The following is a review of the Apple TV+ mini-series “Defending Jacob,” — Directed by Morten Tyldum and written by Mark Bomback.
Morten Tyldum and Mark Bomback’s Defending Jacob is a crime mini-series based on the William Landay novel of the same name. The series follows the Barber family — Andy (played by Chris Evans) and Laurie (played by Michelle Dockery) and their teenage son, Jacob (played by Jaeden Martell) — from Newton, Massachusetts. At the outset of the series, Andy Barber, the assistant district attorney, is assigned to prosecute the murder of Ben Rifkin, one of Jacob’s classmates, and he is quick to identify a prime suspect. However, soon Andy is forced to abandon the case when his son is charged with the murder of Ben Rifkin. The Barbers are naturally shocked, and, in the series, they must try to clear their son’s name, find the actual culprit, and endure the harsh spotlight that they, as a family, have suddenly been put under. Continue reading “REVIEW: Defending Jacob (2020)”→
The following is a review of Knives Out — a Rian Johnson whodunnit.
Are Agatha Christie-inspired murder mystery films making a quiet comeback right under our noses? In 2017, Kenneth Branagh resurrected the genre on the big screen with his adaptation of Murder On the Orient Express, which is getting a sequel in 2020. Earlier in 2019, Kyle Newacheck released an Adam Sandler-led murder mystery film titled Murder Mystery, which I suggested might be “the most watchable of Sandler’s made-for-Netflix comedies.” Now we have Rian Johnson’s Knives Out, which isn’t just the best of the bunch, it’s also genuinely one of the most entertaining films of the year. Knives Out is a fresh and modern labyrinthine murder mystery complete with a stylish main location, as well as witty and timely social and political satire. Continue reading “REVIEW: Knives Out (2019)”→
The following is a review of IT: Chapter Two — Directed by Andy Muschietti.
It would be an understatement to say that Andy Muschietti’s IT (2017) was a great success. Successfully building on audiences’ relationship with the 1990s mini-series, novel, or creature design, IT went on to become the highest-grossing Stephen King adaptation and the highest-grossing horror film in North American box office history (not adjusted for inflation). Therefore, naturally, expectations for the adaptation of the second ‘half’ of the 1000-page long clown-focused King novel were through the roof. Ultimately, although I don’t think the second chapter lives entirely up to the frightening but charming first film, IT: Chapter Two finds much more success in depicting the grown-up half of the novel than the mini-series did, and, even though I have notable problems with the film, I’m mostly satisfied with how this oversized crowdpleaser wrapped up the story. Continue reading “REVIEW: IT – Chapter Two (2019)”→