The following is a review of The Favourite — Directed by Yorgos Lanthimos.
When I first saw the brilliant-but-beautifully-absurd The Lobster a couple of years ago, I was wildly impressed with this ‘new’ director that I thought I had come upon. That was an extremely assured but absurdist-to-the-bone English-language debut, and he followed it up with The Killing of a Sacred Deer, which is another successful but very odd film. I’ve enjoyed both of these English-language films, so I was, naturally, intrigued by his next inspired and auteurist foray into English-language filmmaking — The Favourite. Continue reading “REVIEW: The Favourite (2018)”→
It’s beginning to look a lot like, well, awards season. Some critics groups have already announced their winners, while other groups are still waiting for their brief moment in the spotlight. As the wait for the BAFTAs and Oscars goes on, the first major televised awards show is about to announce the films, shows, and performers who they have nominated for their coveted awards. So, today, I am going to try to predict the nominees for each and every film category for the upcoming Golden Globe Awards. Continue reading “Golden Globes Predictions: Film Nominations – Special Features #35”→
The following is a review of the BBC/AMC mini-series The Night Manager, directed by Susanne Bier.
Strictly scheduled mini-series don’t always land with me at the right moment. I latch onto longer television shows or movies much easier, but once in a while some mini-series will pop up on my radar, and some aspect of it will pull me in. In 2015, Show Me A Hero was the mini-series for me, and Oscar Isaac was the main reason why I gave the HBO mini-series a chance. Now, I have found a mini-series that is exactly what I need. BBC’s The Night Manager is pretty great. Continue reading “REVIEW: The Night Manager (2016 – Mini-Series)”→