Sorry, Baby (2025) | REVIEW

Eva Victor in SORRY, BABY — PHOTO: A24 (Still image from trailers).

Directed by Eva Victor — Screenplay by Eva Victor.

Earlier this week, I sat down to finally watch one of the most discussed and praised directorial debuts of 2025. Eva Victor’s Sorry, Baby has already been celebrated by the National Board of Review as the best directorial debut of last year, and it was recognized with nominations at both the Indie Spirit Awards, Critics’ Choice Awards, the DGA Awards, and the Golden Globes. As such, it is one of the most high-profile independent films of last year, which comes with some pretty high expectations. So, I was naturally very intrigued by it, and, as the film came to a close, I was also very impressed by the narrative and the incredible multi-hyphenate at the center of it.

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REVIEW: His House (2020)

Film Poster His House
Release Poster – Netflix

Directed by Remi Weekes — Screenplay by Remi Weekes — Story by Felicity Evans & Toby Venables.

Every once in a while, you find yourself watching a feature-length debut that knocks you sideways and reminds you of just how magical debut films can be. Babak Anvari’s Under the Shadow was that kind of film and I think that Remi Weekes’ feature-length debut film, His House, is equally good. Weekes’ film has been released very close to Halloween 2020, and, even though the subject matter is not a classic horror story, the film is designed to fit into a classic horror movie subgenre. This is a brilliant haunted house flick. Continue reading “REVIEW: His House (2020)”

Best of the 2010s: Directorial Debut Films

There is something very exciting about a directorial debut. Obviously, the filmmaker is excited about their first chance to step behind the camera on a feature film, but, as an audience member or film writer of any kind, it is so fascinating to see the choices being made. Sometimes some of the boldest and most imaginative filmmakers present us with instant classics, other times newcomers deliver a product that may not be extraordinary filmmaking but which may still be a moving or exciting motion picture. In this month’s best of the decade list, I’m honoring the very best directorial debuts. Some of them are first works for potential auteurs, while others are impressive blockbuster entertainment from untested new filmmakers just learning the ropes. Continue reading “Best of the 2010s: Directorial Debut Films”