REVIEW: For All Mankind – Season Three (2022)

Scene from “For All Mankind,” now streaming on Apple TV+.

Series Created by Ronald D. Moore, Matt Wolpert, and Ben Nedivi — Available Now on Apple TV+.

For All Mankind is my favorite Apple TV+ show, which is saying something considering how much I absolutely love Ted Lasso. Ronald D. Moore, Matt Wolpert, and Ben Nedivi’s historical fiction series started as ‘what if the Soviet Union had reached the Moon first and, as a result, the United States continued and accelerated the space race,’ and the second season explored this alternate history science-fiction by having the Cold War take place in outer space, essentially. If the first season was a ‘small step,’ and the second season a ‘giant leap,’ then this third season cements that the previous season wasn’t just a fluke. For All Mankind is still one of the best ongoing shows on any streaming service.

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REVIEW: Munich – The Edge of War (2022)

Jeremy Irons as Neville Chamberlain in ‘Munich – The Edge of War,’ — PHOTO: Netflix.

Directed by Christian Schwochow — Screenplay by Ben Power.

Netflix releases an overwhelming amount of films on their service every year, and while not all of them are as great as their awards players, there are several hidden gems in their content library. Sometimes, though, their library can also feel like a dumping ground. In January of 2022, I’ve been a little bit worried about their recent English-language releases. I thought Monika Mitchell’s Brazen (a Lifetime-esque thriller starring Alyssa Milano) was bland and lifeless, and Rick Jacobson’s The Royal Treatment was a very cheesy, very generic, and very predictable romantic comedy. Though it isn’t without faults, Christian Schwochow’s terribly titled Munich – The Edge of War (the main title makes me think of the Spielberg film and the subtitle makes me think of it as an extremely generic picture) was much more up my alley. Based on what I’ve seen, this is the best 2022 Netflix film released thus far this January.

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