TV Review Catch-Up – 2025, pt. II of II | Bite-Sized Reviews

Top Row: The White Lotus: Season Three (HBO); Dexter: Resurrection (Paramount+ / Showtime).
Bottom Row: Smoke (Apple TV+); MONSTER: The Ed Gein Story (Netflix).

Just like list time: It does what it says on the tin, as one might say. This is the second part of my TV review catch-up for 2025, which includes some of my thoughts on TV shows in bite-sized portions. There are still two other shows that I want to review from last year, but they’ll get their own full individual reviews sometime soon. Anyway, in this article, you’ll find my thoughts on an Apple show I had mixed feelings on, a Netflix anthology series that didn’t work for me this season, a show about a strong return for an iconic character, and a season of one of HBO’s most popular shows over the last few years.

Continue reading “TV Review Catch-Up – 2025, pt. II of II | Bite-Sized Reviews”

Did Showtime’s Revival Actually Fix the Controversial ‘Dexter’ Ending? | Review

Michael C. Hall and Jack Alcott in Showtime’s DEXTER: NEW BLOOD — Photo: Seacia Pavao / Showtime.

The following is a review of the mini-series ‘Dexter: New Blood,’ which was developed by Clyde Phillips.

Is it possible to salvage a once-iconic show that once ended terribly? The original run of Showtime’s Dexter (2006-2013), which was based on Jeff Lindsay novels, started great, picked up a massive fanbase in its first four fantastic seasons, and then, after a couple of underwhelming, but still at least watchable (and rewatchable), seasons of television, it ended in a way that has made the original show a textbook example of how not to end a show.

Continue reading “Did Showtime’s Revival Actually Fix the Controversial ‘Dexter’ Ending? | Review”

REVIEW: The Report (2019)

Release Poster – Amazon Studios

The following is a review of The Torture Report — Directed by Scott Z. Burns.

While Netflix is enjoying another moment in the sun with the release of Martin Scorsese’s latest masterpiece, The Irishman, which is streaming exclusively on Netflix, Amazon Studios has quietly released The Report to Prime Video. The lack of awareness that The Report is getting is reminding me of a quote in the film itself: “you have a sunlight problem.” Though The Report isn’t the most notable or, frankly, the best film released on streaming services this week, Scott Z. Burns’ film is genuinely gripping thanks, in large part, to a strong central performance from Adam Driver that elevates the otherwise potentially dramatically listless material. Continue reading “REVIEW: The Report (2019)”

REVIEW: In the Shadow of the Moon (2019)

Release Poster — Netflix

The following is a review of In the Shadow of the Moon — Directed by Jim Mickle.

Not to be confused with the David Sington documentary of the same name, Jim Mickle’s In the Shadow of the Moon is a science-fiction crime film that follows police officer Thomas Lockhart (played by Boyd Holbrook), a father in waiting, as he tries to catch a criminal whose actions have caused several civilians to display suspicious wounds and then violently die as they bleed from their heads’ orifices. The suspected murderer is a young African-American woman (played by Cleopatra Coleman), and Lockhart eventually catches up to her on the night of the murderers.

His night ends violently as he makes her fall onto subway train tracks where she is swiftly run over by an oncoming train. When the suspected murderer returns back to life nine years after she died, Lockhart starts to entertain the thought that she was literally carried away by a moonlight shadow, to quote a 1980s hit song, to a different place, or time, entirely, which was suggested to him by an elusive scientist on the night of her first appearance. Continue reading “REVIEW: In the Shadow of the Moon (2019)”

REVIEW: Christine (2016)

Release Poster – The Orchard; Curzon Artificial Eye

The following is a quick review of Christine – Directed by Antonio Campos

Antonio Campos’ Christine is a biographical drama about the true story of Sarasota news reporter Christine Chubbuck’s suicide in 1974. The film follows Christine Chubbuck (played by Rebecca Hall) during some of the worst days of her life and leads up to her last live broadcast.  Continue reading “REVIEW: Christine (2016)”