REVIEW: Mr. Harrigan’s Phone (2022)

Donald Sutherland in John Lee Hancock’s Mr. Harrigan’s Phone — PHOTO: Netflix.

Directed by John Lee Hancock — Screenplay by John Lee Hancock.

At the time of writing, we are now in October, which means that, for a lot of people, it’s time to focus on horror and Halloween. Streamers such as Netflix have to cater to that crowd, and one of the ways that they are doing that this year is by releasing yet another Stephen King adaptation. Netflix has actually been a pretty decent home for these adaptations, as it has previously released such King adaptations as In The Tall Grass, 1922, and Gerald’s Game, with the last one being easily the best of the Netflix-King films. Like In the Tall Grass and 1922, Mr. Harrigan’s Phone is based on one of King’s novellas, and, like those other two films, while there are things I really like about the film, I think there are a couple of things about it that make it difficult to recommend to general horror fans.

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REVIEW: Defending Jacob (2020)

Release Poster – Apple TV+

The following is a review of the Apple TV+ mini-series “Defending Jacob,” — Directed by Morten Tyldum and written by Mark Bomback.

Morten Tyldum and Mark Bomback’s Defending Jacob is a crime mini-series based on the William Landay novel of the same name. The series follows the Barber family — Andy (played by Chris Evans) and Laurie (played by Michelle Dockery) and their teenage son, Jacob (played by Jaeden Martell) — from Newton, Massachusetts. At the outset of the series, Andy Barber, the assistant district attorney, is assigned to prosecute the murder of Ben Rifkin, one of Jacob’s classmates, and he is quick to identify a prime suspect. However, soon Andy is forced to abandon the case when his son is charged with the murder of Ben Rifkin. The Barbers are naturally shocked, and, in the series, they must try to clear their son’s name, find the actual culprit, and endure the harsh spotlight that they, as a family, have suddenly been put under. Continue reading “REVIEW: Defending Jacob (2020)”

REVIEW: The Book of Henry (2017)

Theatrical Release Poster – Focus Features

The following is a review of The Book of Henry – Directed by Colin Trevorrow

About a month ago, Colin Trevorrow was replaced by J. J. Abrams as the director of the forthcoming Star Wars: Episode IX. Why am I putting that information into my review of a completely different movie?

Well, because when The Book of Henry was released in the United States back in June, critics actually speculated that this film might cost Trevorrow his chance at directing a Star Wars movie. I think it probably did factor into Lucasfilm’s decision, because The Book of Henry really isn’t a good movie. Continue reading “REVIEW: The Book of Henry (2017)”

REVIEW: It (2017)

Theatrical Release Poster – Warner Bros.

The following is a review of It – Directed by Andy Muschietti

It, based on Stephen King’s super-sized novel of the same name, follows a group of kids, called the Losers’ Club, led by a kid named Bill Denbrough (played by Jaeden Lieberher) who had recently lost his younger brother Georgie (played by Jackson Robert Scott). Georgie disappeared into the sewers when he was met by Pennywise the dancing clown (played by Bill Skarsgård). When the dancing clown starts showing up and haunting the fearful kids of Derry, Maine, the Losers’ Club must band together to face their own demons in the form of a scary clown. Continue reading “REVIEW: It (2017)”

UPDATED REVIEW: Midnight Special (2016)

Jaeden Lieberher in MIDNIGHT SPECIAL — PHOTO: Warner Bros. Pictures.

This is an updated review of Jeff Nichols’ MIDNIGHT SPECIAL. The original review, which can be found here, was updated in June of 2023. Most of the review was rewritten and the score was upped.

Jeff Nichols is one of the most promising young directors out there. His first feature film – Shotgun Stories – was an excellent low-budget revenge tale about brotherhood. His two other films – Take Shelter & Mud – put him on worldwide critics’ radar as they were some of the best films of the years in which they were released. That early filmography highlights an impressive and talented filmmaker who clearly has it within himself to be more than merely an indie darling. With Midnight Special, Jeff Nichols made his first film that is placed squarely in the science-fiction genre, and, back when it was released, it was one of my most anticipated films of that year. To me, this felt like the right moment for Nichols to make a film that could really get his name out there, but, while I did like it when I first saw it, it didn’t immediately live up to the expectations that I had for it. Having now, years later, had the chance to watch it over and over again, I can say that it has only gotten better with each and every rewatch. Midnight Special is an exceptional film that I think I understand much better now.

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