Tag: Michael Stuhlbarg

‘Ballad of a Small Player,’ ‘The Home,’ ‘Det Andet Offer,’ and More | Bite-Sized Reviews

Top Row (L-R): ‘Ballad of a Small Player (Netflix);’ ‘The Home (Lionsgate /Roadside Attractions);’ ‘Det Andet Offer (SF Studios).’
Bottom Row (L-R): ‘Under Stjernerne På Himlen (SF Studios;’ ‘Opus (A24),’ ‘The Amateur (20th Century Studios).’

Every once in a while, I don’t quite have enough to say or the time to put it into enough words for me to write full, dedicated reviews for everything new that I see. So, from time to time, I will just post a short review on Letterboxd, and, as you may have noticed, sometimes these reviews find their way to this site in the form of bite-sized reviews in a compilation article. That is exactly what’s happening today.

In this article, I’ll give you my thoughts on two Danish films starring the same stand-up comedian turned actor, an action thriller that came and went without much fanfare, a mystery thriller that also came and went without making an imprint, a recent Netflix casino flick, and a retirement home-set horror film that may just be one of the worst films I’ve seen this year. Let’s get to it.

Continue reading “‘Ballad of a Small Player,’ ‘The Home,’ ‘Det Andet Offer,’ and More | Bite-Sized Reviews” →

‘Servant,’ ‘Your Honor,’ ‘Love and Death,’ and ‘The Last Thing He Told Me’ (2023) | Bite-Sized Reviews

(L-R) Elizabeth Olsen in HBO Max’s LOVE AND DEATH; Bryan Cranston in Showtime’s YOUR HONOR; Jennifer Garner in Apple TV+’s THE LAST THING HE TOLD ME; Toby Kebbell in Apple TV+’s SERVANT.

This year, some of my favorite recent shows — like Succession and Barry — have come to an end. Both of their final seasons were tremendous, and they are both arguably the best seasons of their series. Since those shows have ended, I thought it would be fitting to fill you in on my thoughts on four other series that ended this year. Two of these are limited series, and the remaining two are ongoing series. Are any of them worth your time? Well, let’s have a look.

Continue reading “‘Servant,’ ‘Your Honor,’ ‘Love and Death,’ and ‘The Last Thing He Told Me’ (2023) | Bite-Sized Reviews” →

REVIEW: Bones and All (2022)

Timothée Chalamet and Taylor Russell in BONES AND ALL — PHOTO: Metro-Goldwyn-Mayer Pictures / Warner Bros. Pictures.

Directed by Luca Guadagnino — Screenplay by David Kajganich.

Call Me By Your Name was my introduction to the work of Italian auteur Luca Guadagnino. In my review of Call Ne By Your Name, I went to great lengths in emphasizing the power of cinema, the universality and transformative nature of Guadagnino’s film, and a couple of the incredibly well-realized performances in said film. Since then, I’ve seen a few additional films of his, but none of them have reached the heights of his 2017 coming-of-age masterpiece. When I first heard about the fact that Guadagnino had made a new coming-of-age film also starring Timothée Chalamet, I became very curious. When I found out that it was supposed to be a cannibal romance film, my eyes widened in surprise. Bones and All, his cannibal romance, is probably my second favorite film of his. That said, it definitely isn’t as easy of a film to, ahem, ‘eat up’ as his 2017 film was.

Continue reading “REVIEW: Bones and All (2022)” →

Additional Bite-Sized Reviews, Feb. ’21, Pt. II: ‘Your Honor,’ ‘For All Mankind,’ and ‘Framing Britney Spears’

Joel Kinnaman in “For All Mankind,” now streaming on Apple TV+. — Photo: Apple TV+.

In this edition of my monthly movie and television catch-up article series titled ‘Additional Bite-Sized Reviews,’ I take a look at a couple of shows that I have watched a lot in the first months of 2021 — specifically Your Honor and For All Mankind. But I also give you my thoughts on a documentary that everyone talked about in February. Continue reading “Additional Bite-Sized Reviews, Feb. ’21, Pt. II: ‘Your Honor,’ ‘For All Mankind,’ and ‘Framing Britney Spears’” →

REVIEW: The Shape of Water (2017)

US Theatrical Release Poster – Fox Searchlight Pictures

The following is a review of The Shape of Water — Directed by Guillermo Del Toro.

There was a story that Mexican film auteur Guillermo Del Toro kept on mentioning as he was doing the rounds talking about his newest film – a true passion project – this last year that really stuck with me. Del Toro – perhaps the greatest champion of the creature feature subgenre these days – saw 1954’s Creature from the Black Lagoon when he was only six-years-old, and he was so taken by the image of the Gill-man swimming underneath actress Julia Adams that he found himself hoping that they would end up together. A strange idea, perhaps, but not to him. Continue reading “REVIEW: The Shape of Water (2017)” →

REVIEW: Call Me By Your Name (2017)

Theatrical Release Poster – Sony Pictures Classics

The following is a review of Call Me By Your Name — Directed by Luca Guadagnino.

A film as a work of art is a an attempt. It is a risk, but it is a risk that you need to take. Actress and filmmaker Jodie Foster recently said that, for her, filmmaking was about figuring out your place in the world, or, simply, about evolving as a person. In reference to this film, one might say that becoming a filmmaker is choosing to speak. Continue reading “REVIEW: Call Me By Your Name (2017)” →

REVIEW: Arrival (2016)

Theatrical Release Poster - Paramount Pictures
Theatrical Release Poster – Paramount Pictures

The following is a review of Denis Villeneuve’s Arrival – based on a short story by Ted Chiang.

The very best directors can do anything. They aren’t just locked in on a single genre, they master multiple essential ones. They also aren’t ‘filmmaking slaves’ to a single franchise. While they may operate within a franchise from time to time – like Alfonso Cuarón did with Harry Potter and the Prisoner of Azkaban – they don’t dedicate their careers to them. Continue reading “REVIEW: Arrival (2016)” →