Additional Bite-Sized Reviews, Nov. 2021, pt. I: ‘Space Jam: A New Legacy,’ ‘Paranormal Activity: Next of Kin,’ and More

LeBron James in SPACE JAM: A NEW LEGACY — Photo: Warner Bros.

In this edition of my monthly movie and television catch-up article series titled ‘Additional Bite-Sized Reviews,’ I take a look at some of the Warner Bros. films that I may have missed earlier this year, but I also take a look at a Paramount+ sequel to a very popular franchise, and a Netflix spin-off film. Is Space Jam: A New Legacy any good? Is the latest Paranormal Activity-film a return to form? Can Matthias Schweighöfer’s Army of Thieves live up to Zack Snyder’s Netflix zombie flick from earlier this year? Well, read more to find out what I think about all of that (and more) in yet another jam-packed edition of Additional Bite-Sized Reviews!

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Additional Bite-Sized Reviews, Oct. 21′: ‘Ted Lasso,’ ‘Squid Game,’ and More

Brendan Hunt, Jason Sudeikis, Brett Goldstein, and Nick Mohammed in TED LASSO — Photo: Apple TV+.

In this edition of my monthly movie and television catch-up article series titled ‘Additional Bite-Sized Reviews,’ I discuss my thoughts on some of the hottest shows of the year, and then I tell you about some of the Netflix movies you may have missed recently. Is Squid Game as good as its word-of-mouth would have you believe? Is There’s Someone Inside of Your House a good modern update on Scream? Well, scroll down to find out what I think about all of that (and more) in yet another jam-packed edition of Additional Bite-Sized Reviews!

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REVIEW: The Guilty (2021)

Jake Gyllenhaal as Joe Baylor in Antoine Fuqua’s American version of THE GUILTY — Photo: Netflix.

Directed by Antoine Fuqua — Screenplay by Nic Pizzolatto.

Antoine Fuqua’s The Guilty, written by True Detective-creator Nic Pizzolatto, is an American remake of the 2018 Danish single-location thriller Den Skyldige, which was then directed by Gustav Möller. The film follows Joe Baylor (played by Jake Gyllenhaal), who is an agitated LAPD officer with a troubled past, while he is at a 911 call center. Though he is initially largely uninterested at the call center, he suddenly ‘wakes up’ when a distressed woman calls him and says she is being abducted by her ex-husband. From his computer and telephone, Joe must now try to figure out what is happening and try to get law enforcement to her position before it is too late.

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‘The Chestnut Man’ is the Best Danish Netflix Original Thus Far – Netflix in the State of Denmark

Mikkel Boe Følsgaard & Danica Curcic, the stars of Netflix’s THE CHESTNUT MAN — Photo: SAM PRODUCTIONS.

In recent years, Netflix has gained a foothold in basically all corners of the world. As it becomes a global streaming service, Netflix is also starting to churn out local foreign language content that can grow a global audience. In recent weeks, that has happened with a show like the South Korean survival drama Squid Game, which has been compared to everything from The Hunger Games to Saw. But, of course, the most famous non-English language Netflix original series are Money Heist from Spain and Dark from Germany.

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REVIEW: Midnight Mass (2021 – TV Series)

Hamish Linklater as Father Paul Hill in MIDNIGHT MASS — Photo: Netflix.

Series Created & Directed by Mike Flanagan (The Haunting of Hill House; Doctor Sleep) — Available on Netflix.

At this point, I feel like Mike Flanagan is becoming a master of horror. I don’t think it happened over night, though. I think his output was fairly consistent in the beginning, but the latest works in his oeuvre are just outstanding. While I think Oculus, Ouija: Origin of Evil, and Hush were all right, I think Gerald’s Game, Doctor Sleep, and his Netflix shows (The Haunting of Hill House and The Haunting of Bly Manor) are all great must-watch horror films or shows. I think he has this ability to find beauty in even some of his more frightening works, and that is also true of his latest horror series, Midnight Mass, which I think is pretty much on par with the truly excellent Hill House.

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Additional Bite-Sized Reviews, Summer ’21, Pt. 3: ‘The White Lotus,’ ‘Malcolm & Marie,’ and More

Alexandra Daddario and Jake Lacy in THE WHITE LOTUS — Photo: HBO.

