Mickey 17 (2025) | REVIEW

Robert Pattinson and Robert Pattinson in Bong Joon-ho’s MICKEY 17 — PHOTO: Watner Bros. Pictures (Still image from trailers).

Directed by Bong Joon-ho — Screenplay by Bong Joon-ho.

It boggles the mind that it’s been more than half a decade since the release of Bong Joon-ho’s Parasite, the first non-English language feature to win Best Picture at the Academy Awards. Director Bong’s Oscar-winning magnum opus is a widely recognized 21st Century masterpiece, and, thusly, the director’s follow-up to such an achievement would always be hotly anticipated, especially given the fact that his next release was a blockbuster-budgeted American studio release. In fascinating fashion, Bong Joon-ho has spent his Hollywood blank cheque, or carte blanche, on a scathing but funny political satire sci-fi flick about the way capitalist governments, whose leaders may use religion to gain and exercise power, view and treat the common person, women, and foreign territories, as well as its inhabitants. Bong Joon-ho’s Mickey 17, an adaptation of Edward Ashton’s novel Mickey7, is ambitious, messy, strangely predictive about the time we’re in, and very much a Bong Joon-ho film, even though it is very different from Parasite.

Continue reading “Mickey 17 (2025) | REVIEW”

REVIEW: The Boys – Season Three (2022)

Billy Butcher (played by Karl Urban) and Homelander (played by Antony Starr) go toe-to-toe in this season of THE BOYS. — PHOTO: Amazon Studios / Prime Video.

Series Developed by Eric Kripke — Season Three consists of 8 episodes.

These days superhero shows are a dime a dozen. There’s the Arrow-verse, the Netflix-era Defenders Marvel series universe, the Disney+ shows, and so much more. There are so many that I can’t say I’ve seen all of them, even though I once was very much into following all of these superhero shows. These days it’s like the second you blink, that one superhero show you once watched a couple of episodes of now has had close to ten seasons and it feels like no one has noticed. For superhero die-hard fans, select shows are must-watch. These must-see shows are things like Peacemaker and the ever-growing streaming series corner of the Marvel Cinematic Universe, but then there’s also this other show developed by the creator of Supernatural, Eric Kripke, and produced by the brilliant comedic minds of Seth Rogen and Evan Goldberg. I am of course talking about Prime Video’s The Boys, the one major superhero show that you can’t watch with your family without getting some awkward silences or looks. It’s a terrific show that I can’t believe exists, and this third season of the show was its very best thus far, even though the season peaked a couple of episodes prior to its season finale.

Continue reading “REVIEW: The Boys – Season Three (2022)”

REVIEW: Wonder Woman 1984 (2020)

Gal Gadot as Wonder Woman (left) and Chris Pine as Steve Trevor (right) in Wonder Woman 1984 — Photo: DC Comics / Warner Bros.

Directed by Patty Jenkins — Screenplay by Patty Jenkins, Geoff Johns, and Dave Callaham.

The highly anticipated sequel to Patty Jenkins’ 2017 film, Wonder Woman, has finally arrived in Denmark. The film was released in theaters around the world (and simultaneously on HBO Max exclusively in the United States) in December of 2020, but, a week, or so, prior to the theatrical release in Denmark, all Danish theaters were ordered to close due to the second wave of the Coronavirus global pandemic. At the time of writing, theaters are still closed. This also means that Wonder Woman 1984 eventually skipped Danish theaters entirely.

In the mean time, frustratingly, the film was not made available for premium-video-on-demand in Denmark, and it took the distributor this long to release the film on HBO Nordic. That’s right, almost exactly three months after it was released on a streaming service in the United States. But now, thankfully, that wait is over. I’ve finally had the chance to watch the sequel to the hit 2017 superhero film led by Gal Gadot. Unfortunately, while I appreciated the original film, this sequel just feels misguided.

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REVIEW: Borat Subsequent Moviefilm (2020)

Release Poster – Amazon Studios

Directed by Jason Woliner — Distributed by Amazon Studios.

In 2006, Larry Charles’ mockumentary Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan — or, you know, just Borat — became a cultural phenomenon. Fourteen years later, Sacha Baron Cohen has brought back his most popular fictional satirical character for the purpose of ringing the alarm bell as Americans get ready to vote in the 2020 Presidential Election. Although it’s not as fresh, sharp, or funny as the original hit film, Borat Subsequent Moviefilm [sic], as the sequel has been titled, is arguably the funniest movie of the year. Continue reading “REVIEW: Borat Subsequent Moviefilm (2020)”

REVIEW: Long Shot (2019)

Theatrical Release Poster – Lionsgate

The following is a review of Long Shot — Directed by Jonathan Levine.

It would appear that I have a soft spot for Jonathan Levine films. His is a name that immediately gets me excited to watch a film if his name is attached to it. I am one of the few who thinks Levine’s 50/50 is a genuine masterpiece of the genre within which it belongs. Furthermore, I think his 2015 holiday film The Night Before has the makings of a modern Christmas classic — in fact, it has already become a tradition for me to watch that film every Christmas. Likewise, I really enjoyed my time with Long Shot, which is Levine’s attempt at Rogenesque romantic comedy with a political twist. While I doubt that Long Shot will become as memorable to me as the aforementioned efforts, I think it is another example of a hip Levine film that goes down well. Continue reading “REVIEW: Long Shot (2019)”

Goodbye 2016

2016-year-in-review

I used to write these New Year’s Speeches every year, and I really enjoyed doing so. I sort of stopped doing it last year, but I’ve tried to find a way to comment on all of the things that happened this year. I came up with this post, in which I want to talk about the entire year briefly. Film, television, and politics. Good and bad. Hope and dread. So if you don’t want anything political with your movie news, speculation, or discussion, then this isn’t the post for you. Continue reading “Goodbye 2016”