In this edition of my monthly movie and television catch-up article series titled ‘Additional Bite-Sized Reviews,’ I take a look at a couple of shows that I have watched a lot in the first months of 2021 — specifically Your Honor and For All Mankind. But I also give you my thoughts on a documentary that everyone talked about in February. Continue reading “Additional Bite-Sized Reviews, Feb. ’21, Pt. II: ‘Your Honor,’ ‘For All Mankind,’ and ‘Framing Britney Spears’”
The following is a review of The Shape of Water — Directed by Guillermo Del Toro.
There was a story that Mexican film auteur Guillermo Del Toro kept on mentioning as he was doing the rounds talking about his newest film – a true passion project – this last year that really stuck with me. Del Toro – perhaps the greatest champion of the creature feature subgenre these days – saw 1954’s Creature from the Black Lagoon when he was only six-years-old, and he was so taken by the image of the Gill-man swimming underneath actress Julia Adams that he found himself hoping that they would end up together. A strange idea, perhaps, but not to him. Continue reading “REVIEW: The Shape of Water (2017)”
The following is a review of Call Me By Your Name — Directed by Luca Guadagnino.
A film as a work of art is a an attempt. It is a risk, but it is a risk that you need to take. Actress and filmmaker Jodie Foster recently said that, for her, filmmaking was about figuring out your place in the world, or, simply, about evolving as a person. In reference to this film, one might say that becoming a filmmaker is choosing to speak. Continue reading “REVIEW: Call Me By Your Name (2017)”
The following is a review of Denis Villeneuve’s Arrival – based on a short story by Ted Chiang.
The very best directors can do anything. They aren’t just locked in on a single genre, they master multiple essential ones. They also aren’t ‘filmmaking slaves’ to a single franchise. While they may operate within a franchise from time to time – like Alfonso Cuarón did with Harry Potter and the Prisoner of Azkaban – they don’t dedicate their careers to them. Continue reading “REVIEW: Arrival (2016)”