REVIEW: The Upside (2019)

Theatrical Release Poster – STX Films / Lantern Entertainment

The following is a short review of The Upside — Directed by Neil Burger.

A remake of Olivier Nakache & Éric Toledano’s French film, Intouchables, from 2011, Neil Burger’s The Upside follows Dell Scott (played by Kevin Hart), an African-American father on parole, who is hired to be the caregiver of the quadriplegic millionaire Phillip Lacasse (played by Bryan Cranston), who, after having lost his wife, has lost his will to live. Together, they form an — according to this film’s cliched formula — unlikely friendship from which they both learn a lot about life and culture. Continue reading “REVIEW: The Upside (2019)”

REVIEW: The Curse of La Llorona (2019)

Theatrical Release Poster – Warner Bros. Pictures

The following is a review of The Curse of La Llorona — Directed by Michael Chaves.

Though the film’s marketing hasn’t done a good enough job of alerting audiences of this, The Curse of La Llorona is the latest film in the Conjuring-film universe made popular by James Wan. Unfortunately, much like the first Annabelle-film and The Nun, this, the third spin-off film in the film series, is another let-down, and, now, there are as many bad films in the connected horror film universe as there are good. Hence, the good no longer outweighs the bad.
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REVIEW: Hellboy (2019)

Theatrical Release Poster – Lionsgate

The following is a review of Hellboy (2019) — Directed by Neil Marshall.

In 2004 and 2008, Oscar-winning auteur Guillermo del Toro brought us two critically well-received comic book monster movies about Mike Mignola’s Dark Horse Comics creation ‘Hellboy,’ a red Nazi-summoned half-demon that fights for the human race against monsters and other dark forces. Even though del Toro is a beloved figure and his films are still held in high regard, del Toro’s request for a third film was denied. Instead, producers decided that it was time to replace the first two films’ auteur — del Toro, who had a real, recognizable love for his creatures — and its indispensable leading man, Ron Perlman — who was absolutely perfect in the role — in a new reboot of the franchise. Continue reading “REVIEW: Hellboy (2019)”

REVIEW: The Silence (2019)

Release Poster – Netflix

The following is a review of The Silence — Directed by John R. Leonetti.

John R. Leonetti’s The Silence — not to be confused with Martin Scorsese’s Silence, which has a similar title, or John Krasinski’s A Quiet Place and Susanne Bier’s Bird Box, both of which have similar plots — follows a family during an apocalyptic event in which prehistoric bat-like creatures have come out of hiding to attack and feast on anything and anyone they hear. Stanley Tucci plays the family father, Miranda Otto his wife, and Kiernan Shipka plays one of his children — a deaf teenager. Continue reading “REVIEW: The Silence (2019)”

REVIEW: Unicorn Store (2019)

Release Poster – Netflix

The following is a review of Unicorn Store — Directed by Brie Larson.

Unicorn Store — Brie Larson’s directorial debut — had its original world premiere at the Toronto International Film Festival back in 2017, but Larson had to wait until after she had become the titular hero of a superhero franchise before her directorial debut was distributed widely, now in April 2019. You can call it timing — good or otherwise — but, in any case, Brie Larson, an Oscar-winner and popular superhero actress, is now almost a household name. Unfortunately, I don’t think her debut feature, Unicorn Store, was worth the wait.
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REVIEW: Shazam! (2019)

Theatrical Release Poster – Warner Bros. / New Line Cinema

The following is a review of Shazam! — Directed by David F. Sandberg.

It pleases me to say that the DC Cinematic Universe has turned a corner. For so long, Wonder Woman, the first film in the connected universe to receive a majority of positive reviews from film writers, seemed like an anomaly in the inconsistent universe where mixed reception was the best that you could hope for. James Wan’s Aquaman, however, was a big hit — one that indicated that perhaps the DC connected film universe still had life in it. And for Shazam! — a character most audiences will be unfamiliar with — DC and Warner Bros. borrowed yet another director from the Conjuring-film universe, Swedish David F. Sandberg, who, thankfully, has made a huge homerun hit for the weakened connected universe.
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REVIEW: Pet Sematary (2019)

Theatrical Release Poster – Paramount Pictures

The following is a review of Pet Sematary — Directed by Kevin Kölsch & Dennis Widmeyer.

A couple of months ago, I decided to rewatch Mary Lambert’s 1989 adaptation of Stephen King’s Pet Sematary. My father is a big fan of that film, but, I hadn’t seen it in years, and I barely remembered if I even liked it. Much to my father’s disappointment, I really didn’t enjoy rewatching Lambert’s film. This experience, I’ll be honest, actually made me more excited for this year’s remake. Perhaps I would now get the Pet Sematary film to ‘call my own.’ While I ultimately do, based on my first viewing, believe Kölsch and Widmeyer’s 2019-version is better and more effective than Lambert’s film, I was still very disappointed by what they gave us here. Continue reading “REVIEW: Pet Sematary (2019)”

REVIEW: The Inventor: Out for Blood in Silicon Valley (2019 – Documentary)

Release Poster – HBO

The following is a review of The Inventor: Out for Blood in Silicon Valley — Directed by Alex Gibney.

In 2019, we’ve already been given multiple tantalizing tales of young entrepreneurs revealed to be con artists, phoneys, or fraudsters. Call them what you will, but, with the two documentaries about the catastrophic ‘Fyre festival’ and now this documentary about a wannabe-disruptor and con artist in the biomedical industry, I find myself thinking about the loopholes these young people jumped through and how investors were fooled into making them frontmen, leaders, and innovators. In the case of The Inventor, it is not so much about incompetence but more about deception and how investors were deceived into propping up a transfixing, deep-voiced, and intense Stanford drop-out with delusions of grandeur, even as she spouted out incredibly vague descriptions of her grand idea. Continue reading “REVIEW: The Inventor: Out for Blood in Silicon Valley (2019 – Documentary)”

REVIEW: The Highwaymen (2019)

Release Poster – Netflix

The following is a review of The Highwaymen — Directed by John Lee Hancock.

Set in 1934, The Highwaymen, from director John Lee Hancock (The Blind Side; Saving Mr. Banks), tells the story of two former Texas Rangers, Frank Hamer (played by Kevin Costner) and Maney Gault (played by Woody Harrelson) who were hired by Texas governor ‘Ma’ Ferguson (played by Kathy Bates) to stop the notorious criminals Bonnie Parker and Clyde Barrow by any means necessary. Continue reading “REVIEW: The Highwaymen (2019)”

REVIEW: Dronningen (2019)

Danish Theatrical Release Poster – Nordisk Film

The following is a review of the Danish film ‘Dronningen‘ (international title: Queen of Hearts) — Directed by May el-Toukhy.

Dronningen is a disturbing and twisted tragedy about double-standards, hypocrisy, and gender-roles from the female Danish-Egyptian filmmaker May el-Toukhy. The Danish film — and controversial conversation starter — stars the outstanding actress and critical darling Trine Dyrholm in the leading role as Anne, a Danish lawyer and mother of two girls. Anne is married to the Swedish doctor Peter (played by Magnus Krepper, who recently appeared in the Danish film Før Frosten), who has a 17-year old troublemaking son, Gustav (played by Gustav Lindh), from a previous marriage in Sweden.

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