In this edition of my monthly movie and television catch-up article series titled ‘Additional Bite-Sized Reviews,’ I once again talk about my experience of trying to catch-up on some of the 2021 films released earlier this year, but this time I also want to talk about a show that I was surprised I liked as much as I did. What did I like about The White Lotus? Is Malcolm & Marie better than its reputation? Are Antoine Fuqua and Stefano Sollima’s latest action films any good? Well, scroll down to find out what I think about all of that (and more) in yet another jam-packed edition of Additional Bite-Sized Reviews!

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REVIEW: The Mitchells vs. the Machines (2021)

The Mitchell family (voiced by Maya Rudolph, Abbi Jacobson, Michael Rianda, and Danny McBride) in THE MITCHELLS vs. THE MACHINES — Photo: Sony Pictures Animation / Netflix.

Directed by Michael Rianda (Gravity Falls) — Screenplay by Mike Rianda & Jeff Rowe.

Sometimes it’s difficult to really gauge whether or not the hype for a film is justified or not. From the outset, what I had heard about The Mitchells vs. The Machines sounded really good. The premise was neat, I liked what I had seen of its animation style in trailers, but I wasn’t sure if it would work as a total package once I finally felt ready to sit down and watch the film, which had been on my watchlist for quite some time. The reactions that I had heard from my peers also made it sound like far and away one of the best animated films in years, which was overwhelming information that I didn’t know what to do with at that moment since I was a little bit too busy when it was released. I ended up waiting a considerable amount of time before I finally watched it, which meant that when I finally felt the urge to start up Netflix and watch their Lord & Miller-produced animated hit, the hype had sort of died down at least a little bit. So, having now seen the film, do I think the hype was justified? Well, yeah. Though I was trepidatious initially, the film more than won me over.

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Additional Bite-Sized Reviews, Summer ’21, Pt. 2: ‘The Fear Street Trilogy,’ ‘Bad Trip,’ and More

Maya Hawke as Heather in FEAR STREET PART ONE: 1994 – Photo: Netflix.

In this edition of my monthly movie and television catch-up article series titled ‘Additional Bite-Sized Reviews,’ I talk about my experience of trying to catch-up on some of the 2021 films released earlier this year, including an entire trilogy of films! What did I think about the Fear Street-films? Is the Rear Window-inspired flick, The Woman in the Window, worth a watch? Is Bad Trip, the hidden camera comedy, funny enough for its runtime? Are Doug Liman and Alexandre Aja’s latest films any good? Well, scroll down to find out in another jam-packed edition of Additional Bite-Sized Reviews!

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REVIEW: Stowaway (2021)

Daniel Dae Kim in Joe Penna’s STOWAWAY — Photo: Netflix.

Directed by Joe Penna (Arctic) – Screenplay by Joe Penna & Ryan Morrison.

Back in 2019, Joe Penna released his feature-length directorial debut, the Mads Mikkelsen-vehicle Arctic, which was a gripping story of survival in the face of a hopeless and cold wilderness. I was extremely impressed by Penna’s debut film, as it felt real, as it had a lot of heart, and since it rarely felt Hollywood-ized. It also helped that Mads Mikkelsen delivered one of his best performances in Penna’s underseen debut.

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Top Ten TV-Shows of 2020

Rhea Seehorn as Kim Wexler, Bob Odenkirk as Jimmy McGill in Better Call Saul: Season 5, Episode 10 — Photo: Greg Lewis/AMC/Sony Pictures Television.

It is kind of incredible just how much streaming services have overtaken the top tier of what we still refer to as ‘television shows.’ Perhaps we need to find another name for these series. Some of them are released all at once, some are released week-by-week, but almost all of the shows on my list were released on streaming services, and, in my case, I watched all ten of my top ten television shows on streaming services. In the 2020-edition, there are plenty of ‘familiar faces,’ as it were, but it’s also the first time that both Apple TV+ and Disney+ have made an appearance on any of my end of the year-lists. But where do the top shows on these relatively new streaming services land on my top ten, and what is the best show of the year? Let’s have a look!

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