REVIEW: Shirkers (2018 – Documentary)

Release Poster – Netflix

The following is a review of the Netflix Documentary Shirkers — Directed by Sandi Tan.

In the early 1990s, a group of teenage Singaporean cinephiles became filmmakers when they wrote, cast, produced, and shot their independent road movie, Shirkers. Though the film was directed by their American mentor Georges Cardona, the premise and the script came from Sandi Tan who also played the protagonist. As Sandi Tan waited to go into post-production on Shirkers, Cardona, who was in possession of the film reels, ignored her and disappeared out of nowhere with the film — leaving her and her friends empty-handed and without the film that a film critic friend of theirs thought was childish but ahead of its time.  Continue reading “REVIEW: Shirkers (2018 – Documentary)”

REVIEW: 22 July (2018)

Release Poster – Netflix

The following is a review of Netflix’s 22 July — Directed by Paul Greengrass.

Paul Greengrass’ latest, 22 July, is a film about the 2011 Norway attacks set in Norway, starring Norwegian actors who are all speaking English. Greengrass’ feature film is not to be confused with Norwegian director Erik Poppe’s 2018 film about the 2011 Norway attacks, Utøya 22. Juli (sometimes referred to as U: July 22), set in Norway, starring Norwegian actors who all speak in their native language. Continue reading “REVIEW: 22 July (2018)”

REVIEW: Apostle (2018)

Release Poster – Netflix

The following is a short review of APOSTLE — Directed by Gareth Evans.

In 2011, Welsh director Gareth Evans rose to fame in the film community for his Indonesian action film The Raid: Redemption. After he had completed its sequel, Evans had become known for these elaborate and inventive action set-pieces. His latest film is not an adrenaline-fueled action film in the vein of his previous Indonesian efforts. Continue reading “REVIEW: Apostle (2018)”

REVIEW: Better Call Saul – “Winner”

The following is a recap and review of the tenth and final episode of the fourth season of Better Call Saul, available on AMC in the U. S. and on Netflix internationally. Expect story spoilers. 

In the tenth and final episode of the fourth season — Winner — Lalo (played by Tony Dalton) starts to follow the search for Werner Ziegler (played by Rainer Bock), while Jimmy McGill (played by Bob Odenkirk) prepares for the appeal hearing. Winner was written by Peter Gould and Thomas Schnauz, and directed by Adam Bernstein. Continue reading “REVIEW: Better Call Saul – “Winner””

REVIEW: Private Life (2018)

Release Poster – Netflix

The following is a review of Private Life — Directed by Tamara Jenkins.

Tamara Jenkins’ Private Life is a dramedy about a never-ending pursuit of parenthood. The film follows a frustrated middle-aged couple — Richard (played by Paul Giamatti) and Rachel (played by Kathryn Hahn) — as they desperately attempt to become parents. Expensive medical procedures, adoption, egg donor — you name it and they’ve either tried or considered the method. When their desperation reaches a new high, the couple decides to ask Richard’s niece, Sadie (played by Kayli Carter), if she would consider being their egg donor, even though her family might be against it. Continue reading “REVIEW: Private Life (2018)”

REVIEW: Hold the Dark (2018)

Release Poster – Netflix

The following is a short review of Hold the Dark — Directed by Jeremy Saulnier.

In the last few years, director Jeremy Saulnier has started to become a household name with cinephiles. His last two films Blue Ruin and, especially, Green Room were both met with critical acclaim and a lot of support from the film community. So when it was announced that his next film — Netflix’s Hold the Dark — would be his most ambitious and most expensive project yet, I and many other cinephiles were, naturally, excited. Continue reading “REVIEW: Hold the Dark (2018)”

REVIEW: Better Call Saul – “Wiedersehen”

The following is a recap and review of the ninth episode of the fourth season of Better Call Saul, available on AMC in the U. S. and on Netflix internationally. Expect story spoilers. 

In the ninth and penultimate episode of the fourth season — Wiedersehen — Werner (played by Rainer Bock) makes a move, and Jimmy (played by Bob Odenkirk) runs into problems at his reinstatement hearing. Wiedersehen was written by Gennifer Hutchison and directed by Vince Gilligan. Continue reading “REVIEW: Better Call Saul – “Wiedersehen””

REVIEW: Better Call Saul – “Coushatta”

The following is a recap and review of the eighth episode of the fourth season of Better Call Saul, available on AMC in the U. S. and on Netflix internationally. Expect story spoilers. 

In the eighth episode of the fourth season — Coushatta — Jimmy (played by Bob Odenkirk) and Kim (played by Rhea Seehorn) try to make it so that Huell Babineaux avoids a prison sentence, while Nacho (played by Michael Mando) is introduced to another member of the Salamanca family. Coushatta was written by Gordon Smith and directed by Jim McKay. Continue reading “REVIEW: Better Call Saul – “Coushatta””

REVIEW: Better Call Saul – “Something Stupid”

The following is a recap and review of the seventh episode of the fourth season of Better Call Saul, available on AMC in the U. S. and on Netflix internationally. Expect story spoilers. 

In the seventh episode of the fourth season — Something Stupid — Jimmy (played by Bob Odenkirk) has to ask Kim (played by Rhea Seehorn) for her assistance when his bodyguard, Huell Babineaux (played by Lavell Crawford), is arrested for protecting Jimmy. Something Stupid was written by Alison Tatlock and directed by Deborah Chow. Continue reading “REVIEW: Better Call Saul – “Something Stupid””

REVIEW: Maniac (2018 – Mini-Series)

Release Poster – Netflix

The following is a full review of Netflix’s Maniac — Developed by Cary Joji Fukunaga & Patrick Somerville.

It is a good time to be Cary Joji Fukunaga, the director of Sin Nombre and Beasts of No Nation, who won an Emmy for directing the first season of HBO’s True Detective. Although Fukunaga’s career has seen him deal with behind-the-scenes production issues, with his exit from 2017’s IT being the primary example, he may have just had the best week of his career. Continue reading “REVIEW: Maniac (2018 – Mini-Series)”