In this edition of my monthly movie and television catch-up article series titled ‘Additional Bite-Sized Reviews,’ I give my thoughts on the second season of the major Apple TV+ series The Morning Show, but I have also taken a look back at Steven Soderbergh’s latest film. And then, at the end of the article, I will finally reveal what my thoughts are on the sequel to A Quiet Place.Continue reading “Additional Bite-Sized Reviews, Nov. 2021, pt. II: ‘The Morning Show,’ ‘A Quiet Place Part II,’ and More”
The following is a review of Netflix’s Next Gen — Directed by Kevin R. Adams & Joe Ksander.
You may be surprised when the first acting credit that pops on the screen in the relatively unpromoted Netflix animated film Next Gen is that of actor-director John Krasinski. At the very least, I was surprised to see names like Krasinski’s, but also other actors like Jason Sudeikis and Michael Peña. You start to ask yourself how this animated movie had managed to go relatively unnoticed with those names attached to it, and then you hope that you’ve found a new hidden gem. Next Gen isn’t quite that good, but I did enjoy it for what it was. Continue reading “REVIEW: Next Gen (2018)”
The following is a review of A Quiet Place — Directed by John Krasinski.
Actor-turned-director John Krasinski’s third feature film as a director is the horror-thriller film A Quiet Place, which follows the Abbott family in the dystopian near-future wherein the entire world seems abandoned and empty due to the existence of blind, mysterious, and violent creatures that hide and wait for something as harmless as the sound of a pin drop to pounce on any pray alive to be taken. Continue reading “REVIEW: A Quiet Place (2018)”
The following is a review of 13 Hours: The Secret Soldiers of Benghazi, a Michael Bay film.
Michael Bay gets a lot of hate from the online film community. A lot of people hate his films, and some of his films, namely the Transformers movie franchise, represents what many see as the worst aspects of film today. Michael Bay once said, that he makes movies for teenage boys, but, with 13 Hours: The Secret Soldiers of Benghazi, he has made a surprisingly mature film that I think is his best film since Armageddon, which I still really like. Continue reading “REVIEW: 13 Hours: The Secret Soldiers of Benghazi (2016)”