Versus-films are certainly nothing new. Films with titles such as Godzilla vs. Kong will probably always make me think of Paul W.S. Anderson’s Alien vs. Predator and its tagline: “Whoever wins, we lose,” which, in turn, makes me think of both Ronny Yu’s Freddy vs. Jason and Zack Snyder’s Batman v Superman: Dawn of Justice. None of those films are necessarily highly regarded by the vast majority of film critics, though I enjoy a couple of them, but there is of course one versus-film that trumps them all, Robert Benton’s legal drama Kramer vs. Kramer. That Oscar-winning masterpiece, which is nothing like the aforementioned films, is however, to put it mildly, an exception to the general rule, which is that versus-films are — at least now — mostly known as these show-stopping mash-up popcorn films. That is certainly the case with Adam Wingard’s latest film. It is, as one expected, nowhere near as good as Benton’s film, but it is, however, better than most of the other films that I’ve mentioned in this paragraph. Because Godzilla vs. Kong is a fun popcorn movie, which, with these kinds of blockbusters, is all you can ask for.Continue reading “REVIEW: Godzilla vs. Kong (2021)”
The following is a review of Godzilla II: King of the Monsters — Directed by Michael Dougherty.
I can’t say that I’m a big Godzilla expert. I’m what you would call a casual fan of the kaiju films. And when it’ll come to King Kong versus Godzilla in a few years, I’ll probably be on the side of the iconic ape. But that’s neither here nor there. I remember watching Emmerich’s Godzilla from 1998 when I was a kid (I don’t think I’ve seen it since), and I remember watching Gareth Edwards’ Godzilla from 2014 in the theater with my mother and my sister. I have no problem admitting that I was one of those people who was frustrated greatly by Edwards’ film which did, admittedly, give us these amazing visuals, but which suffered from the eponymous monster’s disappointing screen-time. With King of the Monsters, the kaiju-titan focused ‘monster-verse’ is course-correcting their approach to Godzilla, but, in doing so, they’ve unfortunately saddled a spectacular monster movie with thinly written characters and poor dialogue. Continue reading “REVIEW: Godzilla II: King of the Monsters (2019)”
In May, Warner Bros. is kickstarting a new fan-favorite series with Detective Pikachu, but can it catch the top spot in its opening weekend, or will Avengers: Endgame keep its golden box office crown for another week? Make no mistake, Avengers: Endgame has been breaking records left and right and we still need to talk about it. Continue reading “Box Office Predictions – May 2019”
The following is a review of Kong: Skull Island – Directed by Jordan Vogt-Roberts
In 2014, no film disappointed me more than Gareth Edwards’ Godzilla. It’s not a bad film, per se – and I do think Gareth Edwards is a talented director – but it remains one of the biggest movie disappointments over the last few years, for me. Therefore, I was, obviously, apprehensive about the next film in Warner Bros. and Legendary Entertainment’s monster movie cinematic universe.
My main issues with Godzilla were that Godzilla, essentially, had a story that was populated with mostly uninteresting characters, and that I also felt the marketing had promised me much more of both Bryan Cranston and the titular monster than we were given. Does Kong: Skull Island share those issues? Well. Yes and no. Continue reading “REVIEW: Kong: Skull Island (2017)”
The following is a retro review of ‘Cloverfield’, a Matt Reeves film.
Cloverfield is one to remember. It is the most mysterious monster film ever made, one of the best found-footage films of all-time, and, arguably, the best monster film of the 2000s. I had no idea what it was when it came out. I remember how some thought that, perhaps, it was a new Godzilla-film, and while Godzilla is a great monster, I can honestly say that I’ve never enjoyed a kaiju-movie more than I enjoyed Cloverfield when it first came out. Continue reading “RETRO REVIEW: Cloverfield (2008)”
The following is a spoiler-filled review of Godzilla — Directed by Gareth Edwards.
Not long ago, I watched Gareth Edwards’ Monsters for the first time, and that was a perfectly fine independent movie. Now, in 2014, four years after his indie-monster-flick was released, he has been given the opportunity to recapture the spirit of the former movie, with more money, an iconic franchise, an iconic kaiju, and a guaranteed audience. Sadly, I cannot quite say that his film works as well as it should. Continue reading “REVIEW: Godzilla (2014)”