Netflix original film yet. Continue reading “REVIEW: Okja (2017)”→
2016 is almost over, and I really can’t believe it. It feels like the summer movie season just ended, but here we are at the end of the year. That also means that we need to start looking forward to some of the films that are released next year. I, obviously, don’t know if any or all of these will be good, or even great, but with this list I’m trying to point out which films I’m super excited for. Continue reading “My 17 Most Anticipated Films of 2017”→
The following is a quick review of Swiss Army Man – Directed by Dan Kwan & Daniel Scheinert.
Swiss Army Man follows Hank (played by Paul Dano), a man marooned on a small island, who has lost the will to live. At the start of the film, we find him as he is about to hang himself. But, out of the blue, he sees that a corpse has washed up on the beach. As he tries to resuscitate the body, he notices that the corpse is farting. Soon, he uses the farting corpse (played by Daniel Radcliffe) as a jet ski. Continue reading “REVIEW: Swiss Army Man (2016)”→
On the 10th of January 2016 Ricky Gervais hosts the 73rd Golden Globe Awards. In this Motion Picture Thoughts post I predict the winners in the film categories. Carol may have the most nominations, but I definitely think this is Spotlight‘s year. Keep in mind that these aren’t necessarily the films I want to see win, these are just who I think will. Continue reading “Golden Globe Awards: Predictions – Motion Picture Thoughts #3”→
The following is a spoiler review for 12 Years A Slave.
At the 86th Academy Awards in early 2014, 12 Years A Slave was nominated for 9 awards, and only American Hustle & Gravity were nominated for more (both 10). In a less stellar year for movies — and with a little bit of luck on their side — Ejiofor and Fassbender might have left the night with Academy Awards, but, in the end, the film only received 3 Oscars. But it did receive the most important award of them all – Best Picture. And the film deserves the honor. Continue reading “REVIEW: 12 Years A Slave (2013)”→