The following is a review of Pet Sematary — Directed by Kevin Kölsch & Dennis Widmeyer.
A couple of months ago, I decided to rewatch Mary Lambert’s 1989 adaptation of Stephen King’s Pet Sematary. My father is a big fan of that film, but, I hadn’t seen it in years, and I barely remembered if I even liked it. Much to my father’s disappointment, I really didn’t enjoy rewatching Lambert’s film. This experience, I’ll be honest, actually made me more excited for this year’s remake. Perhaps I would now get the Pet Sematary film to ‘call my own.’ While I ultimately do, based on my first viewing, believe Kölsch and Widmeyer’s 2019-version is better and more effective than Lambert’s film, I was still very disappointed by what they gave us here. Continue reading “REVIEW: Pet Sematary (2019)”→
The following is a review of Us — Directed by Jordan Peele.
No directorial debut this decade has made as much noise as Jordan Peele’s Get Out did. The social-horror film was made by a comedian from a popular two-man sketch comedy group who, as it turned out, had his finger on the pulse of America. Get Out is not just one of the most discussed films of the decade, it’s also one of the most interesting, one of the most rewatchable, and, arguably, one of the best. Though Us may not be as sharp, potent, or intelligent as Get Out, Peele here proves that he is no one-hit wonder. Get Out wasn’t a fluke, Jordan Peele knows exactly what he’s doing. Continue reading “REVIEW: Us (2019)”→
The following is a review of Velvet Buzzsaw — Directed by Dan Gilroy.
In 2014, Dan Gilroy’s directorial debut — Nightcrawler — became a hit with critics and audiences alike. It gave us a brilliant and rivetingly unhinged performance from its leading man, Jake Gyllenhaal, and it showed us that Dan Gilroy was a supremely talented filmmaker.
With his second directorial effort, Roman J. Israel, Esq., Gilroy stumbled a bit, even though that film had another committed lead performance — this time from Denzel Washington. Now, Gilroy and Gyllenhaal have reteamed for a horror film about the art world with Netflix’s Velvet Buzzsaw, and, though it isn’t quite a return to form, it shows us that Gilroy is perfectly capable of having fun with his art. Continue reading “REVIEW: Velvet Buzzsaw (2019)”→
The following is a review of Suspiria — Directed by Luca Guadagnino.
The original Dario Argento Italian horror classic Suspiria is one of those films horror fanatics scream from the rooftops for you to watch. For the longest time, I was one of those who ignored that call. To prepare for Luca Guadagnino’s 2018 reimagining of the same name, I finally decided to sit down and watch Argento’s film, and while I didn’t love it as much as its disciples do, I recognized it as a stunning stylish classic with a frightening musical theme, but the dialogue and the acting left something to be desired. Continue reading “REVIEW: Suspiria (2018)”→
The following is a short review of APOSTLE — Directed by Gareth Evans.
In 2011, Welsh director Gareth Evans rose to fame in the film community for his Indonesian action film The Raid: Redemption. After he had completed its sequel, Evans had become known for these elaborate and inventive action set-pieces. His latest film is not an adrenaline-fueled action film in the vein of his previous Indonesian efforts. Continue reading “REVIEW: Apostle (2018)”→
The following is a review of Hereditary — Directed by Ari Aster.
You can always tell a horror movie is going to be the talk of the town once, at least, one of the three following things happen: when it receives critical acclaim, when critics are championing a central performance in the film, and when critics, fans, or filmmakers say or imply that the film isn’t really a horror movie. All three things happened with Hereditary. Continue reading “REVIEW: Hereditary (2018)”→
The following is a review of Insidious: The Last Key — Directed by Adam Robitel.
Insidious: The Last Key is the fourth film in the Insidious-franchise. This one is a prequel film that is centered around Lin Shaye’s character, Elise, and how she grew up. In The Last Key, a demon brings Elise back to her childhood home to face up to her past. Meanwhile, she attempts to fix her relationship with her brother, who doesn’t want to see her. Continue reading “REVIEW: Insidious: The Last Key (2018)”→
The following is a review of A Quiet Place — Directed by John Krasinski.
Actor-turned-director John Krasinski’s third feature film as a director is the horror-thriller film A Quiet Place, which follows the Abbott family in the dystopian near-future wherein the entire world seems abandoned and empty due to the existence of blind, mysterious, and violent creatures that hide and wait for something as harmless as the sound of a pin drop to pounce on any pray alive to be taken. Continue reading “REVIEW: A Quiet Place (2018)”→
The following is a review of Wish Upon – Directed by John R. Leonetti.
Wish Upon follows Clare (played by Joey King), a young teenage girl, who is given a magic Chinese music box by her dumpster-diving father (played by Ryan Phillippe) that grants you seven wishes. However, once she gets halfway through the wishes, it becomes clear that whenever a wish is granted a life is taken, and that when she runs out of wishes her own life will be taken as well. Continue reading “REVIEW: Wish Upon (2017)”→
The following is a review of Get Out – The directorial debut for Jordan Peele
Jordan Peele’s Get Out is basically a horror movie version of Stanley Kramer’s Guess Who’s Coming to Dinner?. Peele’s debut tells the story of an African-American man, Chris (played by Daniel Kaluuya), who is spending the weekend with – and meeting – his white girlfriend’s parents for the first time. Continue reading “REVIEW: Get Out (2017)”→