Lee Cronin’s The Mummy (2026) | REVIEW

Natalie Grace as “Katie,” the titular mummy in LEE CRONIN’S THE MUMMY — PHOTO: Warner Bros. Pictures (Still image from trailers).

Directed by Lee Cronin — Screenplay by Lee Cronin.

Given that more than a dozen movies about a mummified corpse coming back to life have been released over the years, including but not limited to the Universal Classic Monsters films, you can’t just name your movie The Mummy anymore without confusing audiences. To distinguish their latest film from the multiple other films called The Mummy — including the iconic Boris Karloff-led original, the beloved Brendan Fraser-led action-adventure film from 1999, and the Tom Cruise-led 2017 film, which was designed to kickstart a shared universe of Universal Monsters (called the Dark Universe), which was cancelled as a result of that very 2017 film failing — producer Jason Blum suggested that they should put their writer-director’s name in the title of the film, despite Lee Cronin by no means being a household name, not even with many horror film fans. Cronin, however, did put himself on the map with his sophomore feature Evil Dead Rise, which was both a critical and box office success. Because I really liked his Evil Dead installment (and some pretty strong trailers), I was really excited to see his vision of The Mummy. Having now seen it, I can say that while there are things that I really liked here, this is a pretty significant step down from his aforementioned sophomore effort.

Continue reading “Lee Cronin’s The Mummy (2026) | REVIEW”

Flora and Son (2023) | REVIEW

Eve Hewson in “Flora and Son,” now streaming on Apple TV+.

Directed by John Carney — Screenplay by John Carney.

Set in Dublin, Ireland, John Carney’s Flora and Son follows the titular characters — Flora (played by Eve Hewson) and her son Max (played by Orén Kinlan) — as the struggling mother makes an effort to grow closer to her son, who is on the wrong track and on the bad side of the law. Flora, who had her son when she was in her late teens, feels like life has passed her by. She doesn’t have a good relationship with her rebellious son or his father (played by Jack Reynor), and all she has to look forward to is going to a local nightclub to dance, drink, meet men, and start all over again. In an attempt to reach out to her son, she finds an old guitar in a waste container, has it restored, and presents it to her completely disinterested son. Flora decides to take part in online guitar lessons with Los Angeles-based Jeff (played by Joseph Gordon-Levitt), whom Flora is instantly smitten by. As the film goes forward, Flora and Max’s growing interest in music brings them closer together. 

Continue reading “Flora and Son (2023) | REVIEW”

REVIEW: Midsommar (2019)

Theatrical Release Poster – A24

The following is a review of Midsommar — Directed by Ari Aster.

As a Scandinavian, any film that revolves around Scandinavia or a specific part of Scandinavian culture, naturally, intrigues me greatly. So Midsommar already had my curiosity, but Ari Aster’s involvement pulled me in and seized my attention, as it were. Ari Aster is one of the most interesting new filmmakers. He is a gifted director whose first narrative feature — Hereditary — was one of the best and most disturbing horror films of the decade. With one of the decade’s best films in the genre under his belt already, his second feature film had a lot to live up to, and even though Midsommar isn’t quite as accessible as his directorial debut, Aster’s slow-burn second feature film showcases his distinct visual style, has thematical depth, and it proves that he is one of the most exciting new auteurs. Continue reading “REVIEW: Midsommar (2019)”

REVIEW: Mowgli: Legend of the Jungle (2018)

Release Poster – Netflix

The following is a review of Mowgli: Legend of the Jungle — Directed by Andy Serkis.

I feel so bad for Andy Serkis. Back in 2014, Andy Serkis, who, in spite of some secondary or assistant positions on other films, had never directed a film before, was hired to direct Warner Bros.’ CGI-heavy version of Rudyard Kipling’s The Jungle Book. Though the studio had been in talks with prominent directors since 2012, it was Serkis who was eventually chosen to bring this film to audiences around the world. Continue reading “REVIEW: Mowgli: Legend of the Jungle (2018)”

What’s Next For Indiana Jones? – Special Features #3

Indiana Jones. I always knew someday he’d return to the big screen. I never doubted that. Something made it inevitable. In March 2016, The Walt Disney Company announced that Steven Spielberg was going to direct an untitled fifth Indiana Jones film starring Harrison Ford.

The new film is going to be released in the summer of 2020, and it will therefore be released twelve years after Indiana Jones and the Kingdom of the Crystall Skull opened in theaters. Today, I want to talk about the future of yet another beloved franchise that Harrison Ford is returning to. Continue reading “What’s Next For Indiana Jones? – Special Features #3”

REVIEW: Sing Street (2016)

Film Poster - The Weinstein Company
Film Poster – The Weinstein Company

The following is a review of John Carney’s Sing Street.

Sing Street did not get a theatrical release in Denmark, as far as I am aware. So, back when every reviewer was talking about how great Sing Street was, I found out that I had to wait for the Blu-Ray release. I had only heard great things about the film, so I was really interested in it.

Sing Street was never on my list of most anticipated films of the year – even though I really enjoyed John Carney’s last film (Begin Again) – but when people were praising this film as one of the most enjoyable movie experiences of the year, I started to worry that maybe I would be let down when I finally got to see it. Well, now I’ve seen it, and it turns out that it is better than I thought it would be. Sing Street is a wonderful film. Continue reading “REVIEW: Sing Street (2016)”