The following is a review of IT: Chapter Two — Directed by Andy Muschietti.
It would be an understatement to say that Andy Muschietti’s IT (2017) was a great success. Successfully building on audiences’ relationship with the 1990s mini-series, novel, or creature design, IT went on to become the highest-grossing Stephen King adaptation and the highest-grossing horror film in North American box office history (not adjusted for inflation). Therefore, naturally, expectations for the adaptation of the second ‘half’ of the 1000-page long clown-focused King novel were through the roof. Ultimately, although I don’t think the second chapter lives entirely up to the frightening but charming first film, IT: Chapter Two finds much more success in depicting the grown-up half of the novel than the mini-series did, and, even though I have notable problems with the film, I’m mostly satisfied with how this oversized crowdpleaser wrapped up the story. Continue reading “REVIEW: IT – Chapter Two (2019)”→
The following is a review of X-Men: Dark Phoenix — Directed by Simon Kinberg.
“You’re always sorry, Charles, and there’s always a speech. But nobody cares anymore,” is the line that is going to be cited to oblivion in reviews of the final Fox-controlled X-Men film, Simon Kinberg’s Dark Phoenix. It is a line uttered by Fassbender’s Magneto-character, and, even though it certainly is in-character, it almost feels like unintentional self-directed criticism on the part of the writer-director. Or, perhaps, one might suggest it speaks to our collective disinterest in these films after Days of Future Past and Logan successfully bid farewell to that era of superhero filmmaking.
As is made painfully clear, one of the actors doesn’t even care anymore, so why should audiences? It hasn’t helped that X-Men: Apocalypse left a sour taste in people’s mouths. And the fact that Disney can now shoehorn the X-Men into their wildly successful Marvel Cinematic Universe whenever they see fit surely hasn’t helped in bringing new audiences to the long-running X-Men film series. Fox’s X-Men is a tired film franchise and that quote perfectly encapsulates the way many feel about these films. Continue reading “REVIEW: X-Men: Dark Phoenix (2019)”→
The following is a review of Glass — Directed by M. Night Shyamalan.
Unbreakable is my favorite film from writer-director M. Night Shyamalan, whose career has been one of the bumpiest rides for any filmmaking talent in recent memory, and Split, Shyamalan’s 2017 secret continuation of the Unbreakable-universe, gave me one of my favorite experiences in a movie theater at the very end of the film, when Bruce Willis appeared out of nowhere to reveal that Mr. Glass, David Dunn, and The Beast exist in the same world. Continue reading “REVIEW: Glass (2019)”→
The following is a quick review of Atomic Blonde – Directed by David Leitch.
Atomic Blonde is an action spy film set in the lead-up to the fall of the Berlin Wall in 1989. The film stars Charlize Theron as Lorraine Broughton, a top spy for the MI6, who has been sent to Berlin to investigate the murder of another agent (played by Sam Hargrave), as well as retrieve a list that contains information about a double agent known only as ‘Satchel.’ In Berlin, Broughton is backed up by David Percival (played by James McAvoy), in her search for the aforementioned list. Continue reading “REVIEW: Atomic Blonde (2017)”→
The following is a review of Split – Directed by M. Night Shyamalan
M. Night Shyamalan has had an interesting career so far. He was once called the next Steven Spielberg and the ‘hottest’ name in storytelling, but when he released The Village, which got mixed reviews, his career fell off a cliff. Suddenly, the guy who was known for his fun story twists, became known for films like The Last Airbender and The Happening. M. Night Shyamalan became known as the guy that made perhaps the most unintentionally funny natural disaster film of the 21st Century (I am again, of course, referring to The Happening). Continue reading “REVIEW: Split (2017)”→
The following list contains spoilers for films from 2011.
It’s time for the first Top Ten Tuesday of 2017! I’m still getting through the best heroes of this decade, and we’ve reached 2011. Do note that these characters aren’t solely ranked on how heroic their actions are. Also, some heroes may not be traditional heroes. Without further ado, here are the top ten movie heroes of 2011.
The following is a review of X-Men: Apocalypse, a Bryan Singer film.
I think X-Men: First Class is one of the most brilliant superhero-team movies ever made. The sequel, Days of Future Past, was a confident time-travel film, and I thought that film really worked well too. Indeed, since we’ve been met with the second wave of X-Men-films, starting with First Class in 2011, the franchise has been pretty spectacular. Sadly, X-Men: Apocalypse doesn’t work as well as the two X-Men-films that preceded it. Continue reading “REVIEW: X-Men: Apocalypse (2016)”→
This week’s topic is based on some rumors I heard last week. That perhaps Marvel Studios and 20th Century Fox could make a deal after Marvel’s Phase Three. This could perhaps lead to an Avengers vs. X-Men storyline, and could give us the Illuminati storyline that Hickman focused on in his New Avengers run (2013-2015). But here’s the thing, I don’t really want that to happen. Here’s why. Continue reading “Marvelous Monday #26 – X-Men and the Fox Ownership”→