REVIEW: Black Adam (2022)

Dwayne Johnson is BLACK ADAM — PHOTO: Warner Bros.

Directed by Jaume Collet-Serra (Jungle Cruise) — Screenplay by Adam Sztykiel, Rory Haines, and Sohrab Noshirvani.

Does anyone really know what Warner Bros. Discovery and DC Comics are doing with their immensely popular comic book characters on the big screen? Half the time it sounds like they want to copy what Disney and Marvel are doing, and the other half it sounds like they want to do a little bit of everything. That latter suggestion is unfocused but it is also a little bit exciting that they are prepared to do anything. That we can get a deeply gritty Halloween-set Batman film and a more brightly colored tongue-in-cheek superhero comedy for all ages in Shazam! with DC Comics is good fun, but I’m not sure fans, general audiences, or the higher-ups are on the same page. Some fans want a patient build-up in the vein of the Marvel Cinematic Universe, some want a return to Nolan-esque grittiness, and others are desperate for Zack Snyder’s vision for the DC universe to live on. Time will tell if they can have it all, but, in trying to appeal to the most amount of people, Jaume Collet-Serra’s underdeveloped Black Adam raises some eyebrows, as it feels very much like a film that has been tinkered with by higher-ups so much over the years that it has gone stale, which is a shame since Dwayne “the Rock” Johnson has been waiting for 15 years to make his mark as the titular antihero.

Continue reading “REVIEW: Black Adam (2022)”

Additional Bite-Sized Reviews, Summer ’21, Pt. 3: ‘The White Lotus,’ ‘Malcolm & Marie,’ and More

Alexandra Daddario and Jake Lacy in THE WHITE LOTUS — Photo: HBO.

In this edition of my monthly movie and television catch-up article series titled ‘Additional Bite-Sized Reviews,’ I once again talk about my experience of trying to catch-up on some of the 2021 films released earlier this year, but this time I also want to talk about a show that I was surprised I liked as much as I did. What did I like about The White Lotus? Is Malcolm & Marie better than its reputation? Are Antoine Fuqua and Stefano Sollima’s latest action films any good? Well, scroll down to find out what I think about all of that (and more) in yet another jam-packed edition of Additional Bite-Sized Reviews!

Continue reading “Additional Bite-Sized Reviews, Summer ’21, Pt. 3: ‘The White Lotus,’ ‘Malcolm & Marie,’ and More”

REVIEW: To All the Boys: P.S. I Still Love You (2020)

Release Poster – Netflix

The following is a review of To All the Boys: P.S. I Still Love You — Directed by Michael Fimognari.

Netflix has only released its own films since late 2015, but, just five years later, the streaming service now has what could be a successful film series. 2018’s To All the Boys I’ve Loved Before (from director Susan Johnson) was a surprise romantic-comedy hit that its young target audience ate up. Two years later and we now have its first sequel, Michael Fimognari’s To All the Boys: P.S. I Still Love You. Continue reading “REVIEW: To All the Boys: P.S. I Still Love You (2020)”

REVIEW: To All the Boys I’ve Loved Before (2018)

Release Poster – Netflix

The following is a review of To All the Boys I’ve Loved Before — Directed by Susan Johnson.

The quality of Netflix ‘Original Films’ can be inconsistent. More often than not people associate Netflix with great television shows and a wide variety of straight-to-streaming Adam Sandler films. Sure, sometimes Netflix acquires great dramas, but, for the most part, their original film content has a bad reputation.

Interestingly, this year Netflix has started to release some genuinely entertaining romantic-comedies. First, there was the office romance set-up film appropriately titled Set It Up, and, now, they’ve released a young adult romance film that is sure to be a hit with its target audience. Continue reading “REVIEW: To All the Boys I’ve Loved Before (2018)”