Hollywood’s Biggest Night Celebrated Indie Film’s Greatest Champion | 97th Oscars – Recap and Review

On Sunday, Conan O’Brien hosted the 97th Academy Awards. It was the first time that the tall red-haired beloved comedian had hosted Hollywood’s biggest night for AMPAS, and it was in a year where it felt like one film ran away with the major awards. Indeed, multi-hyphenate filmmaker Sean Baker — someone who is known for his decidedly non-mainstream indie oeuvre, which has made him a true critical darling — became a 4x Academy Award winner with his very first nominations. Baker’s Anora took home Best Original Screenplay, Best Film Editing, Best Lead Actress, Best Director, and Best Picture. Baker’s film dominated the night, but how should we feel about it as a winner and how did Conan do as an Oscar host? Well, let’s run through The Great, The Good, The Mixed Feelings, The Bad, and The Ugly of the 97th Academy Awards.

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A Real Pain (2024) | REVIEW

Kieran Culkin and Jesse Eisenberg in A REAL PAIN — PHOTO: Searchlight Pictures (Still image from trailers).

Directed by Jesse Eisenberg — Screenplay by Jesse Eisenberg.

Jesse Eisenberg’s A Real Pain follows Jewish American cousins David (played by Jesse Eisenberg) and Benji (played by Kieran Culkin) as they travel from New York City to Poland for the purpose of taking part in a Holocaust tour group, as well as to visit the childhood home of their late grandmother in an attempt to establish a deeper connection to their heritage. On the trip, their rapport is put to the test, as David, a family father, is much more introverted and reserved, while Benji, a drifter with very little going on in his life, is extremely outgoing and extroverted to the degree that David isn’t comfortable with.

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Who Will Be Nominated? – Final Predictions | 97th Oscars

It’s finally that time again. Tomorrow, AMPAS is announcing its list of nominees for the upcoming 97th Academy Awards. So, of course, now is the time to fill in your final Oscars nominations predictions. This is exactly what I’ve done here. Below you’ll see what I’m predicting along with a few comments here and there. The choices are ranked from either one to five or one to ten based on how confident I am that something is getting nominated with 1 being the most confident. Let’s get to it.

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11th I’m Jeffrey Rex Awards – 2023

I know. I didn’t just forget which year we’re in. We’re about to say goodbye to 2024, and here I am with a list of the very best films, shows, and whatnot from 2023? That’s certainly a choice, right? Look, I’ll be honest. I’ve been pretty busy this year, and I, around summer time, felt like I might as well wait until I had seen the two or three films that I felt I had to watch before publishing my lists for 2023. It kind of makes sense, right? If it’s already late, then I might as well make sure the choices are bulletproof, you know? Anyhow, here we are, and I’m going to be running you through all of my winners in a single post. Some awards have been canned (e.g. poster, trailer), other fresh ones have been added (e.g. stunts). It’ll take some time, but stick with me here. Oh, and look on the bright side, this way the wait between the 2023 and 2024 lists won’t be all that long. Anyway, let’s get to it (and happy holidays!). 

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9th I’m Jeffrey Rex Awards, Pt. I – 2021

This year, like I’ve sometimes done in the past, I’m splitting up my blog’s awards into two parts. The second part is all about cinema, while this first half concerns video games, music, superhero entertainment, and, chiefly, television. As you’ll see, one show in particular really blew me away in 2021. I should also say that I’ve classified shows like The Book of Boba Fett, Station Eleven, Yellowjackets, Mayor of Kingstown as 2022 shows, so they are ineligible for this edition of the IJR Awards. In any case, let’s get to it.

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REVIEW: Succession – Season Three (2021)

Matthew Macfadyen as Tom Wambsgans in Succession: Season Three, Episode Nine, “All The Bells Say,” — Photo: Graeme Hunter / HBO.

This is a full season review of Succession: Season Three — All episodes are available now on HBO Max.

Some of the best television show writers, directors, and creators know how to seemingly blow up their shows in exciting season finales all the while still making these unforeseen events feel true to the show, and then they pick-up where the last season left off with equally good and layered writing, and with convincing twists and turns. While that description may sound more like Breaking Bad than a show about the line of succession in a right-wing media company, it is also true for Succession (and their writers), which, again and again, takes its characters in enthralling new directions. The second season of Succession was right up there with The Leftovers, as some of the most gripping and well-written television on HBO ever, and I’m happy to say that the third season, which went in directions that I hadn’t anticipated at the end of the second season, is equally good. Jesse Armstrong and the Succession writers’ room have done it again.

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REVIEW: Succession – Season Two (2019)

Release Poster – HBO

The following is a short review of the second season of HBO’s Succession.

In the second season of Jesse Armstrong’s Succession, the future of Waystar Royco is still uncertain as shareholders are still considering the coup that Kendall (played by Jeremy Strong) orchestrated. So, to prove that the Roys can still be trusted to lead the company into the future, Logan (played by Brian Cox) has to start to consider who his successor should be. This season, Siobhan (played by Sarah Snook) becomes interested in the top position, Roman (played by Kieran Culkin) becomes fascinated by Gerri (played by J. Smith-Cameron), Connor (played by Alan Ruck) wants to become President of the United States, and Kendall seems incapacitated under his father’s thumb. Continue reading “REVIEW: Succession – Season Two (2019)”