Tag: Jennifer Coolidge

‘A Minecraft Movie,’ ‘The Phoenician Scheme,’ ‘After the Hunt,’ ‘F1,’ and ‘Jay Kelly’ | Bite-Sized Reviews

Top Row (L-R): A Minecraft Movie (Warner Bros. Pictures); The Phoenician Scheme (Focus Features / Universal); After the Hunt (Amazon MGM / Sony Pictures Releasing).
Bottom Row (L-R): F1 (Warner Bros. Pictures / Apple TV+); Jay Kelly (Netflix).

Oh my, we’re back again! In this edition of additional bite-sized reviews – my recurring blog post series highlighting films that I want to share my thoughts on, but that I, crucially, don’t have time enough to cover in a more lengthy full review — I’ll tell you what I think about 1) one of the biggest theater hits of the year, 2) Wes Anderson’s latest flick, 3) Guadagnino’s most recent feature film, 4) Brad Pitt’s racing movie, and 5) Noah Baumbach’s big George Clooney-vehicle. As is often the case, most, if not all, of these bite-sized reviews may have been seen early on my Letterboxd account, so do note that you can get a sneak peek at my future reviews over there. Let’s get to it!

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REVIEW: We Have A Ghost (2023)

David Harbour and Anthony Mackie in WE HAVE A GHOST — PHOTO: NETFLIX.

Directed by Christopher Landon — Screenplay by Christopher Landon.

Christopher Landon is a rather interesting up-and-coming horror filmmaker. Reportedly scheduled to remake Frank Marshall’s Arachnophobia, Landon has made a career off taking well-trod genre fare and giving it a modern feel and often with a comedic slant. Among other things, he co-wrote D. J. Caruso’s Disturbia (a thriller that is so close to Alfred Hitchcock’s Rear Window in the concept that it led to a lawsuit) and several Paranormal Activity films, before he became a household name for horror film fans by writing and directing his Happy Death Day films (slasher comedies that runs with the time-loop concept from Harold Ramis’ Groundhog Day) and Freaky, 2020s horror comedy reinterpretation of the classic body swap story Freaky Friday. His latest film, We Have A Ghost, is similarly placed squarely in the horror-comedy genre-blend and it, too, wears its inspirations on its sleeves. Most of Landon’s previous films as a director have been decent-to-good, and although We Have A Ghost doesn’t reach its full potential, it’s still a pretty decent but derivative little family film. 

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Additional Bite-Sized Reviews, Summer ’21, Pt. 3: ‘The White Lotus,’ ‘Malcolm & Marie,’ and More

Alexandra Daddario and Jake Lacy in THE WHITE LOTUS — Photo: HBO.

In this edition of my monthly movie and television catch-up article series titled ‘Additional Bite-Sized Reviews,’ I once again talk about my experience of trying to catch-up on some of the 2021 films released earlier this year, but this time I also want to talk about a show that I was surprised I liked as much as I did. What did I like about The White Lotus? Is Malcolm & Marie better than its reputation? Are Antoine Fuqua and Stefano Sollima’s latest action films any good? Well, scroll down to find out what I think about all of that (and more) in yet another jam-packed edition of Additional Bite-Sized Reviews!

Continue reading “Additional Bite-Sized Reviews, Summer ’21, Pt. 3: ‘The White Lotus,’ ‘Malcolm & Marie,’ and More” →