The following is a review of The Irishman — Directed by Martin Scorsese.
I’ve said it before, and I’ll say it again. Martin Scorsese would arguably be on the Mt. Rushmore of American filmmakers if such a thing existed. When Scorsese laments the supposed death of cinema or questions the artistic merit of modern blockbusters, you listen to him for the simple reason that few people know the medium, the power of cinema, or the industry as well as he does. His understanding of the power of what is within or out of the frame of cinema is indescribable. Though his detractors may suggest that he is a glorified gangster film director, nothing could be further from the truth. With The Irishman, Martin Scorsese has given us a haunting and elegiac historical epic disguised as a greatest hits gangster film that stresses that, even in the autumn of his life, the master hasn’t missed a beat. Continue reading “REVIEW: The Irishman (2019)”→
This edition of Academy Analysis covers every Best Picture Winner since the 63rd ceremony (March 1991), ending with the 88th ceremony (February 2016).
So, one of the things I want to do in Motion Picture Thoughts is to really highlight the Academy Awards. I watch it every year. I obsess over nominees. I’m just incredibly intrigued by the Oscars. So, a couple of months ago, I decided to write about the best picture winners at the Oscars. In the future, I may focus on another award. Continue reading “The Academy Got It Wrong? – Motion Picture Thoughts #9”→
The following is a quick review of 11.22.63 – a Hulu limited series based on the Stephen King novel.
Everyone knows who Stephen King is. You may not have read his novels. Maybe you’ve only watched films based on his work. But you absolutely know who Stephen King is. When I was younger, I was introduced to Stephen King’s work through films and mini-series by my father who has always been a fan of Stephen King. I was surprised to find out that I liked 11.22.63 more than my father did, though. Continue reading “REVIEW: 11.22.63 (2016 – Mini-Series)”→