Tag: Film Review

REVIEW: 6 Underground (2019)

Release Poster – Netflix

The following is a review of 6 Underground — Directed by Michael Bay.

If you think the Netflix film-catalog merely consists of Oscar bait and shoddy romantic-comedies, then Michael Bay’s 6 Underground is here to disprove that notion. While Netflix is releasing this year’s batch of awards-worthy dramas — like Marriage Story and The Irishman — they also have their complete antithesis, 6 Underground, ready for quick consumption. Its star, Ryan Reynolds, has been seen in marketing describing the film as the ‘most Michael Bay movie in the history of Michael Bay,’ thus promising an explosion-heavy, no-holds-barred modern action movie from one of the most commercially successful filmmakers in history. Reynolds’ description is apt, however, 6 Underground just isn’t a very good movie. Continue reading “REVIEW: 6 Underground (2019)” →

REVIEW: Marriage Story (2019)

Character Posters – Netflix

The following is a review of Marriage Story — Directed by Noah Baumbach.

Noah Baumbach’s Marriage Story is one of the most difficult and rawest films that I have seen this year, and I absolutely do mean that as a huge compliment. Like few other films have been able to do this year, Baumbach’s film genuinely moved me to tears multiple times over the course of the exhausting and heartbreaking but absolutely necessary 136-minute runtime. Baumbach has with The Meyerowitz Stories and Marriage Story now made two of the best films that Netflix has ever been associated with, and I actually think his latest film is not just the best of the two, but also one of the few true Netflix masterpieces that have been released this decade. Continue reading “REVIEW: Marriage Story (2019)” →

REVIEW: The Souvenir (2019)

Theatrical Release Poster – A24 / Curzon Artificial Eye

The following is a short review of The Souvenir — Directed by Joanna Hogg.

Joanna Hogg’s The Souvenir is a semi-autobiographical film about a young and posh film student’s romantic relationship with Anthony, a seemingly both successful and self-important somewhat older man. In her first major film role, Honor Swinton Byrne (the daughter of Tilda Swinton, who is also in the film, and playwright John Byrne) plays Julie, the aforementioned aspiring filmmaker, whereas Tom Burke (Only God Forgives) plays Anthony, whose addiction threatens to tear their relationship apart. It is one of the most critically acclaimed independent films of the year. However, I think that Joanna Hogg’s coming-of-age film about toxic relationships, artistic growth, and privilege is disappointingly dull and uninvolving. Continue reading “REVIEW: The Souvenir (2019)” →

REVIEW: Knives Out (2019)

Theatrical Release Poster – Lionsgate

The following is a review of Knives Out — a Rian Johnson whodunnit.

Are Agatha Christie-inspired murder mystery films making a quiet comeback right under our noses? In 2017, Kenneth Branagh resurrected the genre on the big screen with his adaptation of Murder On the Orient Express, which is getting a sequel in 2020. Earlier in 2019, Kyle Newacheck released an Adam Sandler-led murder mystery film titled Murder Mystery, which I suggested might be “the most watchable of Sandler’s made-for-Netflix comedies.” Now we have Rian Johnson’s Knives Out, which isn’t just the best of the bunch, it’s also genuinely one of the most entertaining films of the year. Knives Out is a fresh and modern labyrinthine murder mystery complete with a stylish main location, as well as witty and timely social and political satire. Continue reading “REVIEW: Knives Out (2019)” →

REVIEW: The Report (2019)

Release Poster – Amazon Studios

The following is a review of The Torture Report — Directed by Scott Z. Burns.

While Netflix is enjoying another moment in the sun with the release of Martin Scorsese’s latest masterpiece, The Irishman, which is streaming exclusively on Netflix, Amazon Studios has quietly released The Report to Prime Video. The lack of awareness that The Report is getting is reminding me of a quote in the film itself: “you have a sunlight problem.” Though The Report isn’t the most notable or, frankly, the best film released on streaming services this week, Scott Z. Burns’ film is genuinely gripping thanks, in large part, to a strong central performance from Adam Driver that elevates the otherwise potentially dramatically listless material. Continue reading “REVIEW: The Report (2019)” →

REVIEW: The Irishman (2019)

Release Poster – Netflix

The following is a review of The Irishman — Directed by Martin Scorsese.

