The End of Oak Street (2026) | REVIEW

The Platt family (L-R: Ewan McGregor, Christian Convery, Maisy Stella, and Anne Hathaway) looking out at a changed world in THE END OF OAK STREET — PHOTO: Warner Bros. Pictures (Still image from tra

Directed by David Robert Mitchell (It Follows; Under the Silver Lake) — Screenplay by David Robert Mitchell.

I think it’s fair to say that we’ve been treated to an undersupply of dinosaur films since Steven Spielberg and his crew perfected big-screen dinosaur action storytelling with the masterpiece that is 1993’s Jurassic Park. For whatever reason, there haven’t been many attempts to tell new stories with dinosaurs, other than the increasingly threadbare Jurassic sequels. The most notable live-action attempts have been Peter Jackson’s King Kong from the mid-2000s, which I quite like, and Scott Beck and Bryan Woods’ quite underwhelming Adam Driver-vehicle titled 65. This summer, we’re treated to another attempt at non-Jurassic World dinosaur-centric cinema. The Warner Bros. picture is the long-awaited fourth feature from It Follows-director David Robert Mitchell, whose last film was the 2018 stoner noir film Under the Silver Lake, which has amassed something of a cult following. I thoroughly enjoyed both his horror breakthrough and his aforementioned cult film, so I can say that I’ve enjoyed every film of his that I’ve seen up to this point. The same goes for The End of Oak Street, which is a terrific crowd-pleaser of a dinosaur summer flick that ticks all the right boxes.

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Jurassic World: Dominion (2022) | REVIEW

(L-R) Jeff Goldblum, Sam Neill, Laura Dern, Bryce Dallas Howard, Chris Pratt, Isabella Sermon, and DeWanda Wise in Jurassic World: Dominion — PHOTO: Universal Pictures (Still image from trailers).

Directed by Colin Trevorrow — Screenplay by Emily Carmichael and Colin Trevorrow.

Jurassic Park came out the year I was born. I grew up watching that masterpiece and Steven Spielberg’s sequel, The Lost World, over and over again. Heck, despite Joe Johnston’s Jurassic Park III not being particularly good, I still think about that movie all the time and have a lot of fun with it. So, why did this Jurassic Park fan not bother watching Jurassic World: Dominion when it was released theatrically or even review it until this point? Honestly, despite the fact that I liked 2015’s Jurassic World on first viewing and reviewed it favorably, I thought Fallen Kingdom was a low point for the film series and that it made decisions that took the franchise and turned it into something far less interesting than it should be. However, I was hopeful that said film’s ending would signal an interesting sequel, given it opened up dinosaurs to the entire world, but when I heard the negative word-of-mouth upon Jurassic World: Dominion‘s release, I felt incredibly deflated and had no desire to go and see it. That said, now that Gareth Edwards has released his attempt at a Jurassic Park sequel — with Jurassic World: Rebirth — I thought now was a good time to rip off the band-aid and finally review Dominion, which I, honestly, thought was a catastrophic attempt at a sequel.

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