The Conjuring: Last Rites (2025) | REVIEW

Mia Tomlinson and Patrick Wilson in THE CONJURING: LAST RITES — PHOTO: Warner Bros. Pictures / New Line Cinema (still image from trailers).

Directed by Michael Chaves — Screenplay by Ian Goldberg, Richard Naing, and David Leslie Johnson-McGoldrick.

We’ve come a long way since the first film about the demonologist duo and married couple Ed and Lorraine Warren, The Conjuring, from director James Wan. Depending on whether you count The Curse of La Llorona, there are now nine or ten films in the film series, with its reported conclusion, 2025’s The Conjuring: Last Rites, serving as the dot at the end of the sentence. Like with The Curse of La Llorona, The Conjuring: The Devil Made Me Do It, and The Nun 2, this latest film is directed by Michael Chaves, who, despite receiving mixed reviews for his films, has long been positioned as the heir apparent to James Wan (The Conjuring; Insidious; Saw). Chaves has failed in his attempts to reach the height of his mentor’s films, and, in the process of trying to continue Wan’s work in this connected universe of films, has turned in, at best, merely lukewarm films. Does the purported conclusion to the story of the Warrens improve things for Chaves? Well, his latest film still cannot hold a candle to Wan’s Conjuring films, but, to Chaves’ credit, I think this is his most entertaining film yet. 

Continue reading “The Conjuring: Last Rites (2025) | REVIEW”

Aquaman and the Lost Kingdom (2023) | REVIEW

Jason Momoa as Arthur Curry in James Wan’s AQUAMAN AND THE LOST KINGDOM — PHOTO: WARNER BROS. PICTURES (Still image from trailers).

Directed by James Wan — Screenplay by David Leslie Johnson-McGoldrick.

Once upon a time, the kickstarting of the DC Extended Universe (DCEU) felt like such a big deal. Warner Bros. was going to do what Marvel did and actually have a connected cinematic superhero universe and it was going to be this prestige project with the first film, titled Man of Steel, echoing a kind of director-led importance that was supposed to follow in the footsteps of Christopher Nolan’s critically acclaimed Dark Knight trilogy. I think, however, that it is fair to say that it never got off on the right foot. Their Superman-universe opener was met with a mixed critical reception and fans criticized certain choices that they felt were against the core tenets of the beloved iconic character. In the next years, the DCEU was never fully embraced despite certain successes along the way (e.g. Patty Jenkins’ Wonder Woman) in large part due to several films that missed the mark in one way or another (e.g. David Ayer’s Suicide Squad). Online toxicity, director idolization, and mild-at-best reception followed, and now the universe is being fully rebooted by James Gunn. Before that could happen though, they had to release a couple of ‘lame duck’ films that they already had in the can but which everyone knew mattered not. Aquaman and the Lost Kingdom is the last one of those, and, unfortunately, the DCEU went out with a whimper. 

Continue reading “Aquaman and the Lost Kingdom (2023) | REVIEW”

Every ‘Insidious’ Film Ranked (2023)

Insidious Film Posters (2010-2023)

Recently, the Insidious and Conjuring scream king Patrick Wilson got the chance to sit in the director’s chair to direct the latest and potentially final Insidious film for the big screen, Insidious: The Red Door. As I wrote in that review, this series is the “lower-budgeted and less revered film series sibling” to The Conjuring, but it has a passionate fan base that always makes these films successful in movie theaters around the world. I quite liked Wilson’s film, but how does it compare to the other films in the franchise? Well, let’s have a look.

Continue reading “Every ‘Insidious’ Film Ranked (2023)”

Insidious: The Red Door (2023) | REVIEW

Patrick Wilson in Screen Gems’ INSIDIOUS: THE RED DOOR.

Directed by Patrick Wilson — Screenplay by Scott Teems — Story by Leigh Whannell and Scott Teems.

Insidious is just one of several horror film franchises kickstarted by modern horror icons James Wan and Leigh Whannell. Eventually, both Wan and Whannell have had to pass the director’s chair off to someone else whose job it is to not just continue the style of previous entries in these series but also someone careful and considerate enough to shepherd the values of the franchise. With 2018’s Insidious: The Last Key, the fourth film in the franchise, Wan and Whannell (who has a screenwriting credit on the film) passed the director’s chair to Adam Robitel, whose Insidious film was the second prequel film in the series, as well as the second prequel film in a row to abandon the Lambert family haunting in favor of focusing on the paranormal investigators and the psychic introduced in the first two films. But eventually, the Lambert family haunting narrative that Wan and Whannell made us so invested in with Insidious Chapters 1 and 2 (released in 2010 and 2013, respectively) had to continue. That’s where scream king and star of the original two films, Patrick Wilson, comes in — because he wasn’t just convinced to return in a significant role for the fifth and potentially final film, he also signed on for it to be his feature directorial debut. 