I’ve said it before, and I’ll say it again. Martin Scorsese would arguably be on the Mt. Rushmore of American filmmakers if such a thing existed. When Scorsese laments the supposed death of cinema or questions the artistic merit of modern blockbusters, you listen to him for the simple reason that few people know the medium, the power of cinema, or the industry as well as he does. His understanding of the power of what is within or out of the frame of cinema is indescribable. Though his detractors may suggest that he is a glorified gangster film director, nothing could be further from the truth. With The Irishman, Martin Scorsese has given us a haunting and elegiac historical epic disguised as a greatest hits gangster film that stresses that, even in the autumn of his life, the master hasn’t missed a beat. Continue reading “REVIEW: The Irishman (2019)” →

REVIEW: Ford v Ferrari (2019)

Theatrical Release Poster – 20th Century Fox

The following is a review of Ford v Ferrari, also known as Le Mans ’66 — Directed by James Mangold.

James Mangold’s Ford v Ferrari tells the true story of the rivalry between Enzo Ferrari (played by Remo Girone) and Henry Ford II (played by Tracy Letts) in the lead-up to the 1966-edition of the French 24-hour race known as the ‘Le Mans.’ The film follows Carroll Shelby (played by Matt Damon), a former Le Mans winner and current automotive designer and engineer, and Ken Miles (played by Christian Bale), a testy but talented British race-car driver. Ford wants to beat Ferrari at his own game, so to speak, so he hires Shelby to design a racecar mighty enough to trounce the Italian rival, which had rejected Ford’s offer to purchase them. Shelby insists that Miles is the only man who understands the car they build together for Ford, but executives at Ford believe that Miles isn’t a company man, and they are prepared to derail the entire project to ensure that Shelby and his crew, none of whom are yes-men, follow their orders. Continue reading “REVIEW: Ford v Ferrari (2019)” →

REVIEW: Klaus (2019)

Release Poster – Netflix

The following is a review of Klaus — Directed by Sergio Pablos.

This year it almost seems like Netflix is plotting to take over the entirety of the Academy Awards. In a couple of months, Netflix hopes to have films like The Irishman, Marriage Story, and Dolemite Is My Name earn nominations and possibly wins at the prestigious awards show. At the same time, Netflix has distributed some of the year’s most talked-about documentaries, so they should earn a nomination in that category as well. Netflix has plenty of frontrunners this year’s film awards season. If Sergio Pablos’ film has anything to say about it, Netflix might also earn a nomination in the animated feature film category for the very first time. Pablos’ Klaus isn’t just Netflix’s first true attempt to earn such a nomination, Klaus is also quite good. Continue reading “REVIEW: Klaus (2019)” →

REVIEW: Midway (2019)

Theatrical Release Poster – Lionsgate

The following is a review of Midway — Directed by Roland Emmerich.

As the title indicates, Roland Emmerich’s latest film tells the story of the World War II ‘Battle of Midway,’ which, famously, was the subject of an Oscar-winning documentary from John Ford. The film tells the story of many individuals, but primarily the stories of Edwin T. Layton (played by Patrick Wilson), who worked as an intelligence officer, and Dick Best (played by Ed Skrein), a dive bomber pilot, both of whom were integral to the success of the American forces. Continue reading “REVIEW: Midway (2019)” →

REVIEW: Apollo 11 (2019 – Documentary)

Theatrical Release Poster – NEON / Universal Pictures

The following is a review of Apollo 11 — A documentary directed and edited by Todd Douglas Miller.

Todd Douglas Miller’s Apollo 11 is, as you have probably already gathered from the title, a documentary about the 1969 Apollo 11 mission, which ultimately culminated in the spaceflight landing two men on the moon for the very first time in our history. It is arguably mankind’s greatest achievement, and the iconic words from Neil Armstrong are imprinted on the minds of every adult alive. In 2018, one of the year’s very best films, Damien Chazelle’s First Man, studied Armstrong’s private life and the sacrifice that he, his family, and many Americans made to reach the lunar surface. This year, Todd Douglas Miller has made a documentary that isn’t just an outstanding companion piece, but also one of the decade’s finest documentaries. Continue reading “REVIEW: Apollo 11 (2019 – Documentary)” →