The following is a review of Tenet — Directed by Christopher Nolan.
In December of 2019, I sat down in an IMAX theater to watch the ninth episode of the so-called Skywalker-saga, Star Wars: The Rise of Skywalker. Accompanying the latest Disney space opera was an early preview of Christopher Nolan’s upcoming film Tenet. The lengthy, overwhelming, and jaw-dropping clip was riveting and showed a lot of promise. As a Star Wars fan, it hurts to admit that that clip was so good, in fact, that the Disney-film it preceded struggled to live up to it. In fact, during the last eight months, I’ve thought a lot about that preview, while I have yet to revisit The Rise of Skywalker. Christopher Nolan’s ambitious spy flick has, in the wake of the COVID-19 pandemic, been proclaimed to be the potential savior of the theatrical experience, which has, understandably, struggled immensely this summer. Continue reading “REVIEW: Tenet (2020)”→
The following is a review of Widows — Directed by Steve McQueen.
Based on Linda La Plante’s 1980s crime drama of the same name, Widows is only the fourth feature film from Academy Award, BAFTA Award, and BFI Fellowship-winning film director Steve McQueen, who has now teamed up with crime writer Gillian Flynn (Gone Girl & Sharp Objects). After having made films about Irish history, sex addiction, and the American history of slavery, McQueen’s latest film tackles themes such as class, politics, and gender via an audience-pleasing genre. Continue reading “REVIEW: Widows (2018)”→
The following is a review of The Tale — Directed by Jennifer Fox.
When Jennifer Fox was a thirteen year old girl, she had what she for the longest time would always refer to as her ‘first relationship.’ It was with an older man, she would explain. She had much love for him, she would claim. She had made use of that experience to get a good grade in English class, she would explain. She had fictionalized some of the story she had presented in class, she claimed. But none of those assertions or explanations told the whole story. Continue reading “REVIEW: The Tale (2018)”→
The following is a review of The Cloverfield Paradox — Directed by Julius Onah.
There is nothing quite like Cloverfield. The production and release of Matt Reeves’ found footage monster movie was kept under wraps for a long time. The existence of Dan Trachtenberg’s 10 Cloverfield Lane — the spiritual sequel — was only revealed one or two months before it was set to be released in theaters. And, now, The Cloverfield Paradox is released on Netflix just a few hours after the first trailer for it was released during Super Bowl LII. There is nothing quite like Cloverfield, and yet there are so many things like the immensely disappointing The Cloverfield Paradox. Continue reading “REVIEW: The Cloverfield Paradox (2018)”→
The following is a review of Guardians of the Galaxy, Vol. 2 – Directed by James Gunn
The first Guardians of the Galaxy film was very special to me. It arrived at the right time for me and family. My Godmother had just passed away, and Guardians of the Galaxy was the first film we saw as a family since she had passed away. Guardians of the Galaxy made me laugh, it made me cry, and I, to this day, still think of it as one of my favorite films of all-time. It had a huge effect on me.
The following is a review of the BBC/AMC mini-series The Night Manager, directed by Susanne Bier.
Strictly scheduled mini-series don’t always land with me at the right moment. I latch onto longer television shows or movies much easier, but once in a while some mini-series will pop up on my radar, and some aspect of it will pull me in. In 2015, Show Me A Hero was the mini-series for me, and Oscar Isaac was the main reason why I gave the HBO mini-series a chance. Now, I have found a mini-series that is exactly what I need. BBC’s The Night Manager is pretty great. Continue reading “REVIEW: The Night Manager (2016 – Mini-Series)”→