Directed by Florian Zeller — Screenplay by Florian Zeller & Christopher Hampton.
Based on his own play of the same name (Le Père), The Father is the film directorial debut of Florian Zeller, a French novelist, playwright, and screenwriter. The film follows an elderly man suffering from progressing dementia, Anthony (played by Anthony Hopkins), as he lives with his daughter, Anne (played by Olivia Colman), and her partner. Anthony’s shifting moods and memory disorders have made it difficult for caregivers to take care of him, so Anne has put her life on hold to take care of him. But, as he is losing his grip on reality, Anne informs him that she may have to move to Paris and leave him in London.
Directed by Michael Rianda (Gravity Falls) — Screenplay by Mike Rianda & Jeff Rowe.
Sometimes it’s difficult to really gauge whether or not the hype for a film is justified or not. From the outset, what I had heard about The Mitchells vs. The Machines sounded really good. The premise was neat, I liked what I had seen of its animation style in trailers, but I wasn’t sure if it would work as a total package once I finally felt ready to sit down and watch the film, which had been on my watchlist for quite some time. The reactions that I had heard from my peers also made it sound like far and away one of the best animated films in years, which was overwhelming information that I didn’t know what to do with at that moment since I was a little bit too busy when it was released. I ended up waiting a considerable amount of time before I finally watched it, which meant that when I finally felt the urge to start up Netflix and watch their Lord & Miller-produced animated hit, the hype had sort of died down at least a little bit. So, having now seen the film, do I think the hype was justified? Well, yeah. Though I was trepidatious initially, the film more than won me over.
In this edition of my monthly movie and television catch-up article series titled ‘Additional Bite-Sized Reviews,’ I reveal my mixed thoughts on the Emma Stone-vehicle Cruella, and then I recommend three television shows, one of which I’ve been meaning to review for several months. This edition of Additional Bite-Sized Reviews is jam-packed!
Today, I am revealing the first half of the 2019 nominations for my blog’s awards (I’m Jeffrey Rex Awards [IJR Awards]). The nominations that I will reveal today concern the television, video games, superhero, and music categories. The second half of the nominations — the film categories — will be revealed at some point in early February, so that I am able to watch some of the Oscarworthy films that won’t be released in Denmark until the beginning of 2020. Continue reading “IJR Awards 2019: Nominations – Television, Games, etc.”→
The following is a review of the third season of The Crown — Available on Netflix.
When The Crown premiered in 2016, I proclaimed that Claire Foy’s Queen Elizabeth II might become the new face of Netflix. In 2017, following a truly outstanding second season, I argued that The Crown had become the greatest live-action television series that Netflix had ever made. Then the long wait began. It has been two years since we last saw new episodes of this show, and now all of the central characters have been recast as the next stage of Queen Elizabeth II’s reign begins. Though this third season is not as impeccable as I thought the previous season was, Peter Morgan’s series is still a must-watch series even for those people who aren’t necessarily obsessed with royal families. Continue reading “REVIEW: The Crown – Season Three (2019)”→
This is a complete series review of the BBC Three and Amazon Studios black comedy series Fleabag, which aired its first season in 2016 and its second and final season in 2019. Both seasons consisted of six episodes with each episode having a runtime of approximately thirty minutes. A ‘series review’ is a new review concept on the blog that is inspired by my franchise reviews, which feature short reviews of every film in a franchise within a single article. Below you’ll find my reviews of each season as well as a full season grade for seasons one and two. Continue reading “SERIES REVIEW: Fleabag (2016; 2019)”→
It’s time. This awards season has felt really long, and, with how incompetent AMPAS has been in preparation for the big night, Oscars-night seems so mysterious and uncertain. Add to that the fact that there are so many different categories that we don’t really know which film is going to win including Best Picture, and we are left with a show that is probably going to be very interesting. Today, I’m giving my final predictions for the big Oscar night — the Super Bowl for the film community. Continue reading “Final 91st Academy Awards Predictions: Winners – Special Features #48”→
This is it. We are finally here where it all matters. This is where I highlight the best technical achievements and performances of the year. This is where I get a chance to recognize all of my favorite films that I saw this past year. As always, I also have a lifetime achievement film award at the end of the post, so don’t forget about that one. For the full list of nominees, go here. Continue reading “6th I’m Jeffrey Rex Awards, Part Two – 2018”→
The following is a review of The Favourite — Directed by Yorgos Lanthimos.
When I first saw the brilliant-but-beautifully-absurd The Lobster a couple of years ago, I was wildly impressed with this ‘new’ director that I thought I had come upon. That was an extremely assured but absurdist-to-the-bone English-language debut, and he followed it up with The Killing of a Sacred Deer, which is another successful but very odd film. I’ve enjoyed both of these English-language films, so I was, naturally, intrigued by his next inspired and auteurist foray into English-language filmmaking — The Favourite. Continue reading “REVIEW: The Favourite (2018)”→