Directed by Patty Jenkins — Screenplay by Patty Jenkins, Geoff Johns, and Dave Callaham.
The highly anticipated sequel to Patty Jenkins’ 2017 film, Wonder Woman, has finally arrived in Denmark. The film was released in theaters around the world (and simultaneously on HBO Max exclusively in the United States) in December of 2020, but, a week, or so, prior to the theatrical release in Denmark, all Danish theaters were ordered to close due to the second wave of the Coronavirus global pandemic. At the time of writing, theaters are still closed. This also means that Wonder Woman 1984 eventually skipped Danish theaters entirely.
In the mean time, frustratingly, the film was not made available for premium-video-on-demand in Denmark, and it took the distributor this long to release the film on HBO Nordic. That’s right, almost exactly three months after it was released on a streaming service in the United States. But now, thankfully, that wait is over. I’ve finally had the chance to watch the sequel to the hit 2017 superhero film led by Gal Gadot. Unfortunately, while I appreciated the original film, this sequel just feels misguided.
Directed by Jason Woliner — Distributed by Amazon Studios.
In 2006, Larry Charles’ mockumentary Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan — or, you know, just Borat — became a cultural phenomenon. Fourteen years later, Sacha Baron Cohen has brought back his most popular fictional satirical character for the purpose of ringing the alarm bell as Americans get ready to vote in the 2020 Presidential Election. Although it’s not as fresh, sharp, or funny as the original hit film, Borat Subsequent Moviefilm [sic], as the sequel has been titled, is arguably the funniest movie of the year. Continue reading “REVIEW: Borat Subsequent Moviefilm (2020)”→
The following is a review of Long Shot — Directed by Jonathan Levine.
It would appear that I have a soft spot for Jonathan Levine films. His is a name that immediately gets me excited to watch a film if his name is attached to it. I am one of the few who thinks Levine’s 50/50 is a genuine masterpiece of the genre within which it belongs. Furthermore, I think his 2015 holiday film The Night Before has the makings of a modern Christmas classic — in fact, it has already become a tradition for me to watch that film every Christmas. Likewise, I really enjoyed my time with Long Shot, which is Levine’s attempt at Rogenesque romantic comedy with a political twist. While I doubt that Long Shot will become as memorable to me as the aforementioned efforts, I think it is another example of a hip Levine film that goes down well. Continue reading “REVIEW: Long Shot (2019)”→
I used to write these New Year’s Speeches every year, and I really enjoyed doing so. I sort of stopped doing it last year, but I’ve tried to find a way to comment on all of the things that happened this year. I came up with this post, in which I want to talk about the entire year briefly. Film, television, and politics. Good and bad. Hope and dread. So if you don’t want anything political with your movie news, speculation, or discussion, then this isn’t the post for you. Continue reading “Goodbye 2016”→