Continue reading “Insidious: The Red Door (2023) | REVIEW”

REVIEW: The Conjuring: The Devil Made Me Do It (2021)

Patrick Wilson as Ed Warren in Michael Chaves’ THE CONJURING: THE DEVIL MADE ME DO IT — Photo: Warner Bros. Pictures.

Directed by Michael Chaves (The Curse of La Llorona) — Screenplay by David Leslie Johnson-McGoldrick.

Cinematic universes and film series with numerous spin-offs — in the vein of the Marvel Cinematic Universe — are all the rage these days. The primary example of this in the horror genre is the Conjuring film-universe, which, at this point in time, consists of eight films. This horror film cinematic universe was essentially launched by James Wan, who is probably one of the most influential horror filmmakers of the last ten years, and his films in the series — The Conjuring I and II — are, frankly, the best and most memorable films in the entire film series. For that reason, I was very nervous when I heard that he would step away from the franchise and let Michael Chaves, who directed The Curse of La Llorona (which I really did not like), continue, or potentially finish, the titular series of films in the Conjuring film-universe. After having now seen the third main-line Conjuring-film, I can say that even though it is nowhere near as good as Wan’s films, Chaves’ second film in this film universe is admittedly significantly better than his previous film.

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A Good Day to Be a Danish Actor: Mads Mikkelsen & Pilou Asbæk Join Major Franchises

Mads Mikkelsen has landed his next big role in a major Hollywood franchise!

April 15th, 2021 was a good day to be a Danish actor. At least, it sure seemed that way. On this day, Deadline Hollywood revealed two ‘exclusive’ casting news articles. Now, why is that significant? It’s simple really. Two very popular Danish actors are joining two major Hollywood franchises in highly anticipated sequels, and, again, for some unknown (but somewhat amusing) reason these unrelated casting news articles were released on the very same day.

Continue reading “A Good Day to Be a Danish Actor: Mads Mikkelsen & Pilou Asbæk Join Major Franchises”

REVIEW: Annabelle Comes Home (2019)

Theatrical Release Poster – Warner Bros. Pictures

The following is a review of Annabelle Comes Home — Directed by Gary Dauberman.

The lesson Hollywood first learned from the Marvel Cinematic Universe was to rush into these grand connected universes of films. The DC Cinematic Universe almost crashed and burned. The Godzilla-King Kong connected universe of films is currently struggling. Meanwhile, the Universal Monsters so-called ‘Dark Universe’ never really got off the ground. Surprisingly, the attempt to copy the highly successful Marvel Cinematic Universe that has worked the best has been the Ed and Lorraine Warren-inspired Conjuring Cinematic Universe. Continue reading “REVIEW: Annabelle Comes Home (2019)”

REVIEW: Aquaman (2018)

Theatrical Release Poster – Warner Bros. Pictures

The following is a review of Aquaman — Directed by James Wan

If you are reading this as a die-hard Aquaman-fan, I’m sorry but I have to start off my review like this: I’ve never thought that highly of the character. I didn’t make dumb water-jokes about him, but, for the longest time, the first things I thought about when I heard someone mention ‘Aquaman’ was, first, Alan Ritchson in CW’s Smallville and, then, the fake James Cameron film from HBO’s Entourage. Continue reading “REVIEW: Aquaman (2018)”

REVIEW: The Nun (2018)

Theatrical Release Poster – Warner Bros. Pictures

The following is a review of The Nun — Directed by Corin Hardy.

A funny thing happened when I sat down in a local movie theater room to watch The Nun — the newest The Conjuring spin-off film (this one having been inspired by a demon from James Wan’s The Conjuring 2). It was a packed theater full of people of all ages, shapes, and sizes, and right behind me, three young men sat and talked with one another. When the film opened with a scene from The Conjuring 2, I could hear one of them say: “wait, is this a Conjuring-movie?” Then another one said with his mouth full of popcorn: “oh, I haven’t seen the second one yet.” Continue reading “REVIEW: The Nun (2018)”