Directed by Alex Garland — Screenplay by Alex Garland.
Alex Garland’s folk horror film MEN follows the widowed Harper Marlowe (played by Jessie Buckley), who, after having recently lost her husband to what may or may not have been a death by suicide, has decided to go on holiday in a small village in Britain because she needs to unwind and heal. However, she continues to be haunted by her trauma when she arrives in the village. Although she doesn’t point it out, each and every man she meets has the same face as Geoffrey (played by Rory Kinnear), the owner of the house she has rented, including a mysterious naked man who starts stalking her, as well as the local vicar who, after hearing about Harper’s trauma, suggests that she is to blame for what happened to her husband.
The following is a review of the seventh and final season of HBO’s Veep.
For seven seasons, Julia Louis-Dreyfus has been the face of the state of American political satire. She has dominated awards ceremonies, cussed out her supporting cast more times than Jesse Pinkman said “Bitch!” on Breaking Bad, and given outstanding performances again and again. But now her time as Selina Meyer is over. She has left an already long-standing satirical legacy that is much more significant than her character’s political legacy if the final shot of Veep is to be believed.
Though Veep changed showrunner over the course of its run, it was almost always a step ahead of the political state of America, even as America seemed insistent on nominating someone for president who would be just as vicious and disinterested as Selina Meyer. As showrunner David Mandel once wrote in a column for The Hollywood Reporter: “there’s nobody more Trumpy than Selina. […] Trump, in a weird way, is sort of doing us. We’re not doing him.” Continue reading “REVIEW: Veep – Season Seven (2019)”→