Directed by Antoine Fuqua — Screenplay by Nic Pizzolatto.
Antoine Fuqua’s The Guilty, written by True Detective-creator Nic Pizzolatto, is an American remake of the 2018 Danish single-location thriller Den Skyldige, which was then directed by Gustav Möller. The film follows Joe Baylor (played by Jake Gyllenhaal), who is an agitated LAPD officer with a troubled past, while he is at a 911 call center. Though he is initially largely uninterested at the call center, he suddenly ‘wakes up’ when a distressed woman calls him and says she is being abducted by her ex-husband. From his computer and telephone, Joe must now try to figure out what is happening and try to get law enforcement to her position before it is too late.
In recent years, Netflix has gained a foothold in basically all corners of the world. As it becomes a global streaming service, Netflix is also starting to churn out local foreign language content that can grow a global audience. In recent weeks, that has happened with a show like the South Korean survival drama Squid Game, which has been compared to everything from The Hunger Games to Saw. But, of course, the most famous non-English language Netflix original series are Money Heist from Spain and Dark from Germany.
On Monday April 26th, 2021, the day after Thomas Vinterberg’s Another Round (Danish Title: Druk) had won the Best International Feature Film Oscar, DEADLINE Hollywood reported that, to the surprise of no one, Hollywood wanted to make another English-language remake of a popular non-American hit. What was surprising, however, was that the English-language remake rights had been acquired by Appian Way, Endeavor Content, and Makeready for the purpose of developing a remake as a star vehicle for Leonardo DiCaprio, arguably the biggest movie star on the planet. So, how should we feel about that? Is it an exciting pat on the back, or should we be upset?
The following is a review of Den Skyldige (also known as ‘The Guilty’) — Directed by Gustav Möller.
The Danish single-location thriller, Den Skyldige, is the debut film of Swedish-born director Gustav Möller, a former student at the National Film School of Denmark, and it revolves around a frustrated police officer at an emergency call center. Continue reading “REVIEW: Den Skyldige (2018)